The Complete Tales of Sir Walter Scott. Walter Scott

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The Complete Tales of Sir Walter Scott - Walter Scott

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       Walter Scott

      The Complete Tales of Sir Walter Scott

      Chronicles of the Canongate, The Keepsake Stories, The Highland Widow, The Tapestried Chamber, Halidon Hill, Auchindrane…

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      2017 OK Publishing

      ISBN 978-80-272-3508-7

      Table of Contents

       INTRODUCTION: Famous Authors on Scott

       SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo

       MEMORIES AND PORTRAITS by Robert Louis Stevenson

       SCOTT AND HIS PUBLISHERS by Charles Dickens

       SHORT STORIES: Chronicles of the Canongate

       CHRONICLES OF THE CANONGATE

       THE HIGHLAND WIDOW

       THE TWO DROVERS

       THE SURGEON’S DAUGHTER

       The Keepsake Stories

       MY AUNT MARGARET’S MIRROR

       THE TAPESTRIED CHAMBER

       DEATH OF THE LAIRD’S JOCK

       Other Short Stories

       CHRISTOPHER CORDUROY

       PHANTASMAGORIA

       THE INFERNO OF ALTISIDORA

       A HIGHLAND ANECDOTE

       DEPRAVITY AMONG ANIMALS

       BIOGRAPHY:

       SIR WALTER SCOTT by George Saintsbury

       SIR WALTER SCOTT by Richard H. Hutton

       MEMOIRS OF THE LIFE OF SIR WALTER SCOTT by J. G. Lockhart

      INTRODUCTION:

       Table of Contents

      Famous Authors on Scott

       Table of Contents

      SIR WALTER SCOTT AND LADY MORGAN by Victor Hugo

       Table of Contents

      Sir Walter Scott is a Scotchman; his novels are enough to to convince us of this fact. His exclusive love of Scottish subjects proves his love for Scotland; revering the old customs of his country, he makes amends to himself, by faithfully portraying them, for not being able to observe them more religiously; and his pious admiration for the national character shines forth in the willingness with which he details its faults. An Irish lady ã Lady Morgan ã presents herself, as the natural rival of Sir Walter Scott, in persisting, like him, in writing only on national topics ; hut there is in her works much more love of celebrity than attachment to country, and much less national pride than personal vanity.

      Lady Morgan seems to paint Irishmen with pleasure ; but it is an Irish woman whom she, above everything and everywhere, paints with enthusiasm ; and that Irish woman is herself. Miss O’Hallogan in O’Donnell, and Lady Clancare in Florence Maccarthy, are neither more nor less than Lady Morgan, flattered by herself.

      We must say that, after Scott’s pictures, so full of life and warmth, the sketches of Lady Morgan seem but pale and cold. The historical romances of that lady are to be read; the romantic histories of the Scotchinan to be admired. The reason is simple enough : Lady Morgan has sufficient tact to observe what she sees, sufficient memory to retain what she observes, and sufficient art aptly to relate what she has retained; her science goes no farther. This is the reason her characters, though sometimes well drawn, are not sustained ; apart from a trait, the truth of which pleases you, because it is copied from nature, you will find another which offends you by its falsity, because she invented it.

      Walter Scott, on the contrary, conceives a character after having often observed only one trait; he sees it at a glance, and directly paints it. His excellent judgment prevents him from being misled ; and what he creates is nearly always as true as that which he observes. When talent is carried to this point, it is more than talent: we can draw the parallel in two words ã Lady

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