time. I say, ‘What the matter, Dave? You sick?’ But him no say nothing. After that him say, ‘Good girl Winapie, go way. I be all right bimeby.’ What you do my man, eh? I think you bad woman.”
Mrs. Sayther looked curiously at the barbarian woman who shared the life of this man, while she departed alone in the darkness of night.
“I think you bad woman,” Winapie repeated in the slow, methodical way of one who gropes for strange words in an alien tongue. “I think better you go way, no come no more. Eh? What you think? I have one man. I Indian girl. You ‘Merican woman. You good to see. You find plenty men. Your eyes blue like the sky. Your skin so white, so soft.”
Coolly she thrust out a brown forefinger and pressed the soft cheek of the other woman. And to the eternal credit of Karen Sayther, she never flinched. Pierre hesitated and half stepped forward; but she motioned him away, though her heart welled to him with secret gratitude. “It’s all right, Pierre,” she said. “Please go away.”
He stepped back respectfully out of earshot, where he stood grumbling to himself and measuring the distance in springs.
“Um white, um soft, like baby.” Winapie touched the other cheek and withdrew her hand. “Bimeby mosquito come. Skin get sore in spot; um swell, oh, so big; um hurt, oh, so much. Plenty mosquito; plenty spot. I think better you go now before mosquito come. This way,” pointing down the stream, “you go St. Michael’s; that way,” pointing up, “you go Dyea. Better you go Dyea. Good-by.”
And that which Mrs. Sayther then did, caused Pierre to marvel greatly. For she threw her arms around the Indian girl, kissed her, and burst into tears.
“Be good to him,” she cried. “Be good to him.”
Then she slipped half down the face of the bank, called back “Good-by,” and dropped into the boat amidships. Pierre followed her and cast off. He shoved the steering oar into place and gave the signal. Le Goire lifted an old French chanson; the men, like a row of ghosts in the dim starlight, bent their backs to the tow line; the steering oar cut the black current sharply, and the boat swept out into the night.
The End
Which Make Men Remember
Fortune La Pearle crushed his way through the snow, sobbing, straining, cursing his luck, Alaska, Nome, the cards, and the man who had felt his knife. The hot blood was freezing on his hands, and the scene yet bright in his eyes,—the man, clutching the table and sinking slowly to the floor; the rolling counters and the scattered deck; the swift shiver throughout the room, and the pause; the gamekeepers no longer calling, and the clatter of the chips dying away; the startled faces; the infinite instant of silence; and then the great blood-roar and the tide of vengeance which lapped his heels and turned the town mad behind him.
“All hell’s broke loose,” he sneered, turning aside in the darkness and heading for the beach. Lights were flashing from open doors, and tent, cabin, and dance-hall let slip their denizens upon the chase. The clamor of men and howling of dogs smote his ears and quickened his feet. He ran on and on. The sounds grew dim, and the pursuit dissipated itself in vain rage and aimless groping. But a flitting shadow clung to him. Head thrust over shoulder, he caught glimpses of it, now taking vague shape on an open expanse of snow, how merging into the deeper shadows of some darkened cabin or beach-listed craft.
Fortune La Pearle swore like a woman, weakly, with the hint of tears that comes of exhaustion, and plunged deeper into the maze of heaped ice, tents, and prospect holes. He stumbled over taut hawsers and piles of dunnage, tripped on crazy guy-ropes and insanely planted pegs, and fell again and again upon frozen dumps and mounds of hoarded driftwood. At times, when he deemed he had drawn clear, his head dizzy with the painful pounding of his heart and the suffocating intake of his breath, he slackened down; and ever the shadow leaped out of the gloom and forced him on in heartbreaking flight. A swift intuition lashed upon him, leaving in its trail the cold chill of superstition. The persistence of the shadow he invested with his gambler’s symbolism. Silent, inexorable, not to be shaken off, he took it as the fate which waited at the last turn when chips were cashed in and gains and losses counted up. Fortune La Pearle believed in those rare, illuminating moments, when the intelligence flung from it time and space, to rise naked through eternity and read the facts of life from the open book of chance. That this was such a moment he had no doubt; and when he turned inland and sped across the snow-covered tundra he was not startled because the shadow took upon it greater definiteness and drew in closer. Oppressed with his own impotence, he halted in the midst of the white waste and whirled about. His right hand slipped from its mitten, and a revolver, at level, glistened in the pale light of the stars.
“Don’t shoot. I haven’t a gun.”
The shadow had assumed tangible shape, and at the sound of its human voice a trepidation affected Fortune La Pearle’s knees, and his stomach was stricken with the qualms of sudden relief.
Perhaps things fell out differently because Uri Bram had no gun that night when he sat on the hard benches of the El Dorado and saw murder done. To that fact also might be attributed the trip on the Long Trail which he took subsequently with a most unlikely comrade. But be it as it may, he repeated a second time, “Don’t shoot. Can’t you see I haven’t a gun?”
“Then what the flaming hell did you take after me for?” demanded the gambler, lowering his revolver.
Uri Bram shrugged his shoulders. “It don’t matter much, anyhow. I want you to come with me.”
“Where?”
“To my shack, over on the edge of the camp.”
But Fortune La Pearle drove the heel of his moccasin into the snow and attested by his various deities to the madness of Uri Bram. “Who are you,” he perorated, “and what am I, that I should put my neck into the rope at your bidding?”
“I am Uri Bram,” the other said simply, “and my shack is over there on the edge of camp. I don’t know who you are, but you’ve thrust the soul from a living man’s body,—there’s the blood red on your sleeve,—and, like a second Cain, the hand of all mankind is against you, and there is no place you may lay your head. Now, I have a shack—”
“For the love of your mother, hold your say, man,” interrupted Fortune La Pearle, “or I’ll make you a second Abel for the joy of it. So help me, I will! With a thousand men to lay me by the heels, looking high and low, what do I want with your shack? I want to get out of here—away! away! away! Cursed swine! I’ve half a mind to go back and run amuck, and settle for a few of them, the pigs! One gorgeous, glorious fight, and end the whole damn business! It’s a skin game, that’s what life is, and I’m sick of it!”
He stopped, appalled, crushed by his great desolation, and Uri Bram seized the moment. He was not given to speech, this man, and that which followed was the longest in his life, save one long afterward in another place.
“That’s why I told you about my shack. I can stow you there so they’ll never find you, and I’ve got grub in plenty. Elsewise you can’t get away. No dogs, no nothing, the sea closed, St. Michael the nearest post, runners to carry the news before you, the same over the portage to Anvik—not a chance in the world for you! Now wait with me till it blows over. They’ll forget all about you in a month or less, what of stampeding to York and what not, and you can hit the trail under their noses and they won’t bother. I’ve got my own ideas of justice. When I ran after you, out of the El Dorado and along the beach, it wasn’t to catch you or give you up. My ideas are my own, and that’s
