The Thirteen Travellers. Hugh Walpole

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The Thirteen Travellers - Hugh Walpole

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and tremble behind the policeman's hand in the Circus; saw Delysia's name over the Pavilion, and the posters of the evening papers, and the fountains splashing in Trafalgar Square.

      He put on his best clothes and went out.

      He called upon Mary, Countess of Gosport, the Duchess of Aisles, Lady Glenrobert, Mrs. Leo Torsch, and dear Rachel Seddon. At the Countess of Gosport's he found a clergyman, a companion, and a Chow; at the Duchess of Aisles' four young Guardsmen, two girls, and Isaac Monteluke, who had the insolence to patronise him; at Lady Glenrobert's a vast crowd of men and women rehearsing for a Peace pageant shortly to be given at the Albert Hall; at Mrs. Leo Torsch's an incredible company of artists, writers, and actors, people unwashed and unbrushed, at sight of whom Absalom's very soul trembled; at dear Rachel's charming young people, all of whom looked right through him as though he were an easy and undisturbing ghost.

      He came back from these visits a weary, miserable, and tired little man. Even Rachel had seemed to have no time to give him. … An incredible lassitude spread through all his bones. As he entered the portals of No. 2 a boy passed him with a Pall Mall poster. "Railwaymen issue Ultimatum." In his room he read a Times leader, in which it said that the lower classes were starving and had nowhere to sleep. And they called the Times a reactionary paper! The lower classes starving! What about the upper classes? With his door closed, in his own deep privacy, surrounded by his little gods, his mirror, his silver frames, and his boot-trees, he wept—bitterly, helplessly, like a child.

      From that moment he had no courage. Enemies seemed to be on every side. Everywhere he was insulted. If he went out boys pushed against him, taxi-men swore at him, in the shops they were rude to him! There was never room in the omnibuses, the taxis were too expensive, and the Tubes! After an attempt to reach Russell Square by Tube he vowed he would never enter a Tube door again. He was pushed, hustled, struck in the stomach, sworn at both by attendants and passengers, jammed between stout women, hurled off his feet, spoken to by a young soldier because he did not give up his seat to a lady who haughtily refused it when he offered … Tubes! … never again—never, oh, never again!

      What then to do? Walking tired him desperately. Everywhere seemed now so far away!

      So he remained in his flat; but now Hortons itself was different. Now that he was confined to it it was very small, and he was always tumbling over things. A pipe burst one morning, and his bathroom was flooded. The bathroom wall-paper began to go the strangest and most terrible colours—it was purple and pink and green, and there were splotches of white mildew that seemed to move before your eyes as you lay in your bath and watched them. Absalom went to Mr. Nix, and Mr. Nix said that it should be seen to at once, but day after day went by and nothing was done. When Mr. Nix was appealed to he said rather restively that he was very sorry but he was doing his best—labour was so difficult to get now—"You could not rely on the men."

      "But they've got to come!" screamed Absalom.

      Mr. Nix shrugged his shoulders; from his lips fell those fatal and now so monotonous words:

      "We're living in changed times, Mr. Jay."

      Changed times! Absalom should think we were. Everyone was ruder and ruder and ruder. Bills were beginning to worry him terribly—such little bills, but men would come and wait downstairs in the hall for them.

      The loneliness increased and wrapped him closer and closer. His temper was becoming atrocious as he well knew. Bacon now paid no attention to his wishes, his meals were brought up at any time, his rooms were not cleaned, his silver was tarnished. All he had to do was to complain to Mr. Nix, who ruled Hortons with a rod of iron, and allowed no incivilities or slackness. But he was afraid to do that; he was afraid of the way that Bacon would treat him afterwards. Always, everywhere now he saw this increasing attention that was paid to the lower classes. Railwaymen, miners, hair-dressers, dockers, bakers, waiters, they struck, got what they wanted and then struck for more.

      He hated the lower classes—hated them, hated them! The very sight of a working man threw him into a frenzy. What about the upper classes and the middle classes! Did you ever see a word in the paper about them? Never!

      He was not well, his heart troubled him very much. Sometimes he lay on his sofa battling for breath. But he did not dare to go to a doctor. He could not afford a doctor.

      But God is merciful. He put a period to poor Absalom's unhappiness. When it was plain that this world was no longer a place for Absalom's kind He gathered Absalom to His bosom.

      And it was in this way. There arrived suddenly one day a card: "The Duchess of Aisles … Dancing." His heart beat high at the sight of it. He had to lie down on his sofa to recover himself. He stuck his card into the mirror and was compelled to say something to Bacon about it. Bacon did not seem to be greatly impressed at the sight.

      He dressed on the great evening with the utmost care. The sight of his bathroom affected him; it seemed to cover him with pink spots and mildew, but he shook that off from him and boldly ventured forth to Knightsbridge. He found an immense party gathered there. Many, many people. … He didn't seem to recognise any of them. The Duchess herself had apparently forgotten him. He reminded her. He crept about; he felt strangely as though at any moment someone might shoot him in the back. Then he found Mrs. Charles Clinton, one of his hostesses of the old days. She was kind but preoccupied. Then he discovered Tom Wardour—old Tom Wardour, the stupidest man in London and the greediest. Nevertheless he was glad to see him.

      "By Jove, old man, you do look seedy," Tom said; "what have you been doing to yourself?"

      Tactless of Tom, that! He felt more than ever that someone was going to shoot him in the back. He crept away and hid himself in a corner. He dozed a little, then woke to hear his own name. A woman was speaking of him. He recognized Mrs. Clinton's voice.

      "Whom do you think I saw just now? … Yes, old Absalom Jay. Like a visit from the dead. Yes, and so old. You know how smart he used to be. He looked quite shabby, poor old thing. Oh no, of course, he was always stupid. But now—oh, dreadful! … I assure you he gave me the creeps. Yes, of course, he belonged to that old world before the war. Doesn't it seem a long time ago? Centuries. What I say is that one can't believe one was alive then at all. … "

      Gave her the creeps! Gave Mrs. Clinton the creeps! He felt as though his premonition had been true, and someone had shot him in the back. He crept away, out of the house, right away.

      He crept into a Tube. The trains were crowded. He had to hang on to a strap. At Hyde Park Corner two workmen got in; they had been drinking together. Very big men they were. They stood one on each side of Absalom and lurched about. Absalom was pushed hither and thither.

      "Where the 'ell are you comin' to?" one said.

      The other knocked Absalom's hat off as though by an accident. Then the former elaborately picked it up and offered it with a low bow, digging Absalom in the stomach as he did so.

      "'Ere y'are, my lord," he said. They roared with laughter. The whole carriage laughed. At Dover Street Absalom got out. He hurried through the streets, and the tears were pouring down his cheeks. He could not stop them; he seemed to have no control over them. They were not his tears. … He entered Hortons, and in the lift hid his face so that Fannie should not see that he was crying.

      He closed his door behind him, did not turn on the lights, found the sofa, and cowered down there as though he were hiding from someone.

      The tears continued to race down his cheeks. Then suddenly it seemed as though the walls of the bathroom, all blotched and purple, all

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