The Complete Works of R. Austin Freeman: Action Thrillers, Murder Mysteries & Detective Stories (Illustrated). R. Austin Freeman
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I hesitated. As to my own experiences, I had no secrets from these friends of mine, excepting those that related to the subjects of Thorndyke's investigations, But I must not come here and babble about what took place in the sacred precincts of my principal's chambers. "I think I may tell you," said I," that Dr. Thorndyke has discovered the identity of this man and that he is not the person whom we suspected him to be. But I mustn't say any more, as the information came through professional channels and consequently is not mine to give."
"Of course you mustn't," said Sylvia; "though I don't mind admitting that you have put me on tenterhooks of curiosity. But I daresay you will be able to tell us everything later."
I agreed that I probably should; and the talk then turned into fresh channels.
The short winter day was running out apace. The daylight had long since gone, and I began, with infinite reluctance, to think of returning to my cage. Indeed, when I looked at my watch, I was horrified to see how the time had fled. "My word!" I exclaimed. "I must be off, or Thorndyke will be putting the sleuth-hounds of the law on my track. And I don't know what you will think of me for having stayed such an unconscionable time."
"It isn't a ceremonial visit," said Sylvia, as I rose and made my adieux to her aunt. "We should have liked you to stay much longer."
Here she paused suddenly, and, clasping her hands, gazed at me with an expression of dismay. "Good Heavens! Humphrey!" she exclaimed.
"Eh?" said Miss Vyne.
"I was addressing Dr. Jardine," Sylvia explained, in some confusion.
"I didn't suppose you were addressing me," was the withering reply.
"Do you know," said Sylvia," that I haven't shown you those sketches, after all. You must see them. They were the special object of your visit."
This was perfectly untrue, and she knew it; but I did not think it worth while to contest the statement in Miss Vyne's presence. Accordingly I expressed the utmost eagerness to see the trumpery sketches, and the more so since I had understood that they were on view in the studio; which turned out to be the case. "It won't take a minute for you to see them," said Sylvia. "I'll just run up and light the gas; and you are not to come in until I tell you."
She preceded me up the stairs to the little room on the first floor in which she worked, and, when I had waited a few moments on the landing she summoned me to enter. "These are the sketches," said she, "that I have finished. You see, they are quite presentable now. I cleaned off the rough daubs of paint with a scraper and finished up with a soft rag dipped in chloroform."
I ran my eye over the framed sketches, which, now that the canvases were strained on stretchers and the disfiguring brush-strokes removed, were, as she had said, quite presentable, though too rough and unfinished to be attractive. "I daresay they are very interesting," said I, " but they are only bare beginnings. I shouldn't have thought them worth framing."
"Not as pictures," she agreed;" but as examples of a very curious technique, I find them most instructive. However, you haven't seen the real gem of the collection. This is it, on the easel. Sit down, on the chair and say when you are ready. I'm going to give you a surprise."
I seated myself on the chair opposite the easel, on which was a canvas with its back towards me. "Now," said Sylvia. "Are you ready? One, two, three!"
She picked up the canvas, and, turning it round quickly, presented its face to me. I don't know what I had expected—if I had expected anything; but certainly I was not in the least prepared for what I saw. The sketch had originally represented, very roughly, a dark mass of trees which occupied nearly the whole of the canvas; but of this the middle had been cleaned away, exposing an under painting. And this it was that filled me with such amazement that, after a first startled exclamation, I could do nothing but stare open-mouthed at the canvas; for, from the opening in the dark mass of foliage there looked out at me, distinct and unmistakable, the face of Mrs. Samway.
It was no illusion or chance resemblance. Rough as the painting was, the likeness was excellent. All the well-known features which made her so different from other women were there, though expressed by a mere dextrous turn of the knife; the jet-black, formally-parted hair, the clear, bright complexion, the pale, inscrutable eyes; all were there, even to the steady, penetrating expression that looked out at me from the canvas as if in silent recognition. As I sat staring at the picture with a surprise that almost amounted to awe, Sylvia looked at me a little blankly. "Well!" she exclaimed, at length, "I meant to give you a surprise, but—what is it, Humphrey? Do you know her?"
"Yes," I replied;" and so do you. Don't you remember a woman who looked in at you through the glass door of Robinson's shop"
"Do you mean that black and scarlet creature? I didn't recognize her. I had no idea she was so handsome; for this is really a very beautiful face, though there is something about it that I don't understand. Something—well eerie; rather uncanny and almost sinister. Don't you think so?"
"I have always thought her a rather weird woman, but this is the weirdest appearance she has made. How on earth came her face on that canvas?"
"It is an odd coincidence. And yet I don't know that it is. She may have been some relative of that rather eccentric artist, or even his wife. I don't know why it shouldn't be so."
Neither did I. But the coincidence remained a very striking one, to me, at least; much more so than Sylvia realized; though what its significance might be—if it had any—I could not guess. Nor was there any opportunity to discuss it at the moment, for it was high time for me to be gone. "You will send me a telegram when you get back, to say that you have arrived home safely, won't you," said Sylvia, as we descended the stairs with our arms linked together. "Of course nothing is going to happen to you, but I can't help feeling a little nervous. And you'll go down to the station by the High Street, and keep to the main roads. That is a promise, isn't it?"
I made the promise readily having decided previously to take every possible precaution, and, when I had wished Sylvia "good-bye" at some length, I proceeded to execute it; making my way down the well-populated High Street and keeping a bright look-out both there and at the station. Once more I was fortunate in the matter of trains, and, having taken a hansom from Broad Street to the Temple, was set down in King's Bench Walk soon after half-past six.
As I approached our building, I looked up with some anxiety at the sitting-room windows; and when I saw them brightly lighted, a suspicion that Thorndyke had returned earlier than usual filled me with foreboding, I had had my dance and now I was going to pay the piper, and I did not much enjoy the prospect; in fact, as I ascended the stairs and took my latch-key from my pocket, I was as nervous as a school-boy who has been playing truant However, there was no escape unless I sneaked up to my bed-room, so, inserting the key into the lock, I turned it as boldly as I could, and entered.
XVIII. A Visitor From the States
As I pushed open the inner door and entered the room I conceived the momentary hope of a reprieve from the wrath to come, for I found my two friends in what was evidently a business consultation with a stranger, and was on the point of backing out when Thorndyke stopped me. "Don't run away, Howard," said he. "There are no secrets