Elsie Venner. Oliver Wendell Holmes
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The schoolhouse was a grim, old, red, one-story building, perched on a bare rock at the top of a hill—partly because this was a conspicuous site for the temple of learning, and partly because land is cheap where there is no chance even for rye or buckwheat, and the very sheep find nothing to nibble. About the little porch were carved initials and dates, at various heights, from the stature of nine to that of eighteen. Inside were old unpainted desks—unpainted, but browned with the umber of human contact—and hacked by innumerable jack-knives. It was long since the walls had been whitewashed, as might be conjectured by the various traces left upon them, wherever idle hands or sleepy heads could reach them. A curious appearance was noticeable on various higher parts of the wall: namely, a wart-like eruption, as one would be tempted to call it, being in reality a crop of the soft missiles before mentioned, which, adhering in considerable numbers, and hardening after the usual fashion of papier-mache, formed at last permanent ornaments of the edifice.
The young master's quick eye soon noticed that a particular part of the wall was most favored with these ornamental appendages. Their position pointed sufficiently clearly to the part of the room they came from. In fact, there was a nest of young mutineers just there, which must be broken up by a coup d'etat. This was easily effected by redistributing the seats and arranging the scholars according to classes, so that a mischievous fellow, charged full of the rebellious imponderable, should find himself between two non-conductors, in the shape of small boys of studious habits. It was managed quietly enough, in such a plausible sort of way that its motive was not thought of. But its effects were soon felt; and then began a system of correspondence by signs, and the throwing of little scrawls done up in pellets, and announced by preliminary a'h'ms! to call the attention of the distant youth addressed. Some of these were incendiary documents, devoting the schoolmaster to the lower divinities, as “a stuck-up dandy,” as “a purse-proud aristocrat,” as “a sight too big for his, etc.,” and holding him up in a variety of equally forcible phrases to the indignation of the youthful community of School District No. 1, Pigwacket Centre.
Presently the draughtsman of the school set a caricature in circulation, labelled, to prevent mistakes, with the schoolmaster's name. An immense bell-crowned hat, and a long, pointed, swallow-tailed coat showed that the artist had in his mind the conventional dandy, as shown in prints of thirty or forty years ago, rather than any actual human aspect of the time. But it was passed round among the boys and made its laugh, helping of course to undermine the master's authority, as “Punch” or the “Charivari” takes the dignity out of an obnoxious minister. One morning, on going to the schoolroom, Master Langdon found an enlarged copy of this sketch, with its label, pinned on the door. He took it down, smiled a little, put it into his pocket, and entered the schoolroom. An insidious silence prevailed, which looked as if some plot were brewing. The boys were ripe for mischief, but afraid. They had really no fault to find with the master, except that he was dressed like a gentleman, which a certain class of fellows always consider a personal insult to themselves. But the older ones were evidently plotting, and more than once the warning a'h'm! was heard, and a dirty little scrap of paper rolled into a wad shot from one seat to another. One of these happened to strike the stove-funnel, and lodged on the master's desk. He was cool enough not to seem to notice it. He secured it, however, and found an opportunity to look at it, without being observed by the boys. It required no immediate notice.
He who should have enjoyed the privilege of looking upon Mr. Bernard Langdon the next morning, when his toilet was about half finished, would have had a very pleasant gratuitous exhibition. First he buckled the strap of his trousers pretty tightly. Then he took up a pair of heavy dumb-bells, and swung them for a few minutes; then two great “Indian clubs,” with which he enacted all sorts of impossible-looking feats. His limbs were not very large, nor his shoulders remarkably broad; but if you knew as much of the muscles as all persons who look at statues and pictures with a critical eye ought to have learned—if you knew the trapezius, lying diamond-shaped over the back and shoulders like a monk's cowl—or the deltoid, which caps the shoulder like an epaulette—or the triceps, which furnishes the calf of the upper arm—or the hard-knotted biceps—any of the great sculptural landmarks, in fact—you would have said there was a pretty show of them, beneath the white satiny skin of Mr. Bernard Langdon. And if you had seen him, when he had laid down the Indian clubs, catch hold of a leather strap that hung from the beam of the old-fashioned ceiling—and lift and lower himself over and over again by his left hand alone, you might have thought it a very simple and easy thing to do, until you tried to do it yourself. Mr. Bernard looked at himself with the eye of an expert. “Pretty well!” he said;—“not so much fallen off as I expected.” Then he set up his bolster in a very knowing sort of way, and delivered two or three blows straight as rulers and swift as winks. “That will do,” he said. Then, as if determined to make a certainty of his condition, he took a dynamometer from one of the drawers in his old veneered bureau. First he squeezed it with his two hands. Then he placed it on the floor and lifted, steadily, strongly. The springs creaked and cracked; the index swept with a great stride far up into the high figures of the scale; it was a good lift. He was satisfied. He sat down on the edge of his bed and looked at his cleanly-shaped arms. “If I strike one of those boobies, I am afraid I shall spoil him,” he said. Yet this young man, when weighed with his class at the college, could barely turn one hundred and forty-two pounds in the scale—not a heavy weight, surely; but some of the middle weights, as the present English champion, for instance, seem to be of a far finer quality of muscle than the bulkier fellows.
The master took his breakfast with a good appetite that morning, but was perhaps rather more quiet than usual. After breakfast he went up-stairs and put, on a light loose frock, instead of that which he commonly wore, which was a close-fitting and rather stylish one. On his way to school he met Alminy Cutterr, who happened to be walking in the other direction. “Good-morning, Miss Cutter,” he said; for she and another young lady had been introduced to him, on a former occasion, in the usual phrase of polite society in presenting ladies to gentlemen—“Mr. Langdon, let me make y' acquainted with Miss Cutterr;—let me make y' acquainted with Miss Braowne.” So he said, “Good-morning”; to which she replied, “Good-mornin', Mr. Langdon. Haow's your haalth?” The answer to this question ought naturally to have been the end of the talk; but Alminy Cutterr lingered and looked as if she had something more on her mind.
A young fellow does not require a great experience to read a simple country-girl's face as if it were a sign-board. Alminy was a good soul, with red cheeks and bright eyes, kind-hearted as she could be, and it was out of the question for her to hide her thoughts or feelings like a fine lady. Her bright eyes were moist and her red cheeks paler than their wont, as she said, with her lips quivering, “Oh, Mr. Langdon, them boys 'll be the death of ye, if ye don't take caar!”
“Why, what's the matter, my dear?” said Mr. Bernard.—Don't think there was anything very odd in that “my dear,” at the second interview with a village belle;—some of these woman-tamers call a girl “My dear,” after five minutes' acquaintance, and it sounds all right as they say it. But you had better not try it at a venture.
It sounded all right to Alminy, as Mr. Bernard said it.—“I 'll tell ye what's the mahtterr,” she said, in a frightened voice. “Ahbner 's go'n' to car' his dog, 'n' he'll set him on ye'z sure 'z y' 'r' alive. 'T's the same cretur that haaf eat up Eben Squires's little Jo, a year come nex' Faast day.”
Now this last statement was undoubtedly overcolored; as little Jo Squires was running about the village—with an ugly scar on his arm, it is true, where the beast had caught him with his teeth, on the occasion of the child's taking liberties with him, as he had been accustomed to do with a good-tempered Newfoundland dog, who seemed to like being pulled and hauled round by children. After this the creature was commonly muzzled, and, as he was fed on raw meat chiefly, was