from Germany, he became enamoured of her, and had by her a daughter, whose name was Sabra. This matter was kept secret while Corineus lived, but after his death Locrine divorced Guendolen, and made Estrildis his queen. Guendolen, all in rage, departed to Cornwall, where Madan, her son, lived, who had been brought up by Corineus, his grandfather. Gathering an army of her father's friends and subjects, she gave battle to her husband's forces and Locrine was slain. Guendolen caused her rival, Estrildis, with her daughter Sabra, to be thrown into the river, from which cause the river thenceforth bore the maiden's name, which by length of time is now changed into Sabrina or Severn. Milton alludes to this in his address to the rivers—
"Severn swift, guilty of maiden's death";—
and in his "Comus" tells the story with a slight variation, thus:
"There is a gentle nymph not far from hence,
That with moist curb sways the smooth Severn stream;
Sabrina is her name, a virgin pure:
Whilom she was the daughter of Locrine,
That had the sceptre from his father, Brute,
She, guiltless damsel, flying the mad pursuit
Of her enraged step-dame, Guendolen,
Commended her fair innocence to the flood,
That stayed her night with his cross-flowing course
The water-nymphs that in the bottom played,
Held up their pearled wrists and took her in,
Bearing her straight to aged Nereus' hall,
Who, piteous of her woes, reared her lank head,
And gave her to his daughters to imbathe
In nectared lavers strewed with asphodel,
And through the porch and inlet of each sense
Dropped in ambrosial oils till she revived,
And underwent a quick, immortal change,
Made goddess of the river," etc.
If our readers ask when all this took place, we must answer, in the first place, that mythology is not careful of dates; and next, that, as Brutus was the great-grandson of Aeneas, it must have been not far from a century subsequent to the Trojan war, or about eleven hundred years before the invasion of the island by Julius Caesar. This long interval is filled with the names of princes whose chief occupation was in warring with one another. Some few, whose names remain connected with places, or embalmed in literature, we will mention.
BLADUD
Bladud built the city of Bath, and dedicated the medicinal waters to Minerva. He was a man of great invention, and practised the arts of magic, till, having made him wings to fly, he fell down upon the temple of Apollo, in Trinovant, and so died, after twenty years' reign.
LEIR
Leir, who next reigned, built Leicester, and called it after his name. He had no male issue, but only three daughters. When grown old he determined to divide his kingdom among his daughters, and bestow them in marriage. But first, to try which of them loved him best, he determined to ask them solemnly in order, and judge of the warmth of their affection by their answers. Goneril, the eldest, knowing well her father's weakness, made answer that she loved him "above her soul." "Since thou so honorest my declining age," said the old man, "to thee and to thy husband I give the third part of my realm." Such good success for a few words soon uttered was ample instruction to Regan, the second daughter, what to say. She therefore to the same question replied that "she loved him more than all the world beside;" and so received an equal reward with her sister. But Cordelia, the youngest, and hitherto the best beloved, though having before her eyes the reward of a little easy soothing, and the loss likely to attend plain- dealing, yet was not moved from the solid purpose of a sincere and virtuous answer, and replied: "Father, my love towards you is as my duty bids. They who pretend beyond this flatter." When the old man, sorry to hear this, and wishing her to recall these words, persisted in asking, she still restrained her expressions so as to say rather less than more than the truth. Then Leir, all in a passion, burst forth: "Since thou hast not reverenced thy aged father like thy sisters, think not to have any part in my kingdom or what else I have;"—and without delay, giving in marriage his other daughters, Goneril to the Duke of Albany, and Regan to the Duke of Cornwall, he divides his kingdom between them, and goes to reside with his eldest daughter, attended only by a hundred knights. But in a short time his attendants, being complained of as too numerous and disorderly, are reduced to thirty. Resenting that affront, the old king betakes him to his second daughter; but she, instead of soothing his wounded pride, takes part with her sister, and refuses to admit a retinue of more than five. Then back he returns to the other, who now will not receive him with more than one attendant. Then the remembrance of Cordeilla comes to his thoughts, and he takes his journey into France to seek her, with little hope of kind consideration from one whom he had so injured, but to pay her the last recompense he can render—confession of his injustice. When Cordeilla is informed of his approach, and of his sad condition, she pours forth true filial tears. And, not willing that her own or others' eyes should see him in that forlorn condition, she sends one of her trusted servants to meet him, and convey him privately to some comfortable abode, and to furnish him with such state as befitted his dignity. After which Cordeilla, with the king her husband, went in state to meet him, and, after an honorable reception, the king permitted his wife, Cordeilla, to go with an army and set her father again upon his throne. They prospered, subdued the wicked sisters and their consorts, and Leir obtained the crown and held it three years. Cordeilla succeeded him and reigned five years; but the sons of her sisters, after that, rebelled against her, and she lost both her crown and life.
Shakspeare has chosen this story as the subject of his tragedy of "King Lear," varying its details in some respects. The madness of Leir, and the ill success of Cordeilla's attempt to reinstate her father, are the principal variations, and those in the names will also be noticed. Our narrative is drawn from Milton's "History;" and thus the reader will perceive that the story of Leir has had the distinguished honor of being told by the two acknowledged chiefs of British literature.
FERREX AND PORREX
Ferrex and Porrex were brothers, who held the kingdom after Leir. They quarrelled about the supremacy, and Porrex expelled his brother, who, obtaining aid from Suard, king of the Franks, returned and made war upon Porrex. Ferrex was slain in battle and his forces dispersed. When their mother came to hear of her son's death, who was her favorite, she fell into a great rage, and conceived a mortal hatred against the survivor. She took, therefore, her opportunity when he was asleep, fell upon him, and, with the assistance of her women, tore him in pieces. This horrid story would not be worth relating, were it not for the fact that it has furnished the plot for the first tragedy which was written in the English language. It was entitled "Gorboduc," but in the second edition "Ferrex and Porrex," and was the production of Thomas Sackville, afterwards Earl of Dorset, and Thomas Norton, a barrister. Its date was 1561.
DUNWALLO MOLMUTIUS
This is the next name of note. Molmutius established the Molmutine laws, which bestowed the privilege of sanctuary on temples, cities, and the roads leading to them, and gave the same protection to ploughs, extending a religious sanction to the labors of the field. Shakspeare alludes to him in "Cymbeline," Act III., Scene 1:
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