occasionally they are noted as 'extremely entertaining': in what manner, is inquired by a curious posterity, that in so many matters is left unendingly to jump the empty and gaping figure of interrogation over its own full stop. Great ladies must they be, at the web of politics, for us to hear them cited discoursing. Henry Wilmers is not content to quote the beautiful Mrs. Warwick, he attempts a portrait. Mrs. Warwick is 'quite Grecian.' She might 'pose for a statue.' He presents her in carpenter's lines, with a dab of school-box colours, effective to those whom the Keepsake fashion can stir. She has a straight nose, red lips, raven hair, black eyes, rich complexion, a remarkably fine bust, and she walks well, and has an agreeable voice; likewise 'delicate extremities.' The writer was created for popularity, had he chosen to bring his art into our literary market.
Perry Wilkinson is not so elaborate: he describes her in his 'Recollections' as a splendid brune, eclipsing all the blondes coming near her: and 'what is more, the beautiful creature can talk.' He wondered, for she was young, new to society. Subsequently he is rather ashamed of his wonderment, and accounts for it by 'not having known she was Irish.' She 'turns out to be Dan Merion's daughter.'
We may assume that he would have heard if she had any whiff of a brogue. Her sounding of the letter R a trifle scrupulously is noticed by Lady Pennon: 'And last, not least, the lovely Mrs. Warwick, twenty minutes behind the dinner-hour, and r-r-really fearing she was late.'
After alluding to the soft influence of her beauty and ingenuousness on the vexed hostess, the kindly old marchioness adds, that it was no wonder she was late, 'for just before starting from home she had broken loose from her husband for good, and she entered the room absolutely houseless!' She was not the less 'astonishingly brilliant.' Her observations were often 'so unexpectedly droll I laughed till I cried.' Lady Pennon became in consequence one of the stanch supporters of Mrs. Warwick.
Others were not so easily won. Perry Wilkinson holds a balance when it goes beyond a question of her wit and beauty. Henry Wilmers puts the case aside, and takes her as he finds her. His cousin, the clever and cynical Dorset Wilmers, whose method of conveying his opinions without stating them was famous, repeats on two occasions when her name appears in his pages, 'handsome, lively, witty'; and the stressed repetition of calculated brevity while a fiery scandal was abroad concerning the lady, implies weighty substance—the reservation of a constable's truncheon, that could legally have knocked her character down to the pavement. We have not to ask what he judged. But Dorset Wilmers was a political opponent of the eminent Peer who yields the second name to the scandal, and politics in his day flushed the conceptions of men. His short references to 'that Warwick-Dannisburgh affair' are not verbally malicious. He gets wind of the terms of Lord Dannisburgh's will and testament, noting them without comment. The oddness of the instrument in one respect may have served his turn; we have no grounds for thinking him malignant. The death of his enemy closes his allusions to Mrs. Warwick. He was growing ancient, and gout narrowed the circle he whirled in. Had he known this 'handsome, lively, witty' apparition as a woman having political and social views of her own, he would not, one fancies, have been so stingless. Our England exposes a sorry figure in his Reminiscences. He struck heavily, round and about him, wherever he moved; he had by nature a tarnishing eye that cast discolouration. His unadorned harsh substantive statements, excluding the adjectives, give his Memoirs the appearance of a body of facts, attractive to the historic Muse, which has learnt to esteem those brawny sturdy giants marching club on shoulder, independent of henchman, in preference to your panoplied knights with their puffy squires, once her favourites, and wind-filling to her columns, ultimately found indigestible.
His exhibition of his enemy Lord Dannisburgh, is of the class of noble portraits we see swinging over inn-portals, grossly unlike in likeness. The possibility of the man's doing or saying this and that adumbrates the improbability: he had something of the character capable of it, too much good sense for the performance. We would think so, and still the shadow is round our thoughts. Lord Dannisburgh was a man of ministerial tact, official ability, Pagan morality; an excellent general manager, if no genius in statecraft. But he was careless of social opinion, unbuttoned, and a laugher. We know that he could be chivalrous toward women, notwithstanding the perplexities he brought on them, and this the Dorset-Diary does not show.
