Thomas Paine: The Age of Reason. Thomas Paine

      Preface

       Table of Contents

      At Hornsey, England, I saw a small square mahogany table, bearing at its centre the following words: "This Plate is inscribed by Thos. Clio Rickman in Remembrance of his dear friend Thomas Paine, who on this table in the year 1792 wrote several of his invaluable Works."

      The works written by Paine in Rickman's house were the second part of "The Rights of Man," and "A Letter to the Addressers." Of these two books vast numbers were circulated, and though the government prosecuted them, they probably contributed largely to make political progress in England evolutionary instead of revolutionary. On this table he set forth constitutional reforms that might be peacefully obtained, and which have been substantially obtained And here he warned the "Addressers," petitioning the throne for suppression of his works: "It is dangerous in any government to say to a nation, Thou shalt not read. This is now done in Spain, and was formerly done under the old government of France; but it served to procure the downfall of the latter, and is subverting that of the former; and it will have the same tendency in all countries; because Thought, by some means or other, is got abroad in the world, and cannot be restrained, though reading may."

      At this table the Quaker chieftain, whom Danton rallied for hoping to make revolutions with rose-water, unsheathed his pen and animated his Round Table of Reformers for a conflict free from the bloodshed he had witnessed in America, and saw threatening France. This little table was the field chosen for the battle of free speech; its abundant ink-spots were the shed blood of hearts transfused with humanity. I do not wonder that Rickman was wont to show the table to his visitors, or that its present owner, Edward Truelove—a bookseller who has suffered imprisonment for selling proscribed books,—should regard it with reverence.

      The table is what was once called a candle-stand, and there stood on it, in my vision, Paine's clear, honest candle, lit from his "inner light," now covered by a bushel of prejudice. I myself had once supposed his light an infernal torch; now I sat at the ink-spotted candle-stand to write the first page of this history, for which I can invoke nothing higher than the justice that inspired what Thomas Paine here wrote.

      The educated ignorance concerning Paine is astounding. I once heard an English prelate speak of "the vulgar atheism of Paine." Paine founded the first theistic society in Christendom; his will closes with the words, "I die in perfect composure, and resignation to the will of my Creator, God." But what can be expected of an English prelate when an historian like Jared Sparks, an old Unitarian minister, could suggest that a letter written by Franklin, to persuade some one not to publish a certain attack on religion, was "probably" addressed to Paine. (Franklin's "Writings," vol. x., p. 281.) Paine never wrote a page that Franklin could have so regarded, nor anything in the way of religious controversy until three years after Franklin's death. "The remarks in the above letter," says Sparks, "are strictly applicable to the deistical writings which Paine afterwards published." On the contrary, they are strictly inapplicable. They imply that the writer had denied a "particular providence," which Paine never denied, and it is asked, "If men are so wicked with religion, what would they be without it?" Paine's "deism" differed from Franklin's only in being more fervently religious. No one who had really read Paine could imagine the above question addressed to the author to whom the Bishop of Llandaff wrote: "There is a philosophical sublimity in some of your ideas when speaking of the Creator of the Universe." The reader may observe at work, in this example, the tiny builder, prejudice, which has produced the large formation of Paine mythology. Sparks, having got his notion of Paine's religion at secondhand, becomes unwittingly a weighty authority for those who have a case to make out. The American Tract Society published a tract entitled "Don't Unchain the Tiger," in which it is said: "When an infidel production was submitted—probably by Paine—to Benjamin Franklin, in manuscript, he returned it to the author, with a letter from which the following is extracted: 'I would advise you not to attempt unchaining the Tiger, but to burn this piece before it is seen by any other person.'" Thus our Homer of American history nods, and a tract floats through the world misrepresenting both Paine and Franklin, whose rebuke is turned from some anti-religious essay against his own convictions. Having enjoyed the personal friendship of Mr. Sparks, while at college, and known his charity to all opinions, I feel certain that he was an unconscious victim of the Paine mythology to which he added. His own creed was, in essence, little different from Paine's. But how many good, and even liberal, people will find by the facts disclosed in this volume that they have been accepting the Paine mythology and contributing to it? It is a notable fact that the most effective distortions of Paine's character and work have proceeded from unorthodox writers—some of whom seem not above throwing a traditionally hated head to the orthodox mob. A recent instance is the account given of Paine in Leslie Stephen's "History of English Thought in the Eighteenth Century." On its appearance I recognized the old effigy of Paine elaborately constructed by Oldys and Cheetham, and while writing a paper on the subject (Fortnightly Review, March, 1879) discovered that those libels were the only "biographies" of Paine in the London Library, which (as I knew) was used by Mr. Stephen. The result was a serious miscarriage of historical and literary justice. In his second edition Mr. Stephen adds that the portrait presented "is drawn by an enemy," but on this Mr. Robertson pertinently asks why it was allowed to stand? ("Thomas Paine: an Investigation," by John M. Robertson, London, 1888). Mr. Stephen, eminent as an agnostic and editor of a biographical dictionary, is assumed to be competent, and his disparagements of a fellow heretic necessitated by verified facts. His scholarly style has given new lease to vulgar slanders. Some who had discovered their untruth, as uttered

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