WHAT KATY DID - Complete Illustrated Trilogy: What Katy Did, What Katy Did at School & What Katy Did Next. Susan Coolidge
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“I’ll tell you,” said Katy. “Old Judge Kirby called this morning to see Aunt Izzie; I was studying in the little room, but I saw him come in, and pull out the big chair and sit down, and I almost screamed out ‘don’t!’”
“Why?” cried the children.
“Don’t you see? I had stuffed ‘Edwitha’ down between the back and the seat. It was a beau tiful hiding-place, for the seat goes back ever so far; but Edwitha was such a fat bundle, and old Judge Kirby takes up so much room, that I was afraid there would be trouble. And sure enough, he had hardly dropped down before there was a great crackling of paper, and he jumped up again and called out, ‘Bless me! what is that?’ And then he began poking, and poking, and just as he had poked out the whole bundle, and was putting on his spectacles to see what it was, Aunt Izzie came in.”
“Well, what next?” cried the children, immensely tickled.
“Oh!” continued Katy, “Aunt Izzie put on her glasses too, and screwed up her eyes – you know the way she does, and she and the judge read a little bit of it; that part at the first, you remember, where Bop steals the blue-pills, and the Wizard tries to throw him into the sea. You can’t think how funny it was to hear Aunt Izzie reading ‘Edwitha’ out loud – ” and Katy went into convulsions at the recollection “where she got to ‘Oh, Bop – my angel Bop – ‘ I just rolled under the table, and stuffed the table-cover in my mouth to keep from screaming right out. By and by I heard her call Debby, and give her the papers, and say: ‘Here is a mass of trash which I wish you to put at once into the kitchen fire.’ And she told me afterward that she thought I would be in an insane asylum before I was twenty. It was too bad,” ended Katy, half laughing and half crying, “to burn up the new chapter and all. But there’s one good thing – she didn’t find ‘The Fairy of the Dry-Goods Box,’ that was stuffed farther back in the seat.
“And now,” continued the mistress of ceremonies, “we will begin. Miss Hall will please rise.”
“Miss Hall,” much flustered at her fine name, got up with very red cheeks.
“It was once upon a time,” she read. “Moonlight lay on the halls of the Alhambra, and the knight, striding impatiently down the passage, thought she would never come.”
“Who, the moon?” asked Clover.
“No, of course not,” replied Cecy, “a lady he was in love with. The next verse is going to tell about her, only you interrupted.
“She wore a turban of silver, with a jewelled crescent. As she stole down the corregidor the beams struck it, and it glittered like stars.
“‘So you are come, Zuleika?’
“‘Yes, my lord.’
“Just then a sound as of steel smote upon the ear, and Zuleika’s mail-clad father rushed in. He drew his sword, so did the other. A moment more, and they both lay dead and stiff in the beams of the moon. Zuleika gave a loud shriek, and threw herself upon their bodies. She was dead, too! And so ends the Tragedy of the Alhambra.”
“That’s lovely,” said Katy, drawing a long breath, “only very sad! What beautiful stories you do write, Cecy! But I wish you wouldn’t always kill the people. Why couldn’t the knight have killed the father, and – no, I suppose Zuleika wouldn’t have married him then. Well, the father might have – oh, bother! why must anybody be killed, anyhow? why not have them fall on each other’s necks, and make up?”
“Why, Katy!” cried Cecy, “it wouldn’t have been a tragedy then. You know the name was A Tragedy of the Alhambra.”
“Oh, well,” said Katy, hurriedly, for Cecy’s lips were beginning to pout, and her fair, pinkish face to redden, as if she were about to cry; “perhaps it was prettier to have them all die; only your ladies and gentlemen always do die, and I thought, for a change, you know! – What a lovely word that was – ‘Corregidor’ – what does it mean?”
“I don’t know,” replied Cecy, quite consoled. “It was in the ‘Conquest of Granada.’ Something to walk over, I believe.”
“The next,” went on Katy, consulting her paper, “is ‘Yap,’ a Simple Poem, by Clover Carr.”
All the children giggled, but Clover got up composedly, and recited the following verses:
“Did you ever know Yap?
The best little dog
Who e’er sat on lap
Or barked at a frog.
“His eyes were like beads,
His tail like a mop,
And it waggled as if
It never would stop.
His hair was like silk
Of the glossiest sheen,
He always ate milk,
And once the cold-cream.
“Off the nursery bureau
(That line is too long!)
It made him quite ill,
So endth my song.
“For Yappy he died
Just two months ago,
And we oughtn’t to sing
At a funeral, you know.”
The “Poem” met with immense applause; all the children laughed and shouted and clapped, till the loft rang again. But Clover kept her face perfectly, and sat down as demure as ever, except that the little dimples came and went at the corners of her mouth; dimples, partly natural, and partly, I regret to say, the result of a pointed slate-pencil, with which Clover was in the habit of deepening them every day while she studied her lessons.
“Now,” said Katy, after the noise had subsided, “now comes ‘Scripture Verse,’ by Miss Elsie and Joanna Carr. Hold up your head, Elsie, and speak distinctly; and oh, Johnnie, you mustn’t giggle in that way when it comes your turn!”
But Johnnie only giggled the harder at this appeal, keeping her hands very tight across her mouth, and peeping out over her fingers. Elsie, however, was solemn as a little judge, and with great dignity began:
“An angel with a fiery sword,
Came to send Adam and Eve abroad;
And as they journeyed through the skies
They took one look at Paradise.
They thought of all the happy hours
Among the birds and fragrant bowers,
And Eve, she wept and Adam bawled,
And both together loudly squalled.”
Dorry snickered at this, but sedate Clover hushed him.
“You mustn’t,” she said, “it’s