stairs of heavy masonry. Two battlemented walls, one of which faced the avenue, and the other divided the court from the garden, completed the inclosure.
Nor was the court without its ornaments. In one corner was a tun-bellied pigeon-house, of great size and rotundity, resembling in figure and proportion the curious edifice called Arthur’s Oven, which would have turned the brains of all the antiquaries in England, had not the worthy proprietor pulled it down for the sake of mending a neighbouring dam-dyke. This dove-cot, or columbarium, as the owner called it, was no small resource to a Scottish laird of that period, whose scanty rents were eked out by the contributions levied upon the farms by these light foragers, and the conscriptions exacted from the latter for the benefit of the table.
Another corner of the court displayed a fountain, where a huge bear, carved in stone, predominated over a large stone-basin, into which he disgorged the water. This work of art was the wonder of the country ten miles round. It must not be forgotten, that all sorts of bears, small and large, demi or in full proportion, were carved over the windows, upon the ends of the gables, terminated the spouts, and supported the turrets, with the ancient family motto, ‘Beware the Bear’, cut under each hyperborean form. The court was spacious, well paved, and perfectly clean, there being probably another entrance behind the stables for removing the litter. Everything around appeared solitary, and would have been silent, but for the continued plashing of the fountain; and the whole scene still maintained the monastic illusion which the fancy of Waverley had conjured up. And here we beg permission to close a chapter of still life.24
24 There is no particular mansion described under the name of Tully-Veolan; but the peculiarities of the description occur in various old Scottish seats. The House of Warrender upon Bruntsfield Links and that of Old Ravelston, belonging, the former to Sir George Warrender, the latter to Sir Alexander Keith, have both contributed several hints to the description in the text. The House of Dean, near Edinburgh, has also some points of resemblance with Tully-Veolan. The author has, however, been informed that the House of Grandtully resembles that of the Baron of Bradwardine still more than any of the above.
Chapter IX
More of the Manor-House and its Environs
After having satisfied his curiosity by gazing around him for a few minutes, Waverley applied himself to the massive knocker of the hall-door, the architrave of which bore the date 1594. But no answer was returned, though the peal resounded through a number of apartments, and was echoed from the court-yard walls without the house, startling the pigeons from the venerable rotunda which they occupied, and alarming anew even the distant village curs, which had retired to sleep upon their respective dunghills. Tired of the din which he created, and the unprofitable responses which it excited, Waverley began to think that he had reached the castle of Orgoglio as entered by the victorious Prince Arthur, —
When ‘gan he loudly through the house to call,
But no man cared to answer to his cry;
There reign’d a solemn silence over all,
Nor voice was heard, nor wight was seen in bower or hall.
Filled almost with expectation of beholding some ‘old, old man, with beard as white as snow,’ whom he might question concerning this deserted mansion, our hero turned to a little oaken wicket-door, well clenched with iron-nails, which opened in the court-yard wall at its angle with the house. It was only latched, notwithstanding its fortified appearance, and, when opened, admitted him into the garden, which presented a pleasant scene. 25 The southern side of the house, clothed with fruit-trees, and having many evergreens trained upon its walls, extended its irregular yet venerable front along a terrace, partly paved, partly gravelled, partly bordered with flowers and choice shrubs. This elevation descended by three several flights of steps, placed in its centre and at the extremities, into what might be called the garden proper, and was fenced along the top by a stone parapet with a heavy balustrade, ornamented from space to space with huge grotesque figures of animals seated upon their haunches, among which the favourite bear was repeatedly introduced. Placed in the middle of the terrace between a sashed-door opening from the house and the central flight of steps, a huge animal of the same species supported on his head and fore-paws a sun-dial of large circumference, inscribed with more diagrams than Edward’s mathematics enabled him to decipher.
The garden, which seemed to be kept with great accuracy, abounded in fruit-trees, and exhibited a profusion of flowers and evergreens, cut into grotesque forms. It was laid out in terraces, which descended rank by rank from the western wall to a large brook, which had a tranquil and smooth appearance, where it served as a boundary to the garden; but, near the extremity, leapt in tumult over a strong dam, or wear-head, the cause of its temporary tranquillity, and there forming a cascade, was overlooked by an octangular summer-house, with a gilded bear on the top by way of vane. After this feat, the brook, assuming its natural rapid and fierce character, escaped from the eye down a deep and wooded dell, from the copse of which arose a massive, but ruinous tower, the former habitation of the Barons of Bradwardine. The margin of the brook, opposite to the garden, displayed a narrow meadow, or haugh, as it was called, which formed a small washing-green; the bank, which retired behind it, was covered by ancient trees.
The scene, though pleasing, was not quite equal to the gardens of Alcina; yet wanted not the ‘due donzellette garrule’ of that enchanted paradise, for upon the green aforesaid two bare-legged damsels, each standing in a spacious tub, performed with their feet the office of a patent washing-machine. These did not, however, like the maidens of Armida, remain to greet with their harmony the approaching guest, but, alarmed at the appearance of a handsome stranger on the opposite side, dropped their garments (I should say garment, to be quite correct) over their limbs, which their occupation exposed somewhat too freely, and, with a shrill exclamation of ‘Eh, sirs!’ uttered with an accent between modesty and coquetry, sprung off like deer in different directions.
“Eh, Sirs! — Original Etching by George Cruickshank
Waverley began to despair of gaining entrance into this solitary and seemingly enchanted mansion, when a man advanced up one of the garden alleys, where he still retained his station. Trusting this might be a gardener, or some domestic belonging to the house, Edward descended the steps in order to meet him; but as the figure approached, and long before he could descry its features, he was struck with the oddity of its appearance and gestures. Sometimes this mister wight held his hands clasped over his head, like an Indian Jogue in the attitude of penance; sometimes he swung them perpendicularly, like a pendulum, on each side; and anon he slapped them swiftly and repeatedly across his breast, like the substitute used by a hackney-coachman for his usual flogging exercise, when his cattle are idle upon the stand, in a clear frosty day. His gait was as singular as his gestures, for at times he hopped with great perseverance on the right foot, then exchanged that supporter to advance in the same manner on the left, and then putting his feet close together he hopped upon both at once. His attire also was antiquated and extravagant. It consisted in a sort of grey jerkin, with scarlet cuffs and slashed sleeves, showing a scarlet lining; the other parts of the dress corresponded in colour, not forgetting a pair of scarlet stockings, and a scarlet bonnet, proudly surmounted with a turkey’s feather. Edward, whom he did not seem to observe, now perceived confirmation in his features of what the mien and gestures had already announced. It was apparently neither idiocy nor insanity which gave that wild, unsettled, irregular expression
