Thus should her towers be raised; with vicinageOf clear bold hills, that curve her very streets,
As if to indicate, ‘mid choicest seats
Of Art, abiding Nature’s majesty.’
We ate a hasty breakfast that first morning, and prepared to go out for a walk into the great unknown, perhaps the most pleasurable sensation in the world. Francesca was ready first, and, having mentioned the fact several times ostentatiously, she went into the drawing-room to wait and read the Scotsman. When we went thither a few minutes later we found that she had disappeared.
“She is below, of course,” said Salemina. “She fancies that we shall feel more ashamed at our tardiness if we find her sitting on the hall bench in silent martyrdom.”
There was no one in the hall, however, save Susanna, who inquired if we would see the cook before going out.
“We have no time now, Susanna,” I remarked. “We are anxious to have a walk before the weather changes, if possible, but we shall be out for luncheon and in for dinner, and Mrs. M’Collop may give us anything she pleases. Do you know where Miss Francesca is?”
“I cudna s—-”
“Certainly, of course you couldn’t; but I wonder if Mrs. M’Collop saw her?”
Mrs. M’Collop appeared from the basement, and vouchsafed the information that she had seen ‘the young leddy rinnin’ after the regiment.’
“Running after the regiment!” repeated Salemina automatically. “What a reversal of the laws of nature? Why, in Berlin, it was always the regiment that used to run after her!”
We learned in what direction the soldiers had gone, and pursuing the same path found the young lady on the corner of a street near by. She was quite unabashed. “You don’t know what you have missed!” she said excitedly. “Let us get into this tram, and possibly we can head them off somewhere. They may be going into battle, and if so, my heart’s blood is at their service. It is one of those experiences that come only once in a lifetime. There were pipes and there were kilts! (I didn’t suppose they ever really wore them outside of the theatre!) When you have seen the kilts swinging, Salemina, you will never be the same woman afterwards! You never expected to see the Olympian gods walking, did you? Perhaps you thought they always sat on practicable rocks and made stiff gestures, from the elbow, as they do in the Wagner operas? Well, these gods walked, if you can call the inspired gait a walk! If there is a single spinster left in Scotland, it is because none of these ever asked her to marry him. Ah, how grateful I ought to be that I am free to say ‘yes’, if a kilt ever asks me to be his! Poor Penelope, yoked to your commonplace trousered Beresford! (I wish the tram would go faster!) You must capture one of them, by fair means or foul, Penelope, and Salemina and I will hold him down while you paint him,—there they are, they are there somewhere, don’t you hear them?”
There they were indeed, filing down the grassy slopes of the Gardens, swinging across one of the stone bridges, and winding up the Castlehill to the Esplanade like a long glittering snake; the streamers of their Highland bonnets waving, their arms glistening in the sun, and the bagpipes playing ‘The March of the Cameron Men.’ The pipers themselves were mercifully hidden from us on that first occasion, and it was well, for we could never have borne another feather’s weight of ecstasy.
It was in Princes Street that we had alighted,—named thus for the prince who afterwards became George IV.—and I hope he was, and is, properly grateful. It ought never to be called a street, this most magnificent of terraces, and the world has cause to bless that interdict of the Court of Session in 1774 which prevented the Gradgrinds of the day from erecting buildings along its south side,—a sordid scheme that would have been the very superfluity of naughtiness.
It was an envious Glasgow body who said grudgingly, as he came out of Waverley Station, and gazed along its splendid length for the first time, “Weel, wi’ a’ their haverin’, it’s but half a street onyway!”—which always reminded me of the Western farmer who came from his native plains to the beautiful Berkshire hills. “I’ve always heard o’ this scenery,” he said. “Blamed if I can find any scenery; but if there was, nobody could see it, there’s so much high ground in the way!”
To think that not so much more than a hundred years ago Princes Street was nought but a straight country road, the ‘Lang Dykes’ and the ‘Lang Gait,’ as it was called.
We looked down over the grassy chasm that separates the New from the Old Town; looked our first on Arthur’s Seat, that crouching lion of a mountain; saw the Corstorphine Hill, and Calton heights, and Salisbury Crags, and finally that stupendous bluff of rock that culminates so majestically in Edinburgh Castle. There is something else which, like Susanna Crum’s name, is absolutely and ideally right! Stevenson calls it one of the most satisfactory crags in nature—a Bass rock upon dry land, rooted in a garden, shaken by passing trains, carrying a crown of battlements and turrets, and describing its warlike shadow over the liveliest and brightest thoroughfare of the new town. It dominates the whole countryside from water and land. The men who would have the courage to build such a castle in such a spot are all dead; all dead, and the world is infinitely more comfortable without them. They are all gone, and no more like unto them will ever be born, and we can most of us count upon dying safely in our beds, of diseases bred of modern civilisation. But I am glad that those old barbarians, those rudimentary creatures working their way up into the divine likeness, when they were not hanging, drawing, quartering, torturing, and chopping their neighbours, and using their heads in conventional patterns on the tops of gate-posts, did devote their leisure intervals to rearing fortresses like this. Edinburgh Castle could not be conceived, much less built, nowadays, when all our energy is consumed in bettering the condition of the ‘submerged tenth’! What did they care about the ‘masses,’ that ‘regal race that is now no more,’ when they were hewing those blocks of rugged rock and piling them against the sky-line on the top of that great stone mountain! It amuses me to think how much more picturesque they left the world, and how much better we shall leave it; though if an artist were requested to distribute individual awards to different generations, you could never persuade him to give first prizes to the centuries that produced steam laundries, trolleys, X rays, and sanitary plumbing.
What did they reck of Peace Congresses and bloodless arbitrations when they lighted the beacon-fires, flaming out to the gudeman and his sons ploughing or sowing in the Lang Dykes the news that their ‘ancient enemies of England had crossed the Tweed’!
I am the most peaceful person in the world, but the Castle was too much for my imagination. I was mounted and off and away from the first moment I gazed upon its embattled towers, heard the pipers in the distance, and saw the Black Watch swinging up the green steps where the huge fortress ‘holds its state.’ The modern world had vanished, and my steed was galloping, galloping, galloping back into the place-of-the-things-that-are-past, traversing centuries at every leap.
‘To arms! Let every banner in Scotland float defiance to the breeze!’ (So I heard my new-born imaginary spirit say to my real one.) ‘Yes, and let the Deacon Convener unfurl the sacred Blue Blanket, under which every liege burgher of the kingdom is bound to answer summons! The bale-fires are gleaming, giving alarm to Hume, Haddington, Dunbar, Dalkeith, and Eggerhope. Rise, Stirling, Fife, and the North! All Scotland will be under arms in two hours. One bale-fire: the English are in motion! Two: they are advancing! Four in a row: they are of great strength! All men in arms west of Edinburgh muster there! All eastward, at Haddington! And every Englishman caught in Scotland is lawfully the prisoner of whoever takes him!’ (What am I saying? I love Englishmen, but the spell is upon me!) ‘Come on, Macduff!’ (The only suitable and familiar challenge my warlike tenant can summon at the moment.) ‘I am the son
