and her lover; but how did it come about that he wounded himself, and died of the poison?"
There was no answer to this question, for Hagar never learnt that Bardi had inflicted the wound on himself to save his life, hereby slaying himself as surely as the law would have done.
Chapter VI.
The Fifth Customer and the Copper Key
The several adventures in which she had been engaged begot in Hagar a thirst for the romantic. To find that strange stories were attached to many pawned articles; to ascertain such histories of the past; to follow up their conclusions in the future--these things greatly pleased the girl, and gave her an interest in a somewhat dull life. She began to perceive that there was more romance in modern times than latter-day sceptics are willing to admit. Tropical scenery, ancient inns, ruined castles, are not necessary to engender romance. It is of the human heart, of human life; and even in the dingy Lambeth pawn-shop it blossomed and bloomed like some rare flower thrusting itself upward betwixt the arid city stones. Romance came daily to the gipsy girl, even in her prosaic business existence.
Out of a giant tooth, an unburied bone, a mighty footprint, Cuvier could construct a marvelous and prehistoric world. In like manner, from some trifle upon which she lent money, Hagar would deduce tales as fantastic as the Arabian Nights, as adventurous as the story of Gil Blas. Of such sort was the romance brought about by the pawning of the copper key.
The man who pawned it was in appearance like some Eastern mage; and the key itself, with its curious workmanship, green with verdigris, might have served to unlock the tower of Don Roderick. Its owner entered the shop one morning shortly before noon, and at the sight of his wrinkled face, and the venerable white beard which swept his breast, Hagar felt that he was a customer out of the common. With a gruff salutation, he threw down a paper parcel, which clanged on the counter.
"Look at that," said he, sharply. "I wish to pawn it."
In no wise disturbed by his discourtesy, Hagar opened the package, and found therein a roll of linen; this, when unwound, revealed a slender copper key of no great size. The wards at the lower end were nearly level with the stem of the key itself, as they consisted merely of five or six prickles of copper encircling at irregular intervals the round stem. The handle, however, was ornate and curious, being shaped like a bishop's crozier, while within the crook of the pastoral staff design the letters "C.R." were interwoven in an elaborate monogram. Altogether, this key--apparently very ancient--was a beautiful piece of workmanship, but of no value save to a dealer in rarities. Hagar examined it carefully, shook her head, and tossed it on the counter.
"I wouldn't give you five shillings on it," said she, contemptuously; "it is worth nothing."
"Bah, girl! You do not know what you are talking about. Look at the workmanship."
"Very fine, no doubt; but---"
"And the monogram, you blind bat!" interrupted the old man. "'C.R.'--that stands for Carolus Rex."
"Oh," said Hagar, picking up the key again, and taking it to the light of the window; "it is an historic key, then?"
"Yes. It is said to be the key of the box in which the First Charles kept the treasonous papers which ultimately cost him his head. Oh, you may look! The key is authentic enough. It has been in the Danetree family for close on two hundred and fifty years."
"And are you a Danetree?"
"No; I am Luke Parsons, the steward of the family."
"Indeed!" said Hagar, with a piercing glance. "Then how comes the key into your possession?"
"I don't recognize your right to ask such questions," said Parsons, in an angry tone. "The key came into my possession honestly."
"Very probably; but I should like to know how. Do not get in a rage, Mr. Parsons," added Hagar, hastily; "we pawnbrokers have to be very particular, you know."
"I don't know," snapped the customer; "but if your curiosity must be satisfied, the key came to me from my father Mark, a former steward of the Danetrees. It was given to him by the then head of the family some sixty years ago."
"What are all these figures graven on the stem?" asked Hagar, noting a number of hieroglyphic marks.
"Ordinary Arabic numerals," retorted Parsons. "What they mean I know no more than you do. If I did I should be rich," he added, to himself.
"Ah! there is some secret connected with these figures?" said Hagar, overhearing.
"If there is, you won't find it out," replied the old man, ungraciously; "and it is none of your business, anyhow! What you have to do is to lend money on the key."
Hagar hesitated. The article, notwithstanding its workmanship, its age, and its historical associations, was worth very little. Had its interest consisted of these merely, she would not have taken the key in pawn. But the row of mysterious figures decided her. Here was a secret, connected--as was probable from the remark of the old man--with a hidden treasure. Remembering her experience with the cryptogram of the Florentine Dante, Hagar determined to retain the key, and, if possible, to discover the secret.
"If you are really in want of money, I will let you have a pound on it," she said, casting a glance at the threadbare clothes of her customer.
"If I did not need money, I should not have blundered into your spider's web," he retorted. "A pound will do; make out the ticket in the name of Luke Parsons, The Lodge, Danetree Hall, Buckton, Kent."
In silence Hagar did as she was bid; in silence she gave him ticket and money; and in silence he walked out of the shop. When alone she took up the key, and began to examine the figures without loss of time. The learning of many secrets had created in her a burning desire to learn more. If ingenuity and perseverance could do it, Hagar was bent upon discovering the secret of the copper key.
This mysterious object was so covered with verdigris that she was unable to decipher the marks. With her usual promptness, Hagar got the necessary materials, and cleaned the key thoroughly. The figures---those, as Parsons had said, of Arabic numerals--then appeared clearer, and Hagar noted that they extended the whole length of the copper stem. Taking paper and pencil, she copied them out carefully, with the following result:
"20211814115251256205255--H--38518212."
"An odd jumble of figures!" said Hagar, staring at the result of her labors. "I wonder what they mean."
Unversed in the science of unraveling cryptograms, she was unable to answer her own question; and after an hour of profitless investigation, which made her head ache, she numbered the key according to the numeral of the ticket, and put it away. But the oddity of the affair, the strange circumstance of the figures with the letter "H" stranded among them, often made her reflective, and she was devoured by curiosity--that parent of all great discoveries--to know what key and figures meant. Nevertheless, for all her thought no explanation of the problem presented itself. To her the secret of the key was the secret of the Sphinx--as mysterious, as unguessable.
Then it occurred to her that there might be some story, or legend, or tradition attached to this queer key, which might throw some light on the mystery of the figures. If she learnt the story, it was not improbable that she might gain a hint therefrom. At all
