of Russia, visited Queen Victoria, and I saw him on several public occasions. I was present at the grand review of troops in Windsor Park in honor of and before the Emperor of Russia and the King of Saxony.
General Tom Thumb had visited the King of Saxony and also Ibrahim Pacha who was then in London. At the different parties we attended, we met, in the course of the season, nearly all of the nobility. I do not believe that a single nobleman in England failed to see General Tom Thumb at his own house, at the house of a friend, or at the public levees at Egyptian Hall. The General was a decided pet with some of the first personages in the land, among whom may be mentioned Sir Robert and Lady Peel, the Duke and Duchess of Buckingham, Duke of Bedford, Duke of Devonshire, Count d’Orsay, Lady Blessington, Daniel O’Connell, Lord Adolphus Fitzclarence, Lord Chesterfield, Mr. and Mrs. Joshua Bates, of the firm of Baring Brothers & Co., and many other persons of distinction. We had the free entrée to all the theatres, public gardens, and places of entertainment, and frequently met the principal artists, editors, poets, and authors of the country. Albert Smith was a particular friend of mine. He wrote a play for the General entitled “Hop o’ my Thumb,” which was presented with great success at the Lyceum Theatre, London, and in several of the provincial theatres. Our visit in London and tour through the provinces were enormously successful, and after a brilliant season in Great Britain I made preparations to take the General to Paris.
CHAPTER XII.
IN FRANCE.
GOING OVER TO ARRANGE PRELIMINARIES—PREVIOUS VISIT TO PARIS—ROBERT HOUDIN—WONDERFUL MECHANICAL TOYS—THE AUTOMATON LETTER-WRITER—DION BOUCICAULT—TALK ON NATURAL CURIOSITIES—HOW I COMPROMISED—THE GENERAL AND PARTY IN PARIS—FIRST VISIT TO KING LOUIS PHILIPPE—A SPLENDID PRESENT—DIPLOMACY—I ASK A FAVOR AND GET IT—LONG CHAMPS—THE GENERAL’S EQUIPAGE—THE FINEST ADVERTISEMENT EVER KNOWN—ALL PARIS IN A FUROR—OPENING OF THE LEVEES—“TOM POUCE” EVERYWHERE—THE GENERAL AS AN ACTOR—“PETIT POUCET”—SECOND AND THIRD VISITS AT THE TUILERIES—INVITATION TO ST. CLOUD—THE GENERAL PERSONATING NAPOLEON BONAPARTE—ST. DENIS—THE INVALIDES—REGNIER—ANECDOTE OF FRANKLIN—LEAVING PARIS—TOUR THROUGH FRANCE—DEPARTURE FOR BRUSSELS.
Before taking the little General and party to Paris, I went over alone to arrange the preliminaries for our campaign in that city. Paris was not altogether a strange place to me. Months before, when I had successfully established my exhibition in London, I ran over to Paris to see what I could pick up in the way of curiosities for my Museum in New York, for during my whole sojourn abroad, and amid all the excitements of my new career, I never forgot the interests of my many and generous patrons at home. The occasion which first called me to France was the “quinquennial exposition” in Paris. At that time, there was an assemblage, every five years, of inventors and manufacturers who exhibited specimens of their skill, especially in articles of curious and ingenious mechanism, and I went from London mainly to attend this exposition.
There I met and became well acquainted with Robert Houdin, the celebrated conjurer. He was a watchmaker by trade, but very soon displayed a wonderful ability and ingenuity which he devoted with so much assiduity to the construction of a complicated machine, that he lost all mental power for a considerable period. When he recovered, he employed himself with great success in the manufacture of mechanical toys and automata which attracted much attention, and afterwards he visited Great Britain and other countries, giving a series of juggling exhibitions which were famous throughout Europe.
At this quinquennial exposition which I attended, he received a gold medal for his automata, and the best figure which he had on exhibition I purchased at a good round price. It was an automaton writer and artist, a most ingenious little figure, which sat at a table, and readily answered with the pencil certain questions. For instance: if asked for an emblem of fidelity, the figure instantly drew a correct picture of a handsome dog; the emblem of love was shown in an exquisite drawing of a little Cupid; the automaton would also answer many questions in writing. I carried this curious figure to London and exhibited it for some time in the Royal Adelaide Gallery, and then sent it across the Atlantic to the American Museum.
During my very brief visit to Paris, Houdin was giving evening performances in the Palais Royale, in legerdemain, and I was frequently present by invitation. Houdin also took pains to introduce me to other inventors of moving figures which I purchased freely, and made a prominent feature in my Museum attractions. I managed, too, during my short stay, to see something of the surface of the finest city in the world.
And now, going to Paris the second time, I was very fortunate in making the acquaintance of Mr. Dion Boucicault, who was then temporarily sojourning in that city, and who at once kindly volunteered to advise and assist me in regard to numerous matters of importance relating to the approaching visit of the General. He spent a day with me in the search for suitable accommodations for my company, and by giving me the benefit of his experience, he saved me much trouble and expense. I have never forgotten the courtesy extended to me by this gentleman.
I stopped at the Hotel Bedford, and securing an interpreter, began to make my arrangements. The first difficulty in the way was the government tax for exhibiting natural curiosities, which was no less than one-fourth of the gross receipts, while theatres paid only eleven per cent. This tax was appropriated to the benefit of the city hospitals. Now, I knew from my experience in London, that my receipts would be so large as to make twenty-five per cent of them a far more serious tax than I thought I ought to pay to the French government, even for the benefit of the admirable hospitals of Paris. Accordingly, I went to the license bureau and had an interview with the chief. I told him I was anxious to bring a “dwarf” to Paris, but that the percentage to be paid for a license was so large as to deter me from bringing him; but letting the usual rule go, what should I give him in advance for a two months’ license?
“My dear sir,” he answered, “you had better not come at all; these things never draw, and you will do nothing, or so little that the percentage need not trouble you.”
I expressed my willingness to try the experiment and offered one thousand francs in advance for a license. The chief would not consent and I then offered two thousand francs. This opened his eyes to a chance for a speculation and he jumped at my offer; he would do it on his own account, he said, and pay the amount of one-quarter of my receipts to the hospitals; he was perfectly safe in making such a contract, he thought, for he had 15,000 francs in bank.
But I declined to arrange this with him individually, so he called his associates together and presented the matter in such a way that the board took my offer on behalf of the government. I paid down the 2,000 francs and received a good, strong contract and license. The chief was quite elated and handed me the license with the remark:
“Now we have made an agreement, and if you do not exhibit, or if your dwarf dies during the two months you shall not get back your money.”
“All right,” thought I; “if you are satisfied I am sure I have every reason to be so.” I then hired at a large rent, the Salle Musard, Rue Vivienne, in a central and fashionable quarter close by the boulevards, and engaged an interpreter, ticket-seller, and a small but excellent orchestra. In fact, I made the most complete arrangements, even to starting the preliminary paragraphs in the Paris papers; and after calling on the Honorable William Rufus King, the United States Minister at the Court of France—who assured me that after my success in London there would be no difficulty whatever in my presentation to King Louis Philippe and family—I returned to England.
I went back to Paris with General Tom Thumb and party some time before I intended to begin my exhibitions, and on the very day after my arrival I received a special command to appear at the Tuileries on the following Sunday evening. It will be remembered
