The Poor Relations: Cousin Betty & Cousin Pons. Оноре де Бальзак

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Baron would steal for a woman who held his heart in two little white satin hands like yours!”

      “Well, then,” said Madame Marneffe, with the liberality of such creatures, which is mere recklessness, “look here, my dear child; take away from here everything that may serve your turn in your new quarters—that chest of drawers, that wardrobe and mirror, the carpet, the curtains——”

      Lisbeth’s eyes dilated with excessive joy; she was incredulous of such a gift.

      “You are doing more for me in a breath than my rich relations have done in thirty years!” she exclaimed. “They have never even asked themselves whether I had any furniture at all. On his first visit, a few weeks ago, the Baron made a rich man’s face on seeing how poor I was.—Thank you, my dear; and I will give you your money’s worth, you will see how by and by.”

      Valerie went out on the landing with her Cousin Betty, and the two women embraced.

      “Pouh! How she stinks of hard work!” said the pretty little woman to herself when she was alone. “I shall not embrace you often, my dear cousin! At the same time, I must look sharp. She must be skilfully managed, for she can be of use, and help me to make my fortune.”

      Like the true Creole of Paris, Madame Marneffe abhorred trouble; she had the calm indifference of a cat, which never jumps or runs but when urged by necessity. To her, life must be all pleasure; and the pleasure without difficulties. She loved flowers, provided they were brought to her. She could not imagine going to the play but to a good box, at her own command, and in a carriage to take her there. Valerie inherited these courtesan tastes from her mother, on whom General Montcornet had lavished luxury when he was in Paris, and who for twenty years had seen all the world at her feet; who had been wasteful and prodigal, squandering her all in the luxurious living of which the programme has been lost since the fall of Napoleon.

      The grandees of the Empire were a match in their follies for the great nobles of the last century. Under the Restoration the nobility cannot forget that it has been beaten and robbed, and so, with two or three exceptions, it has become thrifty, prudent, and stay-at-home, in short, bourgeois and penurious. Since then, 1830 has crowned the work of 1793. In France, henceforth, there will be great names, but no great houses, unless there should be political changes which we can hardly foresee. Everything takes the stamp of individuality. The wisest invest in annuities. Family pride is destroyed.

      The bitter pressure of poverty which had stung Valerie to the quick on the day when, to use Marneffe’s expression, she had “caught on” with Hulot, had brought the young woman to the conclusion that she would make a fortune by means of her good looks. So, for some days, she had been feeling the need of having a friend about her to take the place of a mother—a devoted friend, to whom such things may be told as must be hidden from a waiting-maid, and who could act, come and go, and think for her, a beast of burden resigned to an unequal share of life. Now, she, quite as keenly as Lisbeth, had understood the Baron’s motives for fostering the intimacy between his cousin and herself.

      Prompted by the formidable perspicacity of the Parisian half-breed, who spends her days stretched on a sofa, turning the lantern of her detective spirit on the obscurest depths of souls, sentiments, and intrigues, she had decided on making an ally of the spy. This supremely rash step was, perhaps premeditated; she had discerned the true nature of this ardent creature, burning with wasted passion, and meant to attach her to herself. Thus, their conversation was like the stone a traveler casts into an abyss to demonstrate its depth. And Madame Marneffe had been terrified to find this old maid a combination of Iago and Richard III., so feeble as she seemed, so humble, and so little to be feared.

      For that instant, Lisbeth Fischer had been her real self; that Corsican and savage temperament, bursting the slender bonds that held it under, had sprung up to its terrible height, as the branch of a tree flies up from the hand of a child that has bent it down to gather the green fruit.

      To those who study the social world, it must always be a matter of astonishment to see the fulness, the perfection, and the rapidity with which an idea develops in a virgin nature.

      Virginity, like every other monstrosity, has its special richness, its absorbing greatness. Life, whose forces are always economized, assumes in the virgin creature an incalculable power of resistance and endurance. The brain is reinforced in the sum-total of its reserved energy. When really chaste natures need to call on the resources of body or soul, and are required to act or to think, they have muscles of steel, or intuitive knowledge in their intelligence—diabolical strength, or the black magic of the Will.

      From this point of view the Virgin Mary, even if we regard her only as a symbol, is supremely great above every other type, whether Hindoo, Egyptian, or Greek. Virginity, the mother of great things, magna parens rerum, holds in her fair white hands the keys of the upper worlds. In short, that grand and terrible exception deserves all the honors decreed to her by the Catholic Church.

      Thus, in one moment, Lisbeth Fischer had become the Mohican whose snares none can escape, whose dissimulation is inscrutable, whose swift decisiveness is the outcome of the incredible perfection of every organ of sense. She was Hatred and Revenge, as implacable as they are in Italy, Spain, and the East. These two feelings, the obverse of friendship and love carried to the utmost, are known only in lands scorched by the sun. But Lisbeth was also a daughter of Lorraine, bent on deceit.

      She accepted this detail of her part against her will; she began by making a curious attempt, due to her ignorance. She fancied, as children do, that being imprisoned meant the same thing as solitary confinement. But this is the superlative degree of imprisonment, and that superlative is the privilege of the Criminal Bench.

      As soon as she left Madame Marneffe, Lisbeth hurried off to Monsieur Rivet, and found him in his office.

      “Well, my dear Monsieur Rivet,” she began, when she had bolted the door of the room. “You were quite right. Those Poles! They are low villains—all alike, men who know neither law nor fidelity.”

      “And who want to set Europe on fire,” said the peaceable Rivet, “to ruin every trade and every trader for the sake of a country that is all bog-land, they say, and full of horrible Jews, to say nothing of the Cossacks and the peasants—a sort of wild beasts classed by mistake with human beings. Your Poles do not understand the times we live in; we are no longer barbarians. War is coming to an end, my dear mademoiselle; it went out with the Monarchy. This is the age of triumph for commerce, and industry, and middle-class prudence, such as were the making of Holland.

      “Yes,” he went on with animation, “we live in a period when nations must obtain all they need by the legal extension of their liberties and by the pacific action of Constitutional Institutions; that is what the Poles do not see, and I hope——

      “You were saying, my dear?—” he added, interrupting himself when he saw from his work-woman’s face that high politics were beyond her comprehension.

      “Here is the schedule,” said Lisbeth. “If I don’t want to lose my three thousand two hundred and ten francs, I must clap this rogue into prison.”

      “Didn’t I tell you so?” cried the oracle of the Saint-Denis quarter.

      The Rivets, successor to Pons Brothers, had kept their shop still in the Rue des Mauvaises-Paroles, in the ancient Hotel Langeais, built by that illustrious family at the time when the nobility still gathered round the Louvre.

      “Yes, and I blessed you on my way here,” replied Lisbeth.

      “If he suspects nothing, he can be safe in prison by eight o’clock in the morning,” said Rivet, consulting the almanac to

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