literary estimate, even in the face of the current gospel of art for art’s sake. There is something that made Scott and Irving personally loved by the millions of their readers, who had only the dimmest ideas of their personality. This was some quality perceived in what they wrote. Each one can define it for himself; there it is, and I do not see why it is not as integral a part of the authors — an element in the estimate of their future position — as what we term their intellect, their knowledge, their skill, or their art. However you rate it, you cannot account for Irving’s influence in the world without it. In his tender tribute to Irving, the great-hearted Thackeray, who saw as clearly as anybody the place of mere literary art in the sum total of life, quoted the dying words of Scott to Lockhart,—”Be a good man, my dear.” We know well enough that the great author of “The Newcomes” and the great author of “The Heart of Midlothian” recognized the abiding value in literature of integrity, sincerity, purity, charity, faith. These are beneficences; and Irving’s literature, walk round it and measure it by whatever critical instruments you will, is a beneficent literature. The author loved good women and little children and a pure life; he had faith in his fellowmen, a kindly sympathy with the lowest, without any subservience to the highest; he retained a belief in the possibility of chivalrous actions, and did not care to envelop them in a cynical suspicion; he was an author still capable of an enthusiasm. His books are wholesome, full of sweetness and charm, of humor without any sting, of amusement without any stain; and their more solid qualities are marred by neither pedantry nor pretension.
Washington Irving died on the 28th of November, 1859, at the close of a lovely day of that Indian summer which is nowhere more full of a melancholy charm than on the banks of the lower Hudson, and which was in perfect accord with the ripe and peaceful close of his life. He was buried on a little elevation overlooking Sleepy Hollow and the river he loved, amidst the scenes which his magic pen has made classic and his sepulcher hallows.
COLLECTIONS OF SHORT STORIES
THE SKETCH BOOK OF GEOFFREY CRAYON, GENT.
THE AUTHOR’S ACCOUNT OF HIMSELF
THE BOAR’S HEAD TAVERN, EASTCHEAP
THE SKETCHBOOK OF GEOFFREY CRAYON, GENT.
“I have no wife nor children, good or bad, to provide for. A mere spectator of other men’s fortunes and
