to his thirtieth year—would have the look of burlesque exaggeration. He had set it before him to become a celebrated man, and he was not unaware that the attainment of that end would cost him quite exceptional labour, seeing that nature had not favoured him with brilliant parts. No matter; his name should be spoken among men unless he killed himself in the struggle for success.
In the meantime he married. Living in a garret, and supplying himself with the materials of his scanty meals, he was in the habit of making purchases at a little chandler’s shop, where he was waited upon by a young girl of no beauty, but, as it seemed to him, of amiable disposition. One holiday he met this girl as she was walking with a younger sister in the streets; he made her nearer acquaintance, and before long she consented to be his wife and share his garret. His brothers, John and Edmund, cried out that he had made an unpardonable fool of himself in marrying so much beneath him; that he might well have waited until his income improved. This was all very well, but they might just as reasonably have bidden him reject plain food because a few years hence he would be able to purchase luxuries; he could not do without nourishment of some sort, and the time had come when he could not do without a wife. Many a man with brains but no money has been compelled to the same step. Educated girls have a pronounced distaste for London garrets; not one in fifty thousand would share poverty with the brightest genius ever born. Seeing that marriage is so often indispensable to that very success which would enable a man of parts to mate equally, there is nothing for it but to look below one’s own level, and be grateful to the untaught woman who has pity on one’s loneliness.
Unfortunately, Alfred Yule was not so grateful as he might have been. His marriage proved far from unsuccessful; he might have found himself united to a vulgar shrew, whereas the girl had the great virtues of humility and kindliness. She endeavoured to learn of him, but her dulness and his impatience made this attempt a failure; her human qualities had to suffice. And they did, until Yule began to lift his head above the literary mob. Previously, he often lost his temper with her, but never expressed or felt repentance of his marriage; now he began to see only the disadvantages of his position, and, forgetting the facts of the case, to imagine that he might well have waited for a wife who could share his intellectual existence. Mrs. Yule had to pass through a few years of much bitterness. Already a martyr to dyspepsia, and often suffering from bilious headaches of extreme violence, her husband now and then lost all control of his temper, all sense of kind feeling, even of decency, and reproached the poor woman with her ignorance, her stupidity, her low origin. Naturally enough she defended herself with such weapons as a sense of cruel injustice supplied. More than once the two all but parted. It did not come to an actual rupture, chiefly because Yule could not do without his wife; her tendance had become indispensable. And then there was the child to consider.
From the first it was Yule’s dread lest Marian should be infected with her mother’s faults of speech and behaviour. He would scarcely permit his wife to talk to the child. At the earliest possible moment Marian was sent to a day-school, and in her tenth year she went as weekly boarder to an establishment at Fulham; any sacrifice of money to insure her growing up with the tongue and manners of a lady. It can scarcely have been a light trial to the mother to know that contact with her was regarded as her child’s greatest danger; but in her humility and her love for Marian she offered no resistance. And so it came to pass that one day the little girl, hearing her mother make some flagrant grammatical error, turned to the other parent and asked gravely: ‘Why doesn’t mother speak as properly as we do?’ Well, that is one of the results of such marriages, one of the myriad miseries that result from poverty.
The end was gained at all hazards. Marian grew up everything that her father desired. Not only had she the bearing of refinement, but it early became obvious that nature had well endowed her with brains. From the nursery her talk was of books, and at the age of twelve she was already able to give her father some assistance as an amanuensis.
At that time Edmund Yule was still living; he had overcome his prejudices, and there was intercourse between his household and that of the literary man. Intimacy it could not be called, for Mrs. Edmund (who was the daughter of a law-stationer) had much difficulty in behaving to Mrs. Alfred with show of suavity. Still, the cousins Amy and Marian from time to time saw each other, and were not unsuitable companions. It was the death of Amy’s father that brought these relations to an end; left to the control of her own affairs Mrs. Edmund was not long in giving offence to Mrs. Alfred, and so to Alfred himself. The man of letters might be inconsiderate enough in his behaviour to his wife, but as soon as anyone else treated her with disrespect that was quite another matter. Purely on this account he quarrelled violently with his brother’s widow, and from that day the two families kept apart.
The chapter of quarrels was one of no small importance in Alfred’s life; his difficult temper, and an ever-increasing sense of neglected merit, frequently put him at war with publishers, editors, fellow-authors, and he had an unhappy trick of exciting the hostility of men who were most likely to be useful to him. With Mr. Polo, for instance, who held him in esteem, and whose commercial success made him a valuable connection, Alfred ultimately broke on a trifling matter of personal dignity. Later came the great quarrel with Clement Fadge, an affair of considerable advantage in the way of advertisement to both the men concerned. It happened in the year 1873. At that time Yule was editor of a weekly paper called The Balance, a literary organ which aimed high, and failed to hit the circulation essential to its existence. Fadge, a younger man, did reviewing for The Balance; he was in needy circumstances, and had wrought himself into Yule’s good opinion by judicious flattery. But with a clear eye for the main chance Mr. Fadge soon perceived that Yule could only be of temporary use to him, and that the editor of a well-established weekly which lost no opportunity of throwing scorn upon Yule and all his works would be a much more profitable conquest. He succeeded in transferring his services to the more flourishing paper, and struck out a special line of work by the free exercise of a malicious flippancy which was then without rival in the periodical press. When he had thoroughly got his hand in, it fell to Mr. Fadge, in the mere way of business, to review a volume of his old editor’s, a rather pretentious and longwinded but far from worthless essay ‘On Imagination as a National Characteristic.’ The notice was a masterpiece; its exquisite virulence set the literary circles chuckling. Concerning the authorship there was no mystery, and Alfred Yule had the indiscretion to make a violent reply, a savage assault upon Fadge, in the columns of The Balance. Fadge desired nothing better; the uproar which arose—chaff, fury, grave comments, sneering spite—could only result in drawing universal attention to his anonymous cleverness, and throwing ridicule upon the heavy, conscientious man. Well, you probably remember all about it. It ended in the disappearance of Yule’s struggling paper, and the establishment on a firm basis of Fadge’s reputation.
It would be difficult to mention any department of literary endeavour in which Yule did not, at one time or another, try his fortune. Turn to his name in the Museum Catalogue; the list of works appended to it will amuse you. In his thirtieth year he published a novel; it failed completely, and the same result awaited a similar experiment five years later. He wrote a drama of modern life, and for some years strove to get it acted, but in vain; finally it appeared ‘for the closet’—giving Clement Fadge such an opportunity as he seldom enjoyed. The one noteworthy thing about these productions, and about others of equally mistaken direction, was the sincerity of their workmanship. Had Yule been content to manufacture a novel or a play with due disregard for literary honour, he might perchance have made a mercantile success; but the poor fellow had not pliancy enough for this. He took his efforts au grand serieux; thought he was producing works of art; pursued his ambition in a spirit of fierce conscientiousness. In spite of all, he remained only a journeyman. The kind of work he did best was poorly paid, and could bring no fame. At the age of fifty he was still living in a poor house in an obscure quarter. He earned enough for his actual needs, and was under no pressing fear for the morrow, so long as his faculties remained unimpaired; but there was no disguising from himself that his life had been a failure. And the thought tormented him.
Now there had come unexpectedly a gleam of hope. If indeed, the man Rackett thought of offering him the editorship of The Study he might even yet taste the triumphs for which he
