THE ROLL-CALL. Bennett Arnold
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In the Mall, where the red campanile of the cathedral was first descried, George began to get excited. And he perceived that Marguerite sympathetically responded to his excitement. She had never even noticed the campanile before, and the reason was that the cathedral happened not to be on the route between Alexandra Grove and her principal customers. Suddenly, out of Victoria Street, they came up against the vast form of the Byzantine cathedral. It was hemmed in by puny six-story blocks of flats, as ancient cathedrals also are hemmed in by the dwellings of townsfolk. But here, instead of the houses having gathered about the cathedral, the cathedral had excavated a place for itself amid the houses. Tier above tier the expensively curtained windows of dark drawing-rooms and bedrooms inhabited by thousands of the well-to-do blinked up at the colossal symbol that dwarfed them all. George knew that he was late. If the watchman's gate was shut for the night he would look a fool. But his confidence in his magic power successfully to run risks sustained him in a gallant and assured demeanour. The gate in the hoarding that screened the west front was open. With a large gesture he tipped the watchman a shilling, and they passed in like princes. The transition to the calm and dusty interior was instantaneous and almost overwhelming. Immense without, the cathedral seemed still more immense within. On one side of the nave was a steam-engine; on the other some sort of a mill; and everywhere lay in heaps the wild litter of construction, among which moved here and there little parties of aproned pygmies engaged silently and industriously on sub-contracts; the main army of labourers had gone. The walls rose massively clear out of the white-powdered confusion into arches and high domes; and the floor of the choir, and a loftier floor beyond that, also rose clear. Perspectives ended in shadow and were illimitable, while the afternoon light through the stone grille of the western windows made luminous spaces in the gloom.
The sensation of having the mysterious girl at his elbow in that wonder-striking interior was magnificent.
He murmured, with pride:
"Do you know this place has the widest nave of any cathedral in the world? It's a much bigger cathedral than St. Paul's. In fact I'm not sure if it isn't the biggest in England."
"You know," he said again, "in the whole of the nineteenth century only one cathedral was built in England."
"Which was that?"
"Truro.... And you could put Truro inside this and leave a margin all round. Mr. Enwright says this is the last cathedral that ever will be built, outside America."
They gazed, more and more aware of a solemn miracle.
"It's marvellous—marvellous!" he breathed.
After a few moments, glancing at her, a strong impulse to be confidential mastered him. He was obliged to tell that girl.
"I say, we've lost that competition—for the Law Courts."
He smiled, but the smile had no effect.
"Oh!" She positively started.
He saw that her eyes had moistened, and he looked quickly away, as though he had seen something that he ought not to have seen. She cared! She cared a great deal! She was shocked by the misfortune to the firm, by the injustice to transcendent merit! She knew nothing whatever about any design in the competition. But it was her religion that the Lucas & Enwright design was the best, and by far the best. He had implanted the dogma, and he felt that she was ready to die for it. Mystery dropped away from her. Her soul stood bare to him. He was so happy and so proud that the intensity of his feeling dismayed him. But he was enheartened too, and courage to surmount a thousand failures welled up in him as from an unimagined spring.
"I wonder who that is?" she said quietly and ordinarily, as if a terrific event had not happened.
On the highest floor, at the other extremity of the cathedral, in front of the apse, a figure had appeared in a frock-coat and a silk hat. The figure stood solitary, gazing around in the dying light.
"By Jove! It's Bentley! It's the architect!"
George literally trembled. He literally gave a sob. The vision of Bentley within his masterpiece, of Bentley whom Enwright himself worshipped, was too much for him. Renewed ambition rushed through him in electric currents. All was not wrong with the world of architecture. Bentley had succeeded. Bentley, beginning life as an artisan, had succeeded supremely. And here he stood on the throne of his triumph. Genius would not be denied. Beauty would conquer despite everything. What completed the unbearable grandeur of the scene was that Bentley had cancer of the tongue, and was sentenced to death. Bentley's friends knew it; the world of architecture knew it; Bentley knew it.... "Shall I tell her?" George thought. He looked at her; he looked at the vessel which he had filled with emotion. He could not speak. A highly sensitive decency, an abhorrence of crudity, restrained him. "No," he decided, "I can't tell her now. I'll tell her some other time."
III
With no clear plan as to his dinner he took her back to Alexandra Grove. The dusk was far advanced. Mounting the steps quickly Marguerite rang the bell. There was no answer. She pushed up the flap of the letter-aperture and looked within.
"Have you got your latchkey?" she asked, turning round on George. "Father's not come home—his hat's not hanging up. He promised me certain that he would be here at six-thirty at the latest. Otherwise I should have taken the big key."
She did not show resentment against her father; nor was there impatience in her voice. But she seemed to be firmly and impassively judging her father, as his equal, possibly even as somewhat his superior. And George admired the force of her individuality. It flattered him that a being so independent and so strong should have been so meltingly responsive to him in the cathedral.
An adventurous idea occurred to him in a flash and he impulsively adopted it. His latchkey was in his pocket, but if the house door was once opened he would lose her—he would have to go forth and seek his dinner and she would remain in the house; whereas, barred out of the house, she would be bound to him—they would be thrust together into exquisite contingencies, into all the deep potentialities of dark London.
"Dash it!" he said, first fumbling in one waistcoat pocket, and then ledging the portfolio against a step and fumbling in both waistcoat pockets simultaneously. "I must have left it in my other clothes."
It is doubtful whether his conscience troubled him. But he had a very exciting sense of risk and of romance and of rapture, as though he had done something wonderful and irremediable.
"Ah! Well!" she murmured, instantly acquiescent, and without the least hesitation descended the steps.
How many girls (he demanded) would or could have made up their minds and faced the situation like that? Her faculty of decision was simply masculine! He looked at her in the twilight and she was inimitable, unparalleled. And yet by virtue of the wet glistening of her eyes in the cathedral she had somehow become mystically his! He. permitted himself the suspicion: "Perhaps she guesses that I'm only pretending about the latchkey." The suspicion which made her an accessory to his crime did not lower her in his eyes. On the contrary, the enchanting naughtiness with which it invested her only made her variety more intoxicant and perfection more perfect. His regret was that the suspicion was not a certainty.
Before a word could be said as to the next move, a figure in a grey suit and silk hat, and both arms filled with packages, passed in front of the gate and then halted.
"Oh! It's Mr. Buckingham