right angles. This was no good, so I brazenly assaulted the door of the nearest room. Thank Heaven! It was empty, so I. ‘could have a reconnoitering base.
It was a bedroom, well furnished in the Waring & Gillow style, and to my horror I observed that it was a woman’s bedroom. It was a woman’s dressing-table I saw, with big hair-brushes and oddments of scents and powders. There was a wardrobe with the door ajar full of hanging dresses. The occupant had been there quite lately, for wraps had been flung on the bed and a pair of slippers lay by the dressing-table, as if they had been kicked off hurriedly.
The place put me into the most abject fright. I seemed to have burgled a respectable flat and landed in a lady’s bedroom, and I looked forward to some appalling scandal which would never be hushed up. Little Abel roosting in his pent-house seemed a haven of refuge separated from me by leagues of obstacles. I reckoned I had better get back to him as soon as possible, and I was just starting, when that happened which made me stop short. I had left the room door ajar when I entered, and of course I had switched off my torch after my first look round. I had been in utter darkness, but now I saw a light in the passage.
It might be the confounded woman who owned the bedroom, and my heart went into my boots. Then I saw that the passage lights had not been turned on and that whoever was there had a torch like me. The footsteps were coming by the road I had come myself. Could it be the man for whom the Staircase door had been unlocked?
It was a man all right, and, whatever his errand, it was not with my room. I watched him through the crack left by the door, and saw his figure pass. It was someone in a hurry who walked swiftly and quietly, and, beyond the fact that he wore a dark coat with the collar turned up and a black soft hat, I could make out nothing. The figure went down the corridor, and at the end seemed to hesitate. Then it turned into a room on the left and disappeared.
There was nothing to do but wait, and happily I had not to wait long, for I was becoming pretty nervous. The figure reappeared, carrying something in its hand, and as it came towards me I had a glimpse of its face. I recognised it at once as that of the grey melancholy man whom I had seen the first night in Medina’s house, when I was coming out of my stupor. For some reason or another that face had become stamped on my memory, and I had been waiting to see it again. It was sad, forlorn, and yet in a curious way pleasant; anyhow there was nothing repellent in it. But he came from Medina, and at that thought every scrap of hesitation and funk fled from me. I had been right in my instinct; this place was Medina’s, it was the Fields of Eden of the rhyme. A second ago I had felt a futile blunderer; now I was triumphant.
He passed my door and turned down the passage which ran at right angles. I stepped after him and saw the light halt at the staircase door, and then disappear. My first impulse was to follow, tackle him in the shop, and get the truth out of him, but. I at once discarded that notion, which would have given the whole show away. My business was to make further discoveries. I must visit the room which had been the object of his visit.
I was thankful to be out of that bedroom. In the passage I listened, but could hear no sound anywhere. There was indeed a sound in the air, but it appeared to come from the outer world, a sound like an organ or an orchestra a long way off. I concluded that there must be a church somewhere near where the choirboys were practising.
The room I entered was a very queer place. It looked partly like a museum, partly like an office, and partly like a library. The curiosity shop had been full of rubbish, but I could see at a glance that there was no rubbish here. There were some fine Italian plaques—I knew something about these, for Mary collected them—and a set of green Chinese jars which looked the real thing. Also, there was a picture which seemed good enough to be a Hobbema. For the rest there were several safes of a most substantial make; but there were no papers lying about, and every drawer of a big writing-table was locked. I had not the wherewithal to burgle the safes and the table, even if I had wanted to. I was certain that most valuable information lurked somewhere in that place, but I did not see how I could get at it.
I was just about to leave, when I realised that the sound of music which I had heard in the passage was much louder here. It was no choir-boys’ practising, but strictly secular music, apparently fiddles and drums, and the rhythm suggested a dance. Could this odd building abut on a dance-hall? I looked at my watch and saw that it was scarcely eleven and that I had only been some twenty minutes indoors. I was now in a mood of almost foolhardy confidence, so I determined to do a little more research.
The music seemed to come from somewhere to the left. The windows of the room, so far as I could judge, must look into Wellesley Street, which showed me how I had misjudged that thoroughfare. There might be a dancing-hall tucked in among the automobile shops. Anyhow I wanted to see what lay beyond this room, for there must be an entrance to it other than by the curiosity shop. Sure enough I found a door between two bookcases covered with a heavy portiere, and emerged into still another passage.
Here the music sounded louder, and I seemed to be ma place like those warrens behind the stage in a theatre, where rooms are of all kinds of shapes and sizes. The door at the end was locked, and another door which I opened gave on a flight of wooden steps. I did not want to descend just yet, so I tried another door, and then shut it softly. For the room it opened upon was lighted, and I had the impression of human beings not very far off. Also the music, as I opened the door, came out in a great swelling volume of sound.
I stood for a moment hesitating, and then I opened that door again. For I had a notion that the light within did not come from anything in the room. I found myself in a little empty chamber, dusty and cheerless, like one of those cubbyholes you see in the Strand, where the big plate-glass front window reaches higher than the shop; and there is a space between the ceiling and the next floor. All one side was of glass, in which a casement was half open, and through the glass came the glare of a hundred lights from somewhere beyond. Very gingerly I moved forward till I could look down on what was happening below.
For the last few seconds I think I had known what I was going to see. It was the dancing-club which I had visited some weeks before with Archie Roylance. There were the sham Chinese decorations, the blaze of lights, the nigger band, the whole garish spectacle. Only the place was far more crowded than on my previous visit. The babble of laughter and talk which rose from it added a further discord to the ugly music, but there was a fierce raucous gaiety about it all, an overpowering sense of something which might be vulgar but was also alive and ardent. Round the skirts of the hall was the usual rastaquouère crowd of men and women drinking liqueurs and champagne, and mixed with fat Jews and blue-black dagos the flushed faces of boys from barracks or college who imagined they were seeing life. I thought for a moment that I saw Archie, but it was only one of Archie’s kind, whose lean red visage made a queer contrast with the dead white of the woman he sat by.
The dancing was madder and livelier than on the last occasion. There was more vigour in the marionettes and I was bound to confess that they knew their trade, little as I valued it. All the couples were expert, and when now and then a bungler barged in he did not stay long. I saw no sign of the girl in green whom Archie had admired, but there were plenty like her. It was the men I most disliked, pallid skeletons or puffy Latins, whose clothes fitted them too well, and who were sometimes as heavily made-up as the women.
One especially I singled out for violent disapproval. He was a tall young man, with a waist like a wasp, a white fact, and hollow drugged eyes. His lips were red like a chorus-girl’s and I would have sworn that his cheeks were rouged. Anyhow he was a loathsome sight. But ye gods! he could dance. There was no sign of animation in him, so that he might have been a corpse, galvanised by some infernal power and compelled to move through an everlasting dance of death. I noticed that his heavy eyelids were never raised.
Suddenly I got a bad shock. For I realised that this mannequin was no other than my ancient friend, the Marquis de la Tour du Pin.
I hadn’t recovered from that when
