The Open Boat and Other Stories. Stephen Crane

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The Open Boat and Other Stories - Stephen  Crane

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in a gallery looks at a scene from Brittany or Holland.

      He thought: "I am going to drown? Can it be possible? Can it be possible? Can it be possible?" Perhaps an individual must consider his own death to be the final phenomenon of nature.

      But later a wave perhaps whirled him out of this small deadly current, for he found suddenly that he could again make progress toward the shore. Later still, he was aware that the captain, clinging with one hand to the keel of the dingey, had his face turned away from the shore and toward him, and was calling his name. "Come to the boat! Come to the boat!"

      In his struggle to reach the captain and the boat, he reflected that when one gets properly wearied, drowning must really be a comfortable arrangement, a cessation of hostilities accompanied by a large degree of relief, and he was glad of it, for the main thing in his mind for some moments had been horror of the temporary agony. He did not wish to be hurt.

      Presently he saw a man running along the shore. He was undressing with most remarkable speed. Coat, trousers, shirt, everything flew magically off him.

      "Come to the boat," called the captain.

      "All right, captain." As the correspondent paddled, he saw the captain let himself down to bottom and leave the boat. Then the correspondent performed his one little marvel of the voyage. A large wave caught him and flung him with ease and supreme speed completely over the boat and far beyond it. It struck him even then as an event in gymnastics, and a true miracle of the sea. An overturned boat in the surf is not a plaything to a swimming man.

      The correspondent arrived in water that reached only to his waist, but his condition did not enable him to stand for more than a moment. Each wave knocked him into a heap, and the under-tow pulled at him.

      Then he saw the man who had been running and undressing, and undressing and running, come bounding into the water. He dragged ashore the cook, and then waded towards the captain, but the captain waved him away, and sent him to the correspondent. He was naked, naked as a tree in winter, but a halo was about his head, and he shone like a saint. He gave a strong pull, and a long drag, and a bully heave at the correspondent's hand. The correspondent, schooled in the minor formulæ, said: "Thanks, old man." But suddenly the man cried: "What's that?" He pointed a swift finger. The correspondent said: "Go."

      In the shallows, face downward, lay the oiler. His forehead touched sand that was periodically, between each wave, clear of the sea.

      The correspondent did not know all that transpired afterward. When he achieved safe ground he fell, striking the sand with each particular part of his body. It was as if he had dropped from a roof, but the thud was grateful to him.

      It seems that instantly the beach was populated with men with blankets, clothes, and flasks, and women with coffee-pots and all the remedies sacred to their minds. The welcome of the land to the men from the sea was warm and generous, but a still and dripping shape was carried slowly up the beach, and the land's welcome for it could only be the different and sinister hospitality of the grave.

      When it came night, the white waves paced to and fro in the moonlight, and the wind brought the sound of the great sea's voice to the men on shore, and they felt that they could then be interpreters.

      [Pg 48]

       [Pg 49]

       [Pg 50]

       [Pg 51]

       Table of Contents

      I

      Dark mesquit spread from horizon to horizon. There was no house or horseman from which a mind could evolve a city or a crowd. The world was declared to be a desert and unpeopled. Sometimes, however, on days when no heat-mist arose, a blue shape, dim, of the substance of a spectre's veil, appeared in the south-west, and a pondering sheep-herder might remember that there were mountains.

      In the silence of these plains the sudden and childish banging of a tin pan could have made an iron-nerved man leap into the air. The sky was ever flawless; the manoeuvring of clouds was an unknown pageant; but at times a sheep-herder could see, miles away, the long, white streamers of dust rising from the feet of another's flock, and the interest became intense.

      Bill was arduously cooking his dinner, bending over the fire, and toiling like a blacksmith. A movement, a flash of strange colour, perhaps, off in the bushes, caused him suddenly to turn his head. Presently he arose, and, shading his eyes with his hand, stood motionless and gazing. He perceived at last a Mexican sheep-herder winding through the brush toward his camp.

      "Hello!" shouted Bill.

      The Mexican made no answer, but came steadily forward until he was within some twenty yards. There he paused, and, folding his arms, drew himself up in the manner affected by the villain in the play. His serape muffled the lower part of his face, and his great sombrero shaded his brow. Being unexpected and also silent, he had something of the quality of an apparition; moreover, it was clearly his intention to be mysterious and devilish.

      The American's pipe, sticking carelessly in the corner of his mouth, was twisted until the wrong side was uppermost, and he held his frying-pan poised in the air. He surveyed with evident surprise this apparition in the mesquit. "Hello, José!" he said; "what's the matter?"

      The Mexican spoke with the solemnity of funeral tollings: "Beel, you mus' geet off range. We want you geet off range. We no like. Un'erstan'? We no like."

      "What you talking about?" said Bill. "No like what?"

      "We no like you here. Un'erstan'? Too mooch. You mus' geet out. We no like. Un'erstan'?"

      "Understand? No; I don't know what the blazes you're gittin' at." Bill's eyes wavered in bewilderment, and his jaw fell. "I must git out? I must git off the range? What you givin' us?"

      The Mexican unfolded his serape with his small yellow hand. Upon his face was then to be seen a smile that was gently, almost caressingly murderous. "Beel," he said, "geet out!"

      Bill's arm dropped until the frying-pan was at his knee. Finally he turned again toward the fire. "Go on, you dog-gone little yaller rat!" he said over his shoulder. "You fellers can't chase me off this range. I got as much right here as anybody."

      "Beel," answered the other in a vibrant tone, thrusting his head forward and moving one foot, "you geet out or we keel you."

      "Who will?" said Bill.

      "I—and the others." The Mexican tapped his breast gracefully.

      Bill reflected for a time, and then he said: "You ain't got no manner of license to warn me off'n this range, and I won't move a rod. Understand? I've got rights, and I suppose if I don't see 'em through, no one is likely to give me a good hand and help me lick you fellers, since I'm the only white man in half a day's ride. Now, look; if you fellers try to rush this camp, I'm goin' to plug about fifty per cent. of the gentlemen present, sure. I'm goin' in for trouble, an' I'll git a lot of you. 'Nuther thing: if I was a fine valuable caballero like you, I'd stay in the rear till the shootin' was done, because I'm goin' to make a particular p'int of shootin' you through the chest." He grinned affably, and made a gesture of dismissal.

      As for the Mexican, he waved his hands in a consummate expression of indifference.

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