The Emily Starr Trilogy: Emily of New Moon, Emily Climbs & Emily's Quest. Lucy Maud Montgomery
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“Old Kelly,” the tin pedlar, had given him to her. Old Kelly had come round through Blair Water every fortnight from May to November for thirty years, perched on the seat of a bright red pedlar’s waggon and behind a dusty, ambling, red pony of that peculiar gait and appearance pertaining to the ponies of country pedlars — a certain placid, unhasting leanness as of a nag that has encountered troubles of his own and has lived them down by sheer patience and staying power. From the bright red waggon proceeded a certain metallic rumbling and clinking as it bowled along, and two huge nests of tin pans on its flat, rope-encircled roof, flashed back the sunlight so dazzlingly that Old Kelly seemed the beaming sun of a little planetary system all his own. A new broom, sticking up aggressively at each of the four corners gave the waggon a resemblance to a triumphal chariot. Emily hankered secretly for a ride in Old Kelly’s waggon. She thought it must be very delightful.
Old Kelly and she were great friends. She liked his red, clean-shaven face under his plug hat, his nice, twinkly, blue eyes, his brush of upstanding, sandy hair, and his comical pursed-up mouth, the shape of which was partly due to nature and partly to much whistling. He always had a little three-cornered paper bag of “lemon drops” for her, or a candy stick of many colours, which he smuggled into her pocket when Aunt Elizabeth wasn’t looking. And he never forgot to tell her that he supposed she’d soon be thinking of getting married — for Old Kelly thought that the surest way to please a female creature of any age was to tease her about getting married.
One day, instead of candy, he produced a plump grey kitten from the back drawer of his waggon and told her it was for her. Emily received the gift rapturously, but after Old Kelly had rattled and clattered away Aunt Elizabeth told her they did not want any more cats at New Moon.
“Oh, please let me keep it, Aunt Elizabeth,” Emily begged. “It won’t be a bit of bother to you. I have had experience in bringing up cats. And I’m so lonesome for a kitten. Saucy Sal is getting so wild running with the barn cats that I can’t ‘sociate with her like I used to do — and she never was nice to cuddle. Please, Aunt Elizabeth.”
Aunt Elizabeth would not and did not please. She was in a very bad humour that day, anyhow — nobody knew just why. In such a mood she was entirely unreasonable. She would not listen to anybody — Laura and Cousin Jimmy had to hold their tongues, and Cousin Jimmy was bidden to take the grey kitten down to the Blair Water and drown it. Emily burst into tears over this cruel command, and this aggravated Aunt Elizabeth still further. She was so cross that Cousin Jimmy dared not smuggle the kitten up to the barn as he had at first planned to do.
“Take that beast down to the pond and throw it in and come back and tell me you’ve done it,” said Elizabeth angrily. “I mean to be obeyed — New Moon is not going to be made a dumping-ground for Old Jock Kelly’s superfluous cats.”
Cousin Jimmy did as he was told and Emily would not eat any dinner. After dinner she stole mournfully away through the old orchard down the pasture to the pond. Just why she went she could not have told, but she felt that go she must. When she reached