certain dead poets send their poetry by means of a medium, it would be some time before the art critic of the Times would discover its value. We may sneer at the want of judgment thus displayed, but such slowness of judgment is human and has always existed. I say all this here because my thoughts on the matter have forced upon me the conviction that very much consideration is due to the bitter feelings of disappointed authors.
We who have succeeded are so apt to tell new aspirants not to aspire, because the thing to be done may probably be beyond their reach. “My dear young lady, had you not better stay at home and darn your stockings?” “As, sir, you have asked for my candid opinion, I can only counsel you to try some other work of life which may be better suited to your abilities.” What old-established successful author has not said such words as these to humble aspirants for critical advice, till they have become almost formulas? No doubt there is cruelty in such answers; but the man who makes them has considered the matter within himself, and has resolved that such cruelty is the best mercy. No doubt the chances against literary aspirants are very great. It is so easy to aspire,—and to begin! A man cannot make a watch or a shoe without a variety of tools and many materials. He must also have learned much. But any young lady can write a book who has a sufficiency of pens and paper. It can be done anywhere; in any clothes—which is a great thing; at any hours—to which happy accident in literature I owe my success. And the success, when achieved, is so pleasant! The aspirants, of course, are very many; and the experienced councillor, when asked for his candid judgment as to this or that effort, knows that among every hundred efforts there will be ninety-nine failures. Then the answer is so ready: “My dear young lady, do darn your stockings; it will be for the best.” Or perhaps, less tenderly, to the male aspirant: “You must earn some money, you say. Don’t you think that a stool in a counting-house might be better?” The advice will probably be good advice,—probably, no doubt, as may be proved by the terrible majority of failures. But who is to be sure that he is not expelling an angel from the heaven to which, if less roughly treated, he would soar,—that he is not dooming some Milton to be mute and inglorious, who, but for such cruel ill-judgment, would become vocal to all ages?
The answer to all this seems to be ready enough. The judgment, whether cruel or tender, should not be ill-judgment. He who consents to sit as judge should have capacity for judging. But in this matter no accuracy of judgment is possible. It may be that the matter subjected to the critic is so bad or so good as to make an assured answer possible. “You, at any rate, cannot make this your vocation;” or “You, at any rate, can succeed, if you will try.” But cases as to which such certainty can be expressed are rare. The critic who wrote the article on the early verses of Lord Byron, which produced the English Bards and Scotch Reviewers, was justified in his criticism by the merits of the Hours of Idleness. The lines had nevertheless been written by that Lord Byron who became our Byron. In a little satire called The Biliad, which, I think, nobody knows, are the following well-expressed lines:—
”When Payne Knight’s Taste was issued to the town,
A few Greek verses in the text set down
Were torn to pieces, mangled into hash,
Doomed to the flames as execrable trash,—
In short, were butchered rather than dissected,
And several false quantities detected,—
Till, when the smoke had vanished from the cinders,
’Twas just discovered that—THE LINES WERE PINDAR’S!”
There can be no assurance against cases such as these; and yet we are so free with our advice, always bidding the young aspirant to desist.
There is perhaps no career or life so charming as that of a successful man of letters. Those little unthought of advantages which I just now named are in themselves attractive. If you like the town, live in the town, and do your work there; if you like the country, choose the country. It may be done on the top of a mountain or in the bottom of a pit. It is compatible with the rolling of the sea and the motion of a railway. The clergyman, the lawyer, the doctor, the member of Parliament, the clerk in a public office, the tradesman, and even his assistant in the shop, must dress in accordance with certain fixed laws; but the author need sacrifice to no grace, hardly even to Propriety. He is subject to no bonds such as those which bind other men. Who else is free from all shackle as to hours? The judge must sit at ten, and the attorney-general, who is making his 20,000 a year, must be there with his bag. The Prime Minister must be in his place on that weary front bench shortly after prayers, and must sit there, either asleep or awake, even though —— or —— should be addressing the House. During all that Sunday which he maintains should be a day of rest, the active clergyman toils like a galley-slave. The actor, when eight o’clock comes, is bound to his footlights. The Civil Service clerk must sit there from ten till four,—unless his office be fashionable, when twelve to six is just as heavy on him. The author may do his work at five in the morning when he is fresh from his bed, or at three in the morning before he goes there. And the author wants no capital, and encounters no risks. When once he is afloat, the publisher finds all that;—and indeed, unless he be rash, finds it whether he be afloat or not. But it is in the consideration which he enjoys that the successful author finds his richest reward. He is, if not of equal rank, yet of equal standing with the highest; and if he be open to the amenities of society, may choose his own circles. He without money can enter doors which are closed against almost all but him and the wealthy. I have often heard it said that in this country the man of letters is not recognised. I believe the meaning of this to be that men of letters are not often invited to be knights and baronets. I do not think that they wish it;—and if they had it they would, as a body, lose much more than they would gain. I do not at all desire to have letters put after my name, or to be called Sir Anthony, but if my friends Tom Hughes and Charles Reade became Sir Thomas and Sir Charles, I do not know how I might feel,—or how my wife might feel, if we were left unbedecked. As it is, the man of letters who would be selected for titular honour, if such bestowal of honours were customary, receives from the general respect of those around him a much more pleasant recognition of his worth.
If this be so,—if it be true that the career of the successful literary man be thus pleasant—it is not wonderful that many should attempt to win the prize. But how is a man to know whether or not he has within him the qualities necessary for such a career? He makes an attempt, and fails; repeats his attempt, and fails again! So many have succeeded at last who have failed more than once or twice! Who will tell him the truth as to himself? Who has power to find out that truth? The hard man sends him off without a scruple to that office-stool; the soft man assures him that there is much merit in his MS.
Oh, my young aspirant,—if ever such a one should read these pages,—be sure that no one can tell you! To do so it would be necessary not only to know what there is now within you, but also to foresee what time will produce there. This, however, I think may be said to you, without any doubt as to the wisdom of the counsel given, that if it be necessary for you to live by your work, do not begin by trusting to literature. Take the stool in the office as recommended to you by the hard man; and then, in such leisure hours as may belong to you, let the praise which has come from the lips of that soft man induce you to persevere in your literary attempts. Should you fail, then your failure will not be fatal,—and what better could you have done with the leisure hours had you not so failed? Such double toil, you will say, is severe. Yes, but if you want this thing, you must submit to severe toil.
Sometime before this I had become one of the Committee appointed for the distribution of the moneys of the Royal Literary Fund, and in that capacity I heard and saw much of the sufferings of authors. I may in a future chapter speak further of this Institution, which I regard with great affection, and in reference to which I should be glad to record certain convictions of my own; but I allude to it now, because the experience I have acquired in being active in its cause forbids me to advise any young man or woman to enter boldly on a literary career in search of bread. I know how utterly I should
