an ALIBI. But I say,” he added, turning to Sal, “what were they talking about?”
“I dunno,” answered Sal. “I was at the door, an’ they talks that quiet I couldn’t ‘ear ‘em. Then he sings out, ‘My G—, it’s too horrible!’ an’ I ‘ear ‘er a larfin’ like to bust, an’ then ‘e comes to me, and ses, quite wild like, ‘Take me out of this ‘ell!’ an’ I tooked ‘im.”
“And when you came back?”
“She was dead.”
“Dead?”
“As a blessed door-nail,” said Sal, cheerfully.
“An’ I never knowd I was in the room with a corpse,” wailed Mother Guttersnipe, waking up. “Cuss ‘er, she was allays a-doin’ contrary things.”
“How do you know?” said Calton, sharply, as he rose to go.
“I knowd ‘er longer nor you,” croaked the old woman, fixing one evil eye on the lawyer; “an’ I know what you’d like to know; but ye shan’t, ye shan’t.”
Calton turned from her with a shrug of his shoulders.
“You will come to the Court to-morrow with Mr. Kilsip,” he said to Sal, “and tell what you have just now told me.”
“It’s all true, s’elp me,” said Sal, eagerly; “‘e was ‘ere all the time.”
Calton stepped towards the door, followed by the detective, when Mother Guttersnipe rose.
“Where’s the money for finin’ her?” she screeched, pointing one skinny finger at Sal.
“Well, considering the girl found herself,” said Calton, dryly, “the money is in the bank, and will remain there.”
“An’ I’m to be done out of my ‘ard earned tin, s’elp me?” howled the old fury. “Cuss ye, I’ll ‘ave the lawr of ye, and get ye put in quod.”
“You’ll go there yourself if you don’t take care,” said Kilsip, in his soft, purring tones.
“Yah!” shrieked Mother Guttersnipe, snapping her fingers at him. “What do I care about yer quod? Ain’t I bin in Pentrig’, an’ it ain’t ‘urt me, it ain’t? I’m as lively as a gal, I am.”
And the old fury, to prove the truth of her words, danced a kind of war dance in front of Mr. Calton, snapping her fingers and yelling out curses, as an accompaniment to her ballet. Her luxurious white hair streamed out during her gyrations, and with her grotesque appearance and the faint light of the candle, she presented a gruesome spectacle.
Calton remembered the tales he had heard of the women of Paris, at the revolution, and the way they danced “La Carmagnole.” Mother Guttersnipe would have been in her element in that sea of blood and turbulence he thought. But he merely shrugged his shoulders, and walked out of the room, as with a final curse, delivered in a hoarse voice, Mother Guttersnipe sank exhausted on the floor, and yelled for gin.
Chapter XIX.
The Verdict of the Jury
Next morning the Court was crowded, and numbers were unable to gain admission. The news that Sal Rawlins, who alone could prove the innocence of the prisoner, had been found, and would appear in Court that morning, had spread like wildfire, and the acquittal of the prisoner was confidently expected by a large number of sympathising friends, who seemed to have sprung up on all sides, like mushrooms, in a single night. There were, of course, plenty of cautious people left who waited to hear the verdict of the jury before committing themselves, and who still believed him to be guilty. But the unexpected appearance of Sal Rawlins had turned the great tide of public feeling in favour of the prisoner, and many who had been loudest in their denunciations of Fitzgerald, were now more than half convinced of his innocence. Pious clergymen talked in an incoherent way about the finger of God and the innocent not suffering unjustly, which was a case of counting unhatched chickens, as the verdict had yet to be given.
Felix Rolleston awoke, and found himself famous in a small way. Out of good-natured sympathy, and a spice of contrariness, he had declared his belief in Brian’s innocence, and now, to his astonishment, he found that his view of the matter was likely to prove correct. He received so much praise on all sides for his presumed perspicuity, that he soon began to think that he had believed in Fitzgerald’s innocence by a calm course of reasoning, and not because of a desire to differ from every one else in their opinion of the case. After all, Felix Rolleston is not the only man who has been astonished to find greatness thrust upon him, and come to believe himself worthy of it. He was a wise man, however, and while in the full tide of prosperity he seized the flying moment, and proposed to Miss Featherweight, who, after some hesitation, agreed to endow him with herself and her thousands. She decided that her future husband was a man of no common intellect, seeing that he had long ago arrived at a conclusion which the rest of Melbourne were only beginning to discover now, so she determined that, as soon as she assumed marital authority, Felix, like Strephon in “Iolanthe,” should go into Parliament, and with her money and his brains she might some day be the wife of a premier. Mr. Rolleston had no idea of the political honours which his future spouse intended for him, and was seated in his old place in the court, talking about the case.
“Knew he was innocent, don’t you know,” he said, with a complacent smile “Fitzgerald’s too jolly good-looking a fellow, and all that sort of thing, to commit murder.”
Whereupon a clergyman, happening to overhear the lively Felix make this flippant remark, disagreed with it entirely, and preached a sermon to prove that good looks and crime were closely connected, and that both Judas Iscariot and Nero were beauty-men.
“Ah,” said Calton, when he heard the sermon, “if this unique theory is a true one, what a truly pious man that clergyman must be!” This allusion to the looks of the reverend gentleman was rather unkind, for he was by no means bad-looking. But then Calton was one of those witty men who would rather lose a friend than suppress an epigram.
When the prisoner was brought in, a murmur of sympathy ran through the crowded Court, so ill and worn-out he looked; but Calton was puzzled to account for the expression of his face, so different from that of a man whose life had been saved, or, rather, was about to be saved, for in truth it was a foregone conclusion.
“You know who stole those papers,” he thought, as he looked at Fitzgerald, keenly, “and the man who did so is the murderer of Whyte.”
The judge having entered, and the Court being opened, Calton rose to make his speech, and stated in a few words the line of defence he intended to take.
He would first call Albert Dendy, a watchmaker, to prove that on Thursday night, at eight o’clock in the evening, he had called at the prisoner’s, lodgings while the landlady was out, and while there had put the kitchen clock right, and had regulated the same. He would also call Felix Rolleston, a friend of the prisoners, to prove that the prisoner was not in the habit of wearing rings, and frequently expressed his detestation of such a custom. Sebastian Brown, a waiter at the Melbourne Club, would be called to prove that on Thursday night a letter was delivered to the prisoner at the Club by one Sarah Rawlins, and that the prisoner left the Club shortly before one o’clock on Friday