His chronicle is less mischievous as regards Mrs. Warwick than the paragraphs of Perry Wilkinson, a gossip presenting an image of perpetual chatter, like the waxen-faced street advertizements of light and easy dentistry. He has no belief, no disbelief; names the pro-party and the con; recites the case, and discreetly, over-discreetly; and pictures the trial, tells the list of witnesses, records the verdict: so the case went, and some thought one thing, some another thing: only it is reported for positive that a miniature of the incriminated lady was cleverly smuggled over to the jury, and juries sitting upon these eases, ever since their bedazzlement by Phryne, as you know. … And then he relates an anecdote of the husband, said to have been not a bad fellow before he married his Diana; and the naming of the Goddess reminds him that the second person in the indictment is now everywhere called 'The elderly shepherd';—but immediately after the bridal bells this husband became sour and insupportable, and either she had the trick of putting him publicly in the wrong, or he lost all shame in playing the churlish domestic tyrant. The instances are incredible of a gentleman. Perry Wilkinson gives us two or three; one on the authority of a personal friend who witnessed the scene; at the Warwick whist-table, where the fair Diana would let loose her silvery laugh in the intervals. She was hardly out of her teens, and should have been dancing instead of fastened to a table. A difference of fifteen years in the ages of the wedded pair accounts poorly for the husband's conduct, however solemn a business the game of whist. We read that he burst out at last, with bitter mimicry, 'yang—yang—yang!' and killed the bright laugh, shot it dead. She had outraged the decorum of the square-table only while the cards were making. Perhaps her too-dead ensuing silence, as of one striving to bring back the throbs to a slain bird in her bosom, allowed the gap between the wedded pair to be visible, for it was dated back to prophecy as soon as the trumpet proclaimed it.
But a multiplication of similar instances, which can serve no other purpose than that of an apology, is a miserable vindication of innocence. The more we have of them the darker the inference. In delicate situations the chatterer is noxious. Mrs. Warwick had numerous apologists. Those trusting to her perfect rectitude were rarer. The liberty she allowed herself in speech and action must have been trying to her defenders in a land like ours; for here, and able to throw its shadow on our giddy upper-circle, the rigour of the game of life, relaxed though it may sometimes appear, would satisfy the staidest whist-player. She did not wish it the reverse, even when claiming a space for laughter: 'the breath of her soul,' as she called it, and as it may be felt in the early youth of a lively nature. She, especially, with her multitude of quick perceptions and imaginative avenues, her rapid summaries, her sense of the comic, demanded this aerial freedom.
We have it from Perry Wilkinson that the union of the divergent couple was likened to another union always in a Court of Law. There was a distinction; most analogies will furnish one; and here we see England and Ireland changeing their parts, until later, after the breach, when the Englishman and Irishwoman resumed a certain resemblance to the yoked Islands.
Henry Wilmers, I have said, deals exclusively with the wit and charm of the woman. He treats the scandal as we might do in like manner if her story had not to be told. But these are not reporting columns; very little of it shall trouble them. The position is faced, and that is all. The position is one of the battles incident to women, their hardest. It asks for more than justice from men, for generosity, our civilization not being yet of the purest. That cry of hounds at her disrobing by Law is instinctive. She runs, and they give tongue; she is a creature of the chase. Let her escape unmangled, it will pass in the record that she did once publicly run, and some old dogs will persist in thinking her cunninger than the virtuous, which never put themselves in such positions, but ply the distaff at home. Never should reputation of woman trail a scent! How true! and true also that the women of waxwork never do; and that the women of happy marriages do not; nor the women of holy nunneries; nor the women lucky in their arts. It is a test of the civilized to see and hear, and add no yapping to the spectacle.
