The Complete Works: Poetry, Plays, Letters and Extensive Biographies. John Keats

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The Complete Works: Poetry, Plays, Letters and Extensive Biographies - John  Keats

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just beyond, on light tiptoe divine,

      A quiver’d Dian. Stepping awfully,

      The youth approach’d; oft turning his veil’d eye

      Down sidelong aisles, and into niches old.

      And when, more near against the marble cold

      He had touch’d his forehead, he began to thread

      All courts and passages, where silence dead

      Rous’d by his whispering footsteps murmured faint:

      And long he travers’d to and fro, to acquaint

      Himself with every mystery, and awe;

      Till, weary, he sat down before the maw

      Of a wide outlet, fathomless and dim

      To wild uncertainty and shadows grim.

      There, when new wonders ceas’d to float before,

      And thoughts of self came on, how crude and sore

      The journey homeward to habitual self!

      A mad-pursuing of the fog-born elf,

      Whose flitting lantern, through rude nettle-briar,

      Cheats us into a swamp, into a fire,

      Into the bosom of a hated thing.

      What misery most drowningly doth sing

      In lone Endymion’s ear, now he has caught

      The goal of consciousness? Ah, ’tis the thought,

      The deadly feel of solitude: for lo!

      He cannot see the heavens, nor the flow

      Of rivers, nor hill-flowers running wild

      In pink and purple chequer, nor, up-pil’d,

      The cloudy rack slow journeying in the west,

      Like herded elephants; nor felt, nor prest

      Cool grass, nor tasted the fresh slumberous air;

      But far from such companionship to wear

      An unknown time, surcharg’d with grief, away,

      Was now his lot. And must he patient stay,

      Tracing fantastic figures with his spear?

      “No!” exclaimed he, “why should I tarry here?”

      No! loudly echoed times innumerable.

      At which he straightway started, and ‘gan tell

      His paces back into the temple’s chief;

      Warming and growing strong in the belief

      Of help from Dian: so that when again

      He caught her airy form, thus did he plain,

      Moving more near the while. “O Haunter chaste

      Of river sides, and woods, and heathy waste,

      Where with thy silver bow and arrows keen

      Art thou now forested? O woodland Queen,

      What smoothest air thy smoother forehead woos?

      Where dost thou listen to the wide halloos

      Of thy disparted nymphs? Through what dark tree

      Glimmers thy crescent? Wheresoe’er it be,

      ’Tis in the breath of heaven: thou dost taste

      Freedom as none can taste it, nor dost waste

      Thy loveliness in dismal elements;

      But, finding in our green earth sweet contents,

      There livest blissfully. Ah, if to thee

      It feels Elysian, how rich to me,

      An exil’d mortal, sounds its pleasant name!

      Within my breast there lives a choking flame–

      O let me cool it among the zephyr-boughs!

      A homeward fever parches up my tongue–

      O let me slake it at the running springs!

      Upon my car a noisy nothing rings–

      O let me once more hear the linnet’s note!

      Before mine eyes thick films and shadows float–

      O let me ‘noint them with the heaven’s light!

      Dost thou now lave thy feet and ankles white?

      O think how sweet to me the freshening sluice!

      Dost thou now please thy thirst with berry-juice?

      O think how this dry palate would rejoice!

      If in soft slumber thou dost hear my voice,

      O think how I should love a bed of flowers!–

      Young goddess! let me see my native bowers!

      Deliver me from this rapacious deep!”

      Thus ending loudly, as he would o’erleap

      His destiny, alert he stood: but when

      Obstinate silence came heavily again,

      Feeling about for its old couch of space

      And airy cradle, lowly bow’d his face

      Desponding, o’er the marble floor’s cold thrill.

      But ’twas not long; for, sweeter than the rill

      To its old channel, or a swollen tide

      To margin sallows, were the leaves he spied,

      And flowers, and wreaths, and ready myrtle crowns

      Up heaping through the slab: refreshment drowns

      Itself, and strives its own delights to hide–

      Nor in one spot alone; the floral pride

      In a long whispering birth enchanted grew

      Before his footsteps; as when heav’d anew

      Old ocean rolls a lengthened wave to the shore,

      Down whose green back the short-liv’d foam, all hoar,

      Bursts gradual, with a wayward indolence.

      Increasing still in heart, and pleasant sense,

      Upon his fairy journey on he hastes;

      So anxious for the end, he scarcely wastes

      One moment with his hand among the sweets:

      Onward he goes–he stops–his bosom beats

      As plainly in his ear, as the faint charm

      Of which the throbs were born. This still alarm,

      This sleepy music, forc’d him walk tiptoe:

      For it came more softly than the east could blow

      Arion’s magic to the Atlantic isles;

      Or than the west, made jealous by the smiles

      Of thron’d Apollo, could breathe back the lyre

      To seas Ionian and Tyrian.

      O did he ever live, that lonely man,

      Who lov’d–and music slew not? ’Tis the pest

      Of love, that fairest joys give most unrest;

      That things of delicate and tenderest worth

      Are swallow’d all, and made a seared dearth,

      By one consuming flame: it doth immerse

      And suffocate true blessings in a curse.

      Half-happy, by comparison of bliss,

      Is miserable. ’Twas even so with this

      Dew-dropping melody, in the Carian’s ear;

      First heaven, then hell, and then forgotten clear,

      Vanish’d in elemental passion.

      And

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