JANE OF LANTERN HILL (Children's Book). Lucy Maud Montgomery

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JANE OF LANTERN HILL (Children's Book) - Lucy Maud Montgomery

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      "I expect you to obey me without argument, Victoria. You cannot have your own way all the time. Other people's wishes must be considered occasionally. Please oblige me by making no further fuss over a trifle."

      "Grandmother," began Jane passionately. But grandmother lifted a little wrinkled, sparkling hand.

      "Now, now, don't work yourself into a state, Victoria. Take that thing out at once."

      Jane took the kitten to the kitchen.

      "Don't worry, Miss Victoria. I'll get Frank to put it in the garage with a rug to lie on. It will be quite comfy. And to-morrow I'll find a good home for it at my sister's. She's fond of cats."

      Jane never cried, so she was not crying when mother slipped rather stealthily into her room for a good-night kiss. She was only tense with rebellion.

      "Mummy, I wish we could get away . . . just you and I. I hate this place, mummy, I hate it."

      Mother said a strange thing and said it bitterly: "There is no escape for either of us now."

      VII

       Table of Contents

      Jane could never understand the affair of the picture. After her hurt and anger passed away she was just hopelessly puzzled. Why . . . why . . . should the picture of a perfect stranger matter to anybody at 60 Gay . . . and to mother, least of all?

      She had come across it one day when she was visiting Phyllis. Every once in so long Jane had to spend an afternoon with Phyllis. This one was no more of a success than the former ones had been. Phyllis was a conscientious hostess. She had shown Jane all her new dolls, her new dresses, her new slippers, her new pearl necklace, her new china pig. Phyllis was collecting china pigs and apparently thought any one "dumb" who was not interested in china pigs. She had patronized and condescended even more than usual. Consequently Jane was stiffer than usual and both of them were in agonies of boredom. It was a relief to all concerned when Jane picked up a Saturday Evening and buried herself in it, though she was not in the least interested in the society pages, the photographs of brides and debutantes, the stock market or even in the article, "Peaceful Adjustment of International Difficulties," by Kenneth Howard, which was given a place of honour on the front page. Jane had a vague idea that she ought not to be reading Saturday Evening. For some unknown reason grandmother did not approve of it. She would not have a copy of it in her house.

      But what Jane did like was the picture of Kenneth Howard on the front page. The moment she looked at it she was conscious of its fascination. She had never seen Kenneth Howard . . . she had no idea who he was or where he lived . . . but she felt as if it were the picture of someone she knew very well and liked very much. She liked everything about it . . . his odd peaked eyebrows . . . the way his thick rather unruly hair sprang back from his forehead . . . the way his firm mouth tucked in at the corners . . . the slightly stern look in the eyes which yet had such jolly wrinkles at the corners . . . and the square, cleft chin which reminded Jane so strongly of something, she couldn't remember just what. That chin seemed like an old friend. Jane looked at the face and drew a long breath. She knew, right off, that if she had loved her father instead of hating him she would have wanted him to look like Kenneth Howard.

      Jane stared at the picture so long that Phyllis became curious.

      "What are you looking at, Jane?"

      Jane suddenly came to life.

      "May I have this picture, Phyllis . . . please?"

      "Whose picture? Why . . . that? Do you know him?"

      "No. I never heard of him before. But I like the picture."

      "I don't." Phyllis looked at it contemptuously. "Why . . . he's old. And he isn't a bit handsome. There's a lovely picture of Norman Tait on the next page, Jane . . . let me show it to you."

      Jane was not interested in Norman Tait nor any other screen star. Grandmother did not approve of children going to the movies.

      "I'd like this picture if I may have it," she said firmly.

      "I guess you can have it," condescended Phyllis. She thought Jane "dumber" than ever. How she did pity such a dumb girl! "I guess nobody here wants that picture. I don't like it a bit. He looks as if he was laughing at you behind his eyes."

      Which was a bit of surprising insight on the part of Phyllis. That was just how Kenneth Howard did look. Only it was nice laughter. Jane felt she wouldn't mind a bit being laughed at like that. She cut the picture carefully out, carried it home, and hid it under the pile of handkerchiefs in her top bureau drawer. She could hardly have told why she did not want to show it to anybody. Perhaps she did not want any one to ridicule the picture as Phyllis had done. Perhaps it was just because there seemed some strange bond between her and it . . . something too beautiful to be talked about to any one, even mother. Not that there was much chance of talking to mother about anything just now. Never had mother been so brilliant, so gay, so beautifully dressed, so constantly on the go to parties and teas and bridges. Even the goodnight kiss had become a rare thing . . . or Jane thought it had. She did not know that always when her mother came in late, she tiptoed into Jane's room and dropped a kiss on Jane's russet hair . . . lightly so as not to waken her. Sometimes she cried when she went back to her own room but not often, because it might show at breakfast and old Mrs Robert Kennedy did not like people who cried o' nights in her house.

      For three weeks the picture and Jane were the best of friends. She took it out and looked at it whenever she could . . . she told it all about Jody and about her tribulations with her homework and about her love for mother. She even told it her moon secret. When she lay lonely in her bed, the thought of it was company. She kissed it good night and took a peep at it the first thing in the morning.

      Then Aunt Gertrude found it.

      The moment Jane came in from St Agatha's that day she knew something was wrong. The house, which always seemed to be watching her, was watching her more closely than ever, with a mocking, triumphant malice. Great-grandfather Kennedy scowled more darkly than ever at her from the drawing-room wall. And grandmother was sitting bolt-upright in her chair flanked by mother and Aunt Gertrude. Mother was twisting a lovely red rose to pieces in her little white hands but Aunt Gertrude was staring at the picture grandmother was holding.

      "My picture!" cried Jane aloud.

      Grandmother looked at Jane. For once her cold blue eyes were on fire.

      "Where did you get this?" she said.

      "It's mine," cried Jane. "Who took it out of my drawer? Nobody had any business to do that."

      "I don't think I like your manner, Victoria. And we are not discussing a problem in ethics. I asked a question."

      Jane looked down at the floor. She had no earthly idea why it seemed such a crime to have Kenneth Howard's picture but she knew she was not going to be allowed to have it any more. And it seemed to Jane that she just could not bear that.

      "Will you be kind enough to look at me, Victoria? And to answer my question? You are not tongue-tied, by any chance, I suppose."

      Jane looked up with stormy and mutinous eyes.

      "I cut it out of a paper . . . out of Saturday

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