BRACEBRIDGE HALL (Illustrated Edition). Вашингтон Ирвинг
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It would not be easy to describe the odd look of surprise and perplexity of the parson at this proposal; or the difficulty the squire had in making the general comprehend, that though a jovial song of the present day was but a foolish sound in the ears of wisdom, and beneath the notice of a learned man, yet a trowl written by a tosspot several hundred years since was a matter worthy of the gravest research, and enough to set whole colleges by the ears.
I have since pondered much on this matter, and have figured to myself what may be the fate of our current literature, when retrieved piecemeal by future antiquaries, from among the rubbish of ages. What a Magnus Apollo, for instance, will Moore become among sober divines and dusty schoolmen! Even his festive and amatory songs, which are now the mere quickeners of our social moments, or the delights of our drawing-rooms, will then become matters of laborious research and painful collation. How many a grave professor will then waste his midnight oil, or worry his brain through a long morning, endeavouring to restore the pure text, or illustrate the biographical hints of “Come tell me, says Rosa, as kissing and kissed;” and how many an arid old bookworm, like the worthy little parson, will give up in despair, after vainly striving to fill up some fatal hiatus in “Fanny of Timmol!”
Nor is it merely such exquisite authors as Moore that are doomed to consume the oil of future antiquaries. Many a poor scribbler, who is now apparently sent to oblivion by pastry-cooks and cheesemongers, will then rise again in fragments, and flourish in learned immortality.
After all, thought I, time is not such an invariable destroyer as he is represented. If he pulls down, he likewise builds up; if he impoverishes one, he enriches another; his very dilapidations furnish matter for new works of controversy, and his rust is more precious than the most costly gilding. Under his plastic hand trifles rise into importance; the nonsense of one age becomes the wisdom of another; the levity of the wit gravitates into the learning of the pedant, and an ancient farthing moulders into infinitely more value than a modern guinea.
THE FARMHOUSE
— Love and hay
Are thick sown, but come up full of thistles.
BEAUMONT AND FLETCHER.
I was so much pleased with the anecdotes which were told me of Ready-Money Jack Tibbets, that I got Master Simon, a day or two since, to take me to his house. It was an old-fashioned farmhouse, built of brick, with curiously twisted chimneys. It stood at a little distance from the road, with a southern exposure, looking upon a soft green slope of meadow. There was a small garden in front, with a row of beehives humming among beds of sweet herbs and flowers. Well-scoured milking tubs, with bright copper hoops, hung on the garden paling. Fruit trees were trained up against the cottage, and pots of flowers stood in the windows. A fat superannuated mastiff lay in the sunshine at the door; with a sleek cat sleeping peacefully across him.
Mr. Tibbets was from home at the time of our calling, but we were received with hearty and homely welcome by his wife — a notable, motherly woman, and a complete pattern for wives, since, according to Master Simon’s account, she never contradicts honest Jack, and yet manages to have her own way, and to control him in everything. She received us in the main room of the house, a kind of parlour or hall, with great brown beams of timber across it, which Mr. Tibbets is apt to point out with some exultation, observing that they don’t put such timber in houses now-a-days. The furniture was old-fashioned, strong, and highly polished; the walls were hung with coloured prints of the story of the Prodigal Son, who was represented in a red coat and leather breeches. Over the fireplace was a blunderbuss, and a hard-favoured likeness of Ready-Money Jack, taken, when he was a young man, by the same artist that painted the tavern sign; his mother having taken a notion that the Tibbetses had as much right to have a gallery of family portraits as the folks at the Hall.
The good dame pressed us very much to take some refreshment, and tempted us with a variety of household dainties, so that we were glad to compound by tasting some of her home-made wines. While we were there, the son and heir-apparent came home; a good-looking young fellow, and something of a rustic beau. He took us over the premises, and showed us the whole establishment. An air of homely but substantial plenty prevailed throughout; everything was of the best materials, and in the best condition. Nothing was out of place, or ill made; and you saw everywhere the signs of a man that took care to have the worth of his money, and that paid as he went.
The farmyard was well stocked; under a shed was a taxed cart, in trim order, in which Ready-Money Jack took his wife about the country. His wellfed horse neighed from the stable, and when led out into the yard, to use the words of young Jack, “he shone like a bottle;” for he said the old man made it a rule that everything about him should fare as well as he did himself.
I was pleased to see the pride which the young fellow seemed to have of his father. He gave us several particulars concerning his habits, which were pretty much to the effect of those I have already mentioned. He had never suffered an account to stand in his life, always providing the money before he purchased anything; and, if possible, paying in gold and silver. He had a great dislike to paper money, and seldom went without a considerable sum in gold about him. On my observing that it was a wonder he had never been waylaid and robbed, the young fellow smiled at the idea of any one venturing upon such an exploit, for I believe he thinks the old man would be a match for Robin Hood and all his gang.
I have noticed that Master Simon seldom goes into any house without having a world of private talk with some one or other of the family, being a kind of universal counsellor and confidant. We had not been long at the farm before the old dame got him into a corner of her parlour, where they had a long whispering conference together; in which I saw by his shrugs that there were some dubious matters discussed, and by his nods that he agreed with everything she said.
After we had come out, the young man accompanied us a little distance, and then, drawing Master Simon aside into a green lane, they walked and talked together for nearly half-an-hour. Master Simon, who has the usual propensity of confidants to blab everything to the next friend they meet with, let me know that there was a love affair in question; the young fellow having been smitten with the charms of Phoebe Wilkins, the pretty niece of the housekeeper at the Hall. Like most other love concerns, it had brought its troubles and perplexities. Dame Tibbets had long been on intimate gossiping terms with the housekeeper, who often visited the farmhouse; but when the neighbours spoke to her of the likelihood of a match between her son and Phoebe Wilkins, “Marry come up!” she scouted the very idea. The girl had acted as lady’s maid, and it was beneath the blood of the Tibbetses, who had lived on their own lands time out of mind, and owed reverence and thanks to nobody, to have the heir-apparent marry a servant!
These vapourings had faithfully been carried to the housekeeper’s ear by one of the mutual go-between friends. The old housekeeper’s blood, if not as ancient, was as quick as that of Dame Tibbets.
She had been accustomed to carry a high head at the Hall and among the villagers; and her faded brocade rustled with indignation at the slight cast upon her alliance by the wife of a petty farmer. She maintained that her niece had been a companion rather than a waiting-maid to the young ladies. “Thank heavens, she was not obliged