Shut softly up alive. To speak he tries.“Fair damsel, pity me! forgive that I
Thus violate thy bower’s sanctity!
O pardon me, for I am full of grief–
Grief born of thee, young angel! fairest thief! Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur’d brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.– Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern’d earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion.”–As her heart would burst
The maiden sobb’d awhile, and then replied:
“Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg’d little ones to brush
About the dewy forest, whisper tales?–
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks ’twould be a guilt–a very guilt–
Not to companion thee, and sigh away
The light–the dusk–the dark–till break of day!”
“Dear lady,” said Endymion, “’tis past:
I love thee! and my days can never last. That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight–I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?”–Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay —
“O Sorrow,
Why dost borrow
The natural hue of health, from vermeil lips?– To give maiden blushes
To the white rose bushes?
Or is it thy dewy hand the daisy tips?
“O Sorrow,
Why dost borrow
The lustrous passion from a falcon-eye?–
To give the glow-worm light?
Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?
“O Sorrow, Why dost borrow
The mellow ditties from a mourning tongue?–
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
“O Sorrow,
Why dost borrow
Heart’s lightness from the merriment of May?–
A lover would not tread
A cowslip on the head, Though he should dance from eve till peep of day–
Nor any drooping flower
Held sacred for thy bower,
Wherever he may sport himself and play.
“To Sorrow,
I bade good-morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind: I would deceive her
And so leave her,
But ah! she is so constant and so kind.
“Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,–
And so I kept
Brimming the water-lily cups with tears
Cold as my fears.
“Beneath my palm trees, by the river side, I sat a weeping: what enamour’d bride,
Cheated by shadowy wooer from the clouds,
But hides and shrouds
Beneath dark palm trees by a river side?
“And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue–
’Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din– ’Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown’d with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
