Earl Derr Biggers: Complete 11 Novels in One Volume (Illustrated Edition). Earl Derr Biggers
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"Now, see here, Charlie—if I may call you that?"
"Greatly honored, to be sure."
"Let's not be foolish, just because we're far from home on a desert. Chinese may be psychic people, as you say. But I see myself trying to explain that to Victor Jordan—and to dad. All we were to find out was whether Madden was here or not. He is. Please go to Madden at once and tell him I want to see him in his bedroom in twenty minutes. When I go in you wait outside his door, and when I call you—come. We'll hand over our burden then and there."
"An appalling mistake," objected Chan.
"Why? Can you give me one definite reason?"
"Not in words, which are difficult. But—"
"Then I'm very sorry, but I'll have to use my own judgment. I'll take the full responsibility. Now, really, I think you'd better go—"
Reluctantly, Charlie went. Bob Eden lighted a cigarette and sat down before the fire. Silence had closed down like a curtain of fog over the house, over the desert, over the world. An uncanny silence that nothing, seemingly, would ever break.
Eden thought deeply. What had Charlie Chan been talking about, anyhow? Rot and nonsense. They loved to dramatize things, these Chinese. Loved to dramatize themselves. Here was Chan playing a novel role, and his complaint against it was not sincere. He wanted to go on playing it, to spy around and imagine vain things. Well, that wasn't the American way. It wasn't Bob Eden's way.
The boy looked at his watch. Ten minutes since Charlie had left him; in ten minutes more he would go to Madden's room and get those pearls off his hands forever. He rose and walked about. From his window opposite the patio he looked out across the dim gray desert to the black bulk of distant hills. Ye gods, what a country. Not for him, he thought. Rather street lamps shining on the pavements, the clamor of cable-cars, crowds, crowds of people. Confusion and—noise. Something terrible about this silence. This lonely silence—
A horrible cry shattered the night. Bob Eden stood, frozen. Again the cry, and then a queer, choked voice: "Help! Help! Murder!" The cry. "Help! Put down that gun! Help! Help!"
Bob Eden ran out into the patio. As he did so, he saw Thorn and Charlie Chan coming from the other side. Madden—where was Madden? But again his suspicion proved incorrect—Madden emerged from the living-room and joined them.
Again came the cry. And now Bob Eden saw, on a perch ten feet away, the source of the weird outburst. A little gray Australian parrot was hanging there uncertainly, screeching its head off.
"That damn bird," cried Madden angrily. "I'm sorry, Mr. Eden—I forgot to tell you about him. It's only Tony, and he's had a wild past, as you may imagine."
The parrot stopped screaming and blinked solemnly at the little group before him. "One at a time, gentlemen, please," he squawked.
Madden laughed. "That goes back to his barroom days," he said. "Picked it up from some bartender, I suppose."
"One at a time, gentlemen, please."
"It's all right, Tony," Madden continued. "We're not lined up for drinks. And you keep quiet. I hope you weren't unduly alarmed, Mr. Eden. There seems to have been a killing or two in those barrooms where Tony used to hang out. Martin,"—he turned to his secretary—"take him to the barn and lock him up."
Thorn came forward. Bob Eden thought that the secretary's face was even paler than usual in the moonlight. He held out his hands to the parrot. Did Eden imagine it, or were the hands really trembling? "Here, Tony," said Thorn. "Nice Tony. You come with me." Gingerly he unfastened the chain from Tony's leg.
"You wanted to see me, didn't you?" Madden said. He led the way to his bedroom, and closed the door behind them. "What is it? Have you got those pearls, after all?"
The door opened, and the Chinese shuffled into the room.
"What the devil do you want?" cried Madden.
"You allight, boss?"
"Of course, I'm all right. Get out of here."
"Tomallah," said Charlie Chan in his role of Ah Kim, and a glance that was full of meaning passed between him and Bob Eden. "Tomallah nice day, you bet. See you tomallah, gentlemen."
He departed, leaving the door open. Eden saw him moving across the patio on silent feet. He was not waiting outside Madden's door.
"What was it you wanted?" Madden persisted.
Bob Eden thought quickly. "I wanted to see you alone for just a moment. This Thorn—you can trust him, can't you?"
Madden snorted. "You give me a pain," he said. "Any one would think you were bringing me the Bank of England. Of course, Thorn's all right. He's been with me for fifteen years."
"I just wanted to be sure," Eden answered. "I'll get hold of dad early in the morning. Good night."
He returned to the patio. The secretary was hurrying in from his unwelcome errand. "Good night, Mr. Thorn," Eden said.
"Oh—er—good night, Mr. Eden," answered the man. He passed furtively from sight.
Back in his room, Eden began to undress. He was both puzzled and disturbed. Was this adventure to be as tame as it looked? Still in his ears rang the unearthly scream of the parrot. After all, had it been in a barroom that Tony picked up that hideous cry for help?
Chapter VI. Tony's Happy New Year
Forgetting the promise he had made to rise and telephone his father early in the morning, Bob Eden lingered on in the pleasant company of his couch. The magnificent desert sunrise, famous wherever books are sold, came and went without the seal of his approval, and a haze of heat spread over the barren world. It was nine o'clock when he awoke from a most satisfactory sleep and sat up in bed.
Staring about the room, he gradually located himself on the map of California. One by one the events of the night before came back to him. First of all the scene at the Oasis—that agile steak eluding him with diabolic cunning—the girl whose charming presence made the dreary cafe an oasis indeed. The ride over the desert with Will Holley, the bright and cheery living-room of the ranch house, the fox-trot from a Denver orchestra. Madden, leaning close and breathing hard, demanding the Phillimore pearls. Chan in his velvet slippers, whispering of psychic fears and dark premonitions. And then the shrill cry of the parrot out of the desert night.
Now, however, the tense troubled feeling with which he had gone to bed was melting away in the yellow sunshine of the morning. The boy began to suspect that he had made rather a fool of himself in listening to the little detective from the islands. Chan was an Oriental, also a policeman. Such a combination was bound to look at almost any situation with a jaundiced eye. After all he, Bob Eden, was here as the representative of Meek and Eden, and he must act as he saw fit. Was Chan in charge of this expedition, or was he?
The door opened, and on the threshold stood Ah Kim, in the person of Charlie Chan.
"You