The Complete Short Stories of Katherine Mansfield. Katherine Mansfield
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“Have you told Pat to have the buggy round in time? It’s a good six and a half miles to the office.”
“I can imagine what this early start for the office will be like,” thought Linda. “It will be very high pressure indeed.”
“Pat, Pat.” She heard the servant girl calling. But Pat was evidently hard to find; the silly voice went baa—baaing through the garden.
Linda did not rest again until the final slam of the front door told her that Stanley was really gone.
Later she heard her children playing in the garden. Lottie’s stolid, compact little voice cried: “Ke—zia. Isa—bel.” She was always getting lost or losing people only to find them again, to her great surprise, round the next tree or the next corner. “Oh, there you are after all.” They had been turned out after breakfast and told not to come back to the house until they were called. Isabel wheeled a neat pramload of prim dolls and Lottie was allowed for a great treat to walk beside her holding the doll’s parasol over the face of the wax one.
“Where are you going to, Kezia?” asked Isabel, who longed to find some light and menial duty that Kezia might perform and so be roped in under her government.
“Oh, just away,” said Kezia. . . .
Then she did not hear them any more. What a glare there was in the room. She hated blinds pulled up to the top at any time, but in the morning it was intolerable. She turned over to the wall and idly, with one finger, she traced a poppy on the wall-paper with a leaf and a stem and a fat bursting bud. In the quiet, and under her tracing finger, the poppy seemed to come alive. She could feel the sticky, silky petals, the stem, hairy like a gooseberry skin, the rough leaf and the tight glazed bud. Things had a habit of coming alive like that. Not only large substantial things like furniture, but curtains and the patterns of stuffs and the fringes of quilts and cushions. How often she had seen the tassel fringe of her quilt change into a funny procession of dancers with priests attending. . . . For there were some tassels that did not dance at all but walked stately, bent forward as if praying or chanting. How often the medicine bottles had turned into a row of little men with brown top-hats on; and the washstand jug had a way of sitting in the basin like a fat bird in a round nest.
“I dreamed about birds last night,” thought Linda. What was it? She had forgotten. But the strangest part of this coming alive of things was what they did. They listened, they seemed to swell out with some mysterious important content, and when they were full she felt that they smiled. But it was not for her, only, their sly secret smile; they were members of a secret society and they smiled among themselves. Sometimes, when she had fallen asleep in the daytime, she woke and could not lift a finger, could not even turn her eyes to left or right because THEY were there; sometimes when she went out of a room and left it empty, she knew as she clicked the door to that THEY were filling it. And there were times in the evenings when she was upstairs, perhaps, and everybody else was down, when she could hardly escape from them. Then she could not hurry, she could not hum a tune; if she tried to say ever so carelessly—“Bother that old thimble”—THEY were not deceived. THEY knew how frightened she was; THEY saw how she turned her head away as she passed the mirror. What Linda always felt was that THEY wanted something of her, and she knew that if she gave herself up and was quiet, more than quiet, silent, motionless, something would really happen.
“It’s very quiet now,” she thought. She opened her eyes wide, and she heard the silence spinning its soft endless web. How lightly she breathed; she scarcely had to breathe at all.
Yes, everything had come alive down to the minutest, tiniest particle, and she did not feel her bed, she floated, held up in the air. Only she seemed to be listening with her wide open watchful eyes, waiting for someone to come who just did not come, watching for something to happen that just did not happen.
6
IN the kitchen at the long deal table under the two windows old Mrs. Fairfield was washing the breakfast dishes. The kitchen window looked out on to a big grass patch that led down to the vegetable garden and the rhubarb beds. On one side the grass patch was bordered by the scullery and wash-house and over this whitewashed lean-to there grew a knotted vine. She had noticed yesterday that a few tiny corkscrew tendrils had come right through some cracks in the scullery ceiling and all the windows of the lean-to had a thick frill of ruffled green.
“I am very fond of a grape vine,” declared Mrs. Fairfield, “but I do not think that the grapes will ripen here. It takes Australian sun.” And she remembered how Beryl when she was a baby had been picking some white grapes from the vine on the back verandah of their Tasmanian house and she had been stung on the leg by a huge red ant. She saw Beryl in a little plaid dress with red ribbon tie-ups on the shoulders screaming so dreadfully that half the street rushed in. And how the child’s leg had swelled! “T—t—t—t!” Mrs. Fairfield caught her breath remembering. “Poor child, how terrifying it was.” And she set her lips tight and went over to the stove for some more hot water. The water frothed up in the big soapy bowl with pink and blue bubbles on top of the foam. Old Mrs. Fairfield’s arms were bare to the elbow and stained a bright pink. She wore a grey foulard dress patterned with large purple pansies, a white linen apron and a high cap shaped like a jelly mould of white muslin. At her throat there was a silver crescent moon with five little owls seated on it, and round her neck she wore a watch guard made of black beads.
It was hard to believe that she had not been in that kitchen for years; she was so much a part of it. She put the crocks away with a sure, precise touch, moving leisurely and ample from the stove to the dresser, looking into the pantry and the larder as though there were not an unfamiliar comer. When she had finished, everything in the kitchen had become part of a series of patterns. She stood in the middle of the room wiping her hands on a check cloth; a smile beamed on her lips; she thought it looked very nice, very satisfactory.
“Mother! Mother! Are you there?” called Beryl.
“Yes, dear. Do you want me?”
“No. I’m coming,” and Beryl rushed in, very flushed, dragging with her two big pictures.
“Mother, whatever can I do with these awful hideous Chinese paintings that Chung Wah gave Stanley when he went bankrupt? It’s absurd to say that they are valuable, because they were hanging in Chung Wah’s fruit shop for months before. I can’t make out why Stanley wants them kept. I’m sure he thinks them just as hideous as we do, but it’s because of the frames,” she said spitefully. “I suppose he thinks the frames might fetch something some day or other.”
“Why don’t you hang them in the passage?” suggested Mrs. Fairfield; “they would not be much seen there.”
“I can’t. There is no room. I’ve hung all the photographs of his office there before and after building, and the signed photos of his business friends, and that awful enlargement of Isabel lying on the mat in her singlet.” Her angry glance swept the placid kitchen. “I know what I’ll do. I’ll hang them here. I will tell Stanley they got a little damp in the moving so I have put them in here for the time being.”
She dragged a chair forward, jumped on it, took a hammer and a big nail out of her pinafore pocket and banged away.
“There! That is enough! Hand me the picture, mother.”