Marthy!" Once before in her life Billy Louise had seen Marthy's chin quivering like that, and big, slow tears sliding down the network of lines on Marthy's leathery cheeks. With a painful slump her spirits went heavy with her sympathy. "Marthy!"
She knew without a word of explanation just what had happened. From Marthy's bent shoulders she knew, and from her tear-stained face, and from the yellow soil clinging still to the shovel in her hand. The wide eyes of Billy Louise sent seeking glances up the slope where the soil was yellow; went to the long, raw ridge under the wall, with the peach blossoms standing pitifully awry upon the western end. Her eyes filled with tears. "Oh, Marthy! When was it?"
"In the night, sometime, I guess." Marthy's voice had a harsh huskiness. "He was—gone—when I woke up. Well—he's better off than I be. I dunno what woulda become of him if I'd went first." There, at last, was a note of tenderness, stifled though it was and fleeting. "Git down, Billy Louise, and come in. I been kinda lookin' for yuh to come, ever sence the weather opened up. How's your maw?"
Spoken sympathy was absolutely impossible in the face of that stoical acceptance of life's harsh law. Marthy turned toward the gate, taking the shovel and the wheelbarrow in with her. Billy Louise glanced furtively at the raw, yellow ridge under the rock wall and rode on to the stable. She pulled off the saddle and bridle and turned Blue into the corral before she went slowly—and somewhat reluctantly—to the cabin, squat, old, and unkempt like its mistress, but buried deep in the renewed sweetness of bloom-time.
"The fruit's comin' on early this year," said Marthy from the doorway, her hands on her hips. "They's goin' to be lots of it, too, if we don't git a killin' frost." So she closed the conversational door upon her sorrow and pointed the way to trivial, every-day things.
"What are you going to do now, Marthy?" Billy Louise was perfectly capable of opening a conversational door, even when it had been closed decisively in her face. "You can't get on here alone, you know. Did you send for that nephew? If you haven't, you must hire somebody till—"
"He's comin'. That letter you sent over last month was from him. I dunno when he'll git here; he's liable to come most any time. I ain't going to hire nobody. I kin git along alone. I might as well of been alone—" Even harsh Marthy hesitated and did not finish the sentence that would have put a slight upon her dead.
"I'll stay to-night, anyway," said Billy Louise. "Just a week ago I hired John Pringle and that little breed wife of his for the summer. I couldn't afford it," she added, with a small sigh, "but Ward had to go back to his claim, and mommie needs someone in the house. She hasn't been a bit well, all winter. And I've turned all the stock out for the summer and have to do a lot of riding on them; it's that or let them scatter all over the country and then have to hire a rep for every round-up. I can't afford that, I haven't got cattle enough to pay; and I like to ride, anyway. I've got them pretty well located along the creek, up at the head of the canyons. The grass is coming on fine, so they don't stray much. Are you going to turn your cattle out, Marthy? I see you haven't yet."
"No, I ain't yit. I dunno. I was going to sell 'em down to jest what the pasture'll keep. I'm gittin' too old to look after 'em. But I dunno— When Charlie gits here, mebby—"
"Oh, is that the nephew? I didn't know his name." Billy Louise was talking aimlessly to keep her thoughts away from the pitifulness of the sordid little tragedy in this beauty-spot and to drive that blank, apathetic look from Marthy's hard eyes.
"Charlie Fox, his name is. I hope he turns out a good worker. I've never had a chance to git ahead any; but if Charlie'll jest take holt, I'll mebby git some comfort outa life yit."
"He ought, to, I'm sure. And everyone thinks you've done awfully well, Marthy. What can I do now? Wash the dishes and straighten things up, I guess."
"You needn't do nothin' you ain't a mind to do, Billy Louise. I don't want you to think you got to slop around washin' my dirty dishes. I'm goin' on down into the medder and work on a ditch I'm puttin' in. You jest do what you're a mind to." She picked up the shovel and went off down the jungly path, herself the ugliest object in the Cove, where she had created so much beauty.
Again the sympathetic soul of Billy Louise had betrayed her into performing an extremely disagreeable task. Shudderingly she looked into the unpleasant bedroom, and comprehending all of the sordidness of the tragedy, spent half an hour with her teeth set hard together while she dragged out dingy blankets and hung them over the fence under a voluptuous plum-tree. The next hour was so disagreeably employed that she wondered afterward how even her sympathy could have driven her to the things she did. She carried more water, after she had scrubbed that bedroom, and opened the window with the aid of the hammer, and set the tea-kettle on to heat the dish-water. Then, because her mind was full of poor, dead Jase, she took the branches of wild cherry and hawthorn blossoms she had gathered coming down the gorge and went up the slope to lay them on his grave.
She sat down on the rock where Marthy had rested after digging the grave, and with her chin in her two cupped palms, stared out across the river at the heaped bluffs and down at the pink-and-white patch of fruit-trees. She was trying, as the young will always try, to solve the riddle of life; and she was baffled and unhappy because she could not find any answer at all that pleased both her ideals and her reason. And then she heard a man's voice lifted up in riotous song, and she turned her head toward the opening of the gorge and listened, her eyes brightening while she waited.
"Foot in the stirrup and hand on the horn,
Best damn cowboy ever was born,
Coma ti yi youpy, youpy-a, youpy-a,
Coma ti yi youpy, youpy-a!"
Billy Louise, with her chin still in her palms, smiled and hummed the tune under her breath; that shows how quickly we throw off the burdens of our neighbors. "Wonder what he's doing down here?" she asked herself, and smiled again.
"I'll sell my outfit soon as I can,
I won't punch cattle for no damn' man,
Coma ti yi youpy, youpy-a, youpy-a,
Coma ti yi youpy, youpy-a!
"I'm goin' back to town to draw my money,
I'm going back to town to see my honey,
Coma ti yi—"
Ward came into sight through the little meadow, riding slowly, with both hands clasped over the horn of the saddle, his hat tilted back on his head, and his whole attitude one of absolute content with life. He saw Billy Louise almost as soon as she glimpsed him—and she had been watching that bit of road quite closely. He flipped the reins to one side and turned from the trail to ride straight up the slope to where she was.
Billy Louise, with a self-reproachful glance at the grave, ran down the slope to meet him—an unexpected welcome which made Ward's heart leap in his chest.
"Oh, Ward, for heaven's sake don't be singing that come-all-ye at the top of your voice, like that. Don't you—"
"Now I was given to understand that you liked that same come-all-ye. Have you been educating your musical taste in the last week, Miss William Louisa?" Ward stopped his horse before her, and with his hands still clasped over the saddle-horn, looked down at her with that hidden smile—and something else.
"No, I haven't. I don't have to educate myself to the point where I know the Chisholm Trail isn't a proper kind of funeral hymn, Ward Warren." Billy Louise glanced over her shoulder and lowered her voice instinctively, as we all do when death has come close and stopped. "Jase died last night;
