as regarded the perverseness of Priscilla Graves in her open contempt of Mr. Pempton’s innocent two or three wine-glasses. The vegetarian gentleman’s politeness forbore to direct attention to the gobbets of meat Priscilla consumed, though he could express disapproval in general terms; but he entertained sentiments as warlike to the lady’s habit of ‘drinking the blood of animals.’ The mockery of it was, that Priscilla liked Mr. Pempton and admired his violoncello-playing, and he was unreserved in eulogy of her person and her pure soprano tones. Nataly was a poetic match-maker. Mr. Peridon was intended for Mademoiselle de Seilles, Nesta’s young French governess; a lady of a courtly bearing, with placid speculation in the eyes she cast on a foreign people, and a voluble muteness shadowing at intervals along the line of her closed lips.
The one person among them a little out of tune with most, was Lady Grace Halley. Nataly’s provincial gentlewoman’s traditions of the manners indicating conduct, reproved unwonted licences assumed by Lady Grace; who, in allusion to Hymen’s weaving of a cousinship between the earldom of Southweare and that of Cantor, of which Mr. Sowerby sprang, set her mouth and fan at work to delineate total distinctions, as it were from the egg to the empyrean. Her stature was rather short, all of it conversational, at the eyebrows, the shoulders, the finger-tips, the twisting shape; a ballerina’s expressiveness; and her tongue dashed half sentences through and among these hieroglyphs, loosely and funnily candid. Anybody might hear that she had gone gambling into the City, and that she had got herself into a mess, and that by great good luck she had come across Victor Radnor, who, with two turns of the wrist, had plucked her out of the mire, the miraculous man! And she had vowed to him, never again to run doing the like without his approval.
The cause of her having done it, was related with the accompaniments; brows twitching, flitting smiles, shrugs, pouts, shifts of posture: she was married to a centaur; out of the saddle a man of wood, ‘an excellent man.’ For the not colloquial do not commit themselves. But one wants a little animation in a husband. She called on bell-motion of the head to toll forth the utter nightcap negative. He had not any: out of the saddle, he was asleep:—‘next door to the Last Trump,’ Colney Durance assisted her to describe the soundest of sleep in a husband, after wooing her to unbosom herself. She was awake to his guileful arts, and sailed along with him, hailing his phrases, if he shot a good one; prankishly exposing a flexible nature, that took its holiday thus in a grinding world, among maskers, to the horrification of the prim. So to refresh ourselves, by having publicly a hip-bath in the truth while we shock our hearers enough to be discredited for what we reveal, was a dexterous merry twist, amusing to her; but it was less a cynical malice than her nature that she indulged, ‘A woman must have some excitement.’ The most innocent appeared to her the Stock Exchange. The opinions of husbands who are not summoned to pay are hardly important; they vary.
Colney helped her now and then to step the trifle beyond her stride, but if he was humorous, she forgave; and if together they appalled the decorous, it was great gain. Her supple person, pretty lips, the style she had, gave a pass to the wondrous confidings, which were for masculine ears, whatever the sex. Nataly might share in them, but women did not lead her to expansiveness; or not the women of the contracted class: Miss Graves, Mrs. Cormyn, and others at the Radnor Concerts. She had a special consideration for Mademoiselle de Seilles, owing to her exquisite French, as she said; and she may have liked it, but it was the young Frenchwoman’s air of high breeding that won her esteem. Girls were spring frosts to her. Fronting Nesta, she put on her noted smile, or wood-cut of a smile, with its label of indulgence; except when the girl sang. Music she loved. She said it was the saving of poor Dudley. It distinguished him in the group of the noble Evangelical Cantor Family; and it gave him a subject of assured discourse in company; and oddly, it contributed to his comelier air. Flute [This would be the German Blockeflute or our Recorder. D.W.] in hand, his mouth at the blow-stop was relieved of its pained updraw by the form for puffing; he preserved a gentlemanly high figure in his exercises on the instrument, out of ken of all likeness to the urgent insistency of Victor Radnor’s punctuating trunk of the puffing frame at almost every bar—an Apollo brilliancy in energetic pursuit of the nymph of sweet sound. Too methodical one, too fiery the other.
In duets of Hauptmann’s, with Nesta at the piano, the contrast of dull smoothness and overstressed significance was very noticeable beside the fervent accuracy of her balanced fingering; and as she could also flute, she could criticize; though latterly, the flute was boxed away from lips that had devoted themselves wholly to song: song being one of the damsel’s present pressing ambitions. She found nothing to correct in Mr. Sowerby, and her father was open to all the censures; but her father could plead vitality, passion. He held his performances cheap after the vehement display; he was a happy listener, whether to the babble of his ‘dear old Corelli,’ or to the majesty of the rattling heavens and swaying forests of Beethoven.
His air of listening was a thing to see; it had a look of disembodiment; the sparkle conjured up from deeps, and the life in the sparkle, as of a soul at holiday. Eyes had been given this man to spy the pleasures and reveal the joy of his pasture on them: gateways to the sunny within, issues to all the outer Edens. Few of us possess that double significance of the pure sparkle. It captivated Lady Grace. She said a word of it to Fenellan: ‘There is a man who can feel rapture!’ He had not to follow the line of her sight: she said so on a previous evening, in a similar tone; and for a woman to repeat herself, using the very emphasis, was quaint. She could feel rapture; but her features and limbs were in motion to designate it, between simply and wilfully; she had the instinct to be dimpling, and would not for a moment control it, and delighted in its effectiveness: only when observing that winged sparkle of eyes did an idea of envy, hardly a consciousness, inform her of being surpassed; and it might be in the capacity to feel besides the gift to express. Such a reflection relating to a man, will make women mortally sensible that they are the feminine of him.
‘His girl has the look,’ Fenellan said in answer.
She cast a glance at Nesta, then at Nataly.
And it was true, that the figure of a mother, not pretending to the father’s vividness, eclipsed it somewhat in their child. The mother gave richness of tones, hues and voice, and stature likewise, and the thick brown locks, which in her own were threads of gold along the brush from the temples: she gave the girl a certain degree of the composure of manner which Victor could not have bestowed; she gave nothing to clash with his genial temper; she might be supposed to have given various qualities, moral if you like. But vividness was Lady Grace’s admirable meteor of the hour: she was unable to perceive, so as to compute, the value of obscurer lights. Under the charm of Nataly’s rich contralto during a duet with Priscilla Graves, she gesticulated ecstasies, and uttered them, and genuinely; and still, when reduced to meditations, they would have had no weight, they would hardly have seemed an apology for language, beside Victor’s gaze of pleasure in the noble forthroll of the notes.
Nataly heard the invitation of the guests of the evening to Lakelands next day.
Her anxieties were at once running about to gather provisions for the baskets. She spoke of them at night. But Victor had already put the matter in the hands of Madame Callet; and all that could be done, would be done by Armandine, he knew. ‘If she can’t muster enough at home, she’ll be off to her Piccadilly shop by seven A.M. Count on plenty for twice the number.’
Nataly was reposing on the thought that they were her friends, when Victor mentioned his having in the afternoon despatched a note to his relatives, the Duvidney ladies, inviting them to join him at the station to-morrow, for a visit of inspection to the house of his building on his new estate. He startled her. The Duvidney ladies were, to his knowledge, of the order of the fragile minds which hold together by the cement of a common trepidation for the support of things established, and have it not in them to be able to recognize the unsanctioned. Good women, unworldly of the world, they were perforce harder than the world, from being narrower and more timorous.
‘But, Victor, you were sure they would refuse!’
He answered:
