The Incredible Travel Sketches, Essays, Memoirs & Island Works of R. L. Stevenson. Robert Louis Stevenson

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The Incredible Travel Sketches, Essays, Memoirs & Island Works of R. L. Stevenson - Robert Louis Stevenson

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upon the streets, in his wet clothes, in the wet, haggard dawn, trudging to another day of monstrosities and operations. Time went, quicker in the life of dreams, some seven hours (as near as he can guess) to one; and it went, besides, more intensely, so that the gloom of these fancied experiences clouded the day, and he had not shaken off their shadow ere it was time to lie down and to renew them. I cannot tell how long it was that he endured this discipline; but it was long enough to leave a great black blot upon his memory, long enough to send him, trembling for his reason, to the doors of a certain doctor; whereupon with a simple draught he was restored to the common lot of man.

      The poor gentleman has since been troubled by nothing of the sort; indeed, his nights were for some while like other men’s, now blank, now chequered with dreams, and these sometimes charming, sometimes appalling, but except for an occasional vividness, of no extraordinary kind. I will just note one of these occasions, ere I pass on to what makes my dreamer truly interesting. It seemed to him that he was in the first floor of a rough hill-farm. The room showed some poor efforts at gentility, a carpet on the floor, a piano, I think, against the wall; but, for all these refinements, there was no mistaking he was in a moorland place, among hillside people, and set in miles of heather. He looked down from the window upon a bare farmyard, that seemed to have been long disused. A great, uneasy stillness lay upon the world. There was no sign of the farm-folk or of any live stock, save for an old, brown, curly dog of the retriever breed, who sat close in against the wall of the house and seemed to be dozing. Something about this dog disquieted the dreamer; it was quite a nameless feeling, for the beast looked right enough — indeed, he was so old and dull and dusty and broken-down, that he should rather have awakened pity; and yet the conviction came and grew upon the dreamer that this was no proper dog at all, but something hellish. A great many dozing summer flies hummed about the yard; and presently the dog thrust forth his paw, caught a fly in his open palm, carried it to his mouth like an ape, and looking suddenly up at the dreamer in the window, winked to him with one eye. The dream went on, it matters not how it went; it was a good dream as dreams go; but there was nothing in the sequel worthy of that devilish brown dog. And the point of interest for me lies partly in that very fact: that having found so singular an incident, my imperfect dreamer should prove unable to carry the tale to a fit end and fall back on indescribable noises and indiscriminate horrors. It would be different now; he knows his business better!

      For, to approach at last the point: This honest fellow had long been in the custom of setting himself to sleep with tales, and so had his father before him; but these were irresponsible inventions, told for the teller’s pleasure, with no eye to the crass public or the thwart reviewer: tales where a thread might be dropped, or one adventure quitted for another, on fancy’s least suggestion. So that the little people who manage man’s internal theatre had not as yet received a very rigorous training; and played upon their stage like children who should have slipped into the house and found it empty, rather than like drilled actors performing a set piece to a huge hall of faces. But presently my dreamer began to turn his former amusement of story-telling to (what is called) account; by which I mean that he began to write and sell his tales. Here was he, and here were the little people who did that part of his business, in quite new conditions. The stories must now be trimmed and pared and set upon all-fours, they must run from a beginning to an end and fit (after a manner) with the laws of life; the pleasure, in one word, had become a business; and that not only for the dreamer, but for the little people of his theatre. These understood the change as well as he. When he lay down to prepare himself for sleep, he no longer sought amusement, but printable and profitable tales; and after he had dozed off in his box-seat, his little people continued their evolutions with the same mercantile designs. All other forms of dream deserted him but two: he still occasionally reads the most delightful books, he still visits at times the most delightful places; and it is perhaps worthy of note that to these same places, and to one in particular, he returns at intervals of months and years, finding new field-paths, visiting new neighbours, beholding that happy valley under new effects of noon and dawn and sunset. But all the rest of the family of visions is quite lost to him: the common, mangled version of yesterday’s affairs, the raw-head-and-bloody-bones nightmare, rumoured to be the child of toasted cheese — these and their like are gone; and, for the most part, whether awake or asleep, he is simply occupied — he or his little people — in consciously making stories for the market. This dreamer (like many other persons) has encountered some trifling vicissitudes of fortune. When the bank begins to send letters and the butcher to linger at the back gate, he sets to belabouring his brains after a story, for that is his readiest money-winner; and, behold! at once the little people begin to bestir themselves in the same quest, and labour all night long, and all night long set before him truncheons of tales upon their lighted theatre. No fear of his being frightened now; the flying heart and the frozen scalp are things bygone; applause, growing applause, growing interest, growing exultation in his own cleverness (for he takes all the credit), and at last a jubilant leap to wakefulness, with the cry, “I have it, that’ll do!” upon his lips: with such and similar emotions he sits at these nocturnal dramas, with such outbreaks, like Claudius in the play, he scatters the performance in the midst. Often enough the waking is a disappointment: he has been too deep asleep, as I explain the thing; drowsiness has gained his little people, they have gone stumbling and maundering through their parts; and the play, to the awakened mind, is seen to be a tissue of absurdities. And yet how often have these sleepless Brownies done him honest service, and given him, as he sat idly taking his pleasure in the boxes, better tales than he could fashion for himself.

