Through the Wall. Cleveland Moffett

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Through the Wall - Cleveland  Moffett

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pistol—had been discharged from a very short distance.

      This certainly looked like suicide, although the absence of the pistol pointed to murder. The man's face was perfectly calm, with no suggestion of fright or anger; his hands and body lay in a natural position and his clothes were in no way disordered. Either he had met death willingly, or it had come to him without warning, like a lightning stroke.

      "Doctor," asked the commissary, glancing at the open window, "if this man shot himself, could he, in your opinion, with his last strength have thrown the pistol out there?"

      "Certainly not," answered Joubert. "A man who received a wound like this would be dead before he could lift a hand, before he could wink."

      "Ah!"

      "Besides, a search has been made underneath that window and no pistol has been found."

      "It must be murder," muttered Pougeot. "Was there any quarreling with the woman?"

      "Joseph says not. On the contrary, they seemed on the friendliest terms."

      "Hah! See what he has on his person. Note everything down. We must find out who this poor fellow was."

      These instructions were carefully carried out, and it straightway became clear that robbery, at any rate, had no part in the crime. In the dead man's pockets was found a considerable sum of money, a bundle of five-pound notes of the Bank of England, besides a handful of French gold. On his fingers were several valuable rings, in his scarf was a large ruby set with diamonds, and attached to his waistcoat was a massive gold medal that at once established his identity. He was Enrico Martinez, a Spaniard widely known as a professional billiard player, and also the hero of the terrible Charity Bazaar fire, where, at the risk of his life, he had saved several women from the flames. For this bravery the city of Paris had awarded him a gold medal and people had praised him until his head was half turned.

      So familiar a figure was Martinez that there was no difficulty in finding witnesses in the restaurant able to identify him positively as the dead man. Several had seen him within a few days at the Olympia billiard academy, where he had been practicing for a much-advertised match with an American rival. All agreed that Martinez was quite the last man in Paris to take his own life, for the simple reason that he enjoyed it altogether too much. He was scarcely thirty and in excellent health, he made plenty of money, he was fond of pleasure, and particularly fond of the ladies and had no reason to complain of bad treatment at their hands; in fact, if the truth must be told, he was ridiculously vain of his conquests among the fair sex, and was always saying to whoever would listen: "Ah, mon cher, I have met a woman! But such a woman!" Then his dark eyes would glow and he would snap his thumb nail under an upper tooth, with an expression of ravishing joy that only a Castilian billiard player could assume. And, of course, it was always a different woman!

      "Aha!" muttered the commissary. "There may be a husband mixed up in this. Call that waiter again, and—er—we will continue the examination outside."

      With this they removed to the adjoining private room, Number Five, leaving a policeman at the door of Number Six until proper disposal of the body should be made.

      In the further questioning of Joseph the commissary brought out several important facts. The waiter testified that, after serving the soup to Martinez and the lady, he had not left the corridor outside the door of Number Six until the moment when he entered the room and discovered the crime. During this interval of perhaps a quarter of an hour he had moved down the corridor a short distance, but not farther than the door of Number Four. He was sure of this because one of the doors to the banquet room was just opposite the door of Number Four, and he had stood there listening to a Fourth-of-July speaker who was discussing the relations between France and America. Joseph, being something of a politician, was greatly interested in this.

      "Then this banquet-room door was open?" questioned Pougeot.

      "Yes, sir, it was open about a foot—some of the guests wanted air."

      "How did you stand as you listened to the speaker? Show me." M. Pougeot led Joseph to the banquet-room door.

      "Like this," answered the waiter, and he placed himself so that his back was turned to Number Six.

      "So you would not have seen anyone who might have come out of Number Six at that time or gone into Number Six?"

      "I suppose not."

      "And if the door of Number Six had opened while your back was turned, would you have heard it?"

      Joseph shook his head. "No, sir; there was a lot of applauding—like that," he paused as a roar of laughter came from across the hall.

      The commissary turned quickly to one of his men. "See that they make less noise. And be careful no one leaves the banquet room on any excuse. I'll be there presently." Then to the waiter: "Did you hear any sound from Number Six? Anything like a shot?"

      "No, sir."

      "Hm! It must have been the thunder. Now tell me this, could anyone have passed you in the corridor while you stood at the banquet-room door without your knowing it?"

      Joseph's round, red face spread into a grin. "The corridor is narrow, sir, and I"—he looked down complacently at his ample form—"I pretty well fill it up, don't I, sir?"

      "You certainly do. Give me a sheet of paper." And with a few rapid pencil strokes the commissary drew a rough plan of the banquet room, the corridor, and the seven private dining rooms. He marked carefully the two doors leading from the banquet room into the corridor, the one where Joseph listened, opposite Number Four, and the one opposite Number Six.

      "Here you are, blocking the corridor at Number Four"; he made a mark on the plan at that point. "By the way, are there any other exits from the banquet room except these two corridor doors?"

      "No, sir."

      "Good! Now pay attention. While you were listening at this door—I'll mark it A—with your back turned to Number Six, a person might have left the banquet room by the farther door—I'll mark it B—and stepped across the corridor into Number Six without your seeing him. Isn't that true?"

      "Yes, sir, it's possible."

      "Or a person might have gone into Number Six from either Number Five or Number Seven without your seeing him?"

      "Excuse me, there was no one in Number Five during that fifteen minutes, and the party who had engaged Number Seven did not come."

      "Ah! Then if any stranger went into Number Six during that fifteen minutes he must have come from the banquet room?"

      "Yes, sir."

      "By this door, B?"

      "That's the only way he could have come without my seeing him."

      "And if he went out from Number Six afterwards, I mean if he left the hotel, he must have passed you in the corridor?"

      "Exactly." Joseph's face was brightening.

      "Now, did

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