The Civilisation of the Renaissance in Italy. Jacob Burckhardt
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In the following years the plan of a Council enabled Charles to keep the Papacy in all essential points under his control, and at one and the same time to protect and to oppress it. The greatest danger of all—secularisation—the danger which came from within, from the Popes themselves and their ‘nipoti,’ was adjourned for centuries by the German Reformation. Just as this alone had made the expedition against Rome (1527) possible and successful, so did it compel the Papacy to become once more the expression of a world-wide spiritual power, to raise itself from the soulless debasement in which it lay, and to place itself at the head of all the enemies of this reformation. The institution thus developed during the latter years of Clement VII., and under Paul III., Paul IV., and their successors, in the face of the defection of half Europe, was a new, regenerated hierarchy, which avoided all the great and dangerous scandals of former times, particularly nepotism, with its attempts at territorial aggrandisement,[285] and which, in alliance with the Catholic princes, and impelled by a new-born spiritual force, found its chief work in the recovery of what had been lost. It only existed and is only intelligible in opposition to the seceders. In this sense it can be said with perfect truth that, the moral salvation of the Papacy is due to its mortal enemies. And now its political position, too, though certainly under the permanent tutelage of Spain, became impregnable; almost without effort it inherited, on the extinction of its vassals, the legitimate line of Este and the house of Della Rovere, the duchies of Ferrara and Urbino. But without the Reformation—if, indeed, it is possible to think it away—the whole ecclesiastical State would long ago have passed into secular hands.
In conclusion, let us briefly consider the effect of these political circumstances on the spirit of the nation at large.
It is evident that the general political uncertainty in Italy during the fourteenth and fifteenth centuries, was of a kind to excite in the better spirits of the time a patriotic disgust and opposition. Dante and Petrarch,[286] in their day, proclaimed loudly a common Italy, the object of the highest efforts of all her children. It may be objected that this was only the enthusiasm of a few highly-instructed men, in which the mass of the people had no share; but it can hardly have been otherwise even in Germany, although in name at least that country was united, and recognised in the Emperor one supreme head. The first patriotic utterances of German Literature, if we except some verses of the ‘Minnesänger,’ belong to the humanists of the time of Maximilian I.[287] and after, and read like an echo of Italian declamations, or like a reply to Italian criticism on the intellectual immaturity of Germany. And yet, as a matter of fact, Germany had been long a nation in a truer sense than Italy ever was since the Roman days. France owes the consciousness of its national unity mainly to its conflicts with the English, and Spain has never permanently succeeded in absorbing Portugal, closely related as the two countries are. For Italy, the existence of the ecclesiastical State, and the conditions under which alone it could continue, were a permanent obstacle to national unity, an obstacle whose removal seemed hopeless. When, therefore, in the political intercourse of the fifteenth century, the common fatherland is sometimes emphatically named, it is done in most cases to annoy some other Italian State.[288] The first decades of the sixteenth century, the years when the Renaissance attained its fullest bloom, were not favourable to a revival of patriotism; the enjoyment of intellectual and artistic pleasures, the comforts and elegancies of life, and the supreme interests of self-development, destroyed or hampered the love of country. But those deeply serious and sorrowful appeals to national sentiment were not heard again till later, when the time for unity had gone by, when the country was inundated with Frenchmen and Spaniards, and when a German army had conquered Rome. The sense of local patriotism may be said in some measure to have taken the place of this feeling, though it was but a poor equivalent for it.
PART II. THE DEVELOPMENT OF THE INDIVIDUAL.
CHAPTER I.
THE ITALIAN STATE AND THE INDIVIDUAL.
IN the character of these states, whether republics or despotisms, lies, not the only, but the chief reason for the early development of the Italian. To this it is due that he was the first-born among the sons of modern Europe.
In the Middle Ages both sides of human consciousness—that which was turned within as that which was turned without—lay dreaming or half awake beneath a common veil. The veil was woven of faith, illusion, and childish prepossession, through which the world and history were seen clad in strange hues. Man was conscious of himself only as member of a race, people, party, family, or corporation—only through some general category. In Italy this veil first melted into air; an objective treatment and consideration of the state and of all the things of this world became possible. The subjective side at the same time asserted itself with corresponding emphasis; man became a spiritual individual,[289] and recognised himself as such. In the same way the Greek had once distinguished himself from the barbarian, and the Arabian had felt himself an individual at a time when other Asiatics knew themselves only as members of a race. It will not be difficult to show that this result was owing above all to the political circumstances of Italy.
In far earlier times we can here and there detect a development of free personality which in Northern Europe either did not occur at all, or could not display itself in the same manner. The band of audacious wrongdoers in the sixteenth century described to us by Luidprand, some of the contemporaries of Gregory VII., and a few of the opponents of the first Hohenstaufen, show us characters of this kind. But at the close of the thirteenth century Italy began to swarm with individuality; the charm laid upon human personality was dissolved; and a thousand figures meet us each in its own special shape and dress. Dante’s great poem would have been impossible in any other country of Europe, if only for the reason that they all still lay under the spell of race. For Italy the august poet, through the wealth of individuality which he set forth, was the most national herald of his time. But this unfolding of the treasures of human nature in literature and art—this many-sided representation and criticism—will be discussed in separate chapters; here we have to deal only with the psychological fact itself. This fact appears in the most decisive and unmistakeable form. The Italians of the fourteenth century knew little of false modesty or of hypocrisy in any shape; not one of them was afraid of singularity, of being and seeming[290] unlike his neighbours.[291]
Despotism, as we have already seen, fostered in the highest degree the individuality not only of the tyrant or Condottiere himself,[292] but also of the men whom he protected or used as his tools—the secretary, minister, poet, and companion. These people were forced to know all the inward resources of their own nature, passing or permanent; and their enjoyment of life was enhanced and concentrated by the desire to obtain the greatest satisfaction from a possibly very brief period of power and influence.
But even the subjects whom they ruled over were not free from the same impulse. Leaving out of account those who wasted their lives in secret opposition and conspiracies, we speak of the majority who were content with a strictly private station, like most of the urban population of the Byzantine empire and the Mohammedan states. No doubt it was often hard for the subjects of a Visconti to maintain the dignity of their persons and families, and multitudes must have lost in moral