      Here is one, exactly as it came to him. It seemed he was the son of a very rich and wicked man, the owner of broad acres and a most damnable temper. The dreamer (and that was the son) had lived much abroad, on purpose to avoid his parent; and when at length he returned to England, it was to find him married again to a young wife, who was supposed to suffer cruelly and to loathe her yoke. Because of this marriage (as the dreamer indistinctly understood) it was desirable for father and son to have a meeting; and yet both being proud and both angry, neither would condescend upon a visit. Meet they did accordingly, in a desolate, sandy country by the sea; and there they quarrelled, and the son, stung by some intolerable insult, struck down the father dead. No suspicion was aroused; the dead man was found and buried, and the dreamer succeeded to the broad estates, and found himself installed under the same roof with his father’s widow, for whom no provision had been made. These two lived very much alone, as people may after a bereavement, sat down to table together, shared the long evenings, and grew daily better friends; until it seemed to him of a sudden that she was prying about dangerous matters, that she had conceived a notion of his guilt, that she watched him and tried him with questions. He drew back from her company as men draw back from a precipice suddenly discovered; and yet so strong was the attraction that he would drift again and again into the old intimacy, and again and again be startled back by some suggestive question or some inexplicable meaning in her eye. So they lived at cross purposes, a life full of broken dialogue, challenging glances, and suppressed passion; until, one day, he saw the woman slipping from the house in a veil, followed her to the station, followed her in the train to the seaside country, and out over the sandhills to the very place where the murder was done. There she began to grope among the bents, he watching her, flat upon his face; and presently she had something in her hand — I cannot remember what it was, but it was deadly evidence against the dreamer — and as she held it up to look at it, perhaps from the shock of the discovery, her foot slipped, and she hung at some peril on the brink of the tall sand-wreaths. He had no thought but to spring up and rescue her; and there they stood face to face, she with that deadly matter openly in her hand — his very presence on the spot another link of proof. It was plain she was about to speak, but this was more than he could bear — he could bear to be lost, but not to talk of it with his destroyer; and he cut her short with trivial conversation. Arm in arm, they returned together to the train, talking he knew not what, made the journey back in the same carriage, sat down to dinner, and passed the evening in the drawing-room as in the past. But suspense and fear drummed in the dreamer’s bosom. “She has not denounced me yet” — so his thoughts ran: “when will she denounce me? Will it be tomorrow?” And it was not tomorrow, nor the next day, nor the next; and their life settled back on the old terms, only that she seemed kinder than before, and that, as for him, the burthen of his suspense and wonder grew daily more unbearable,

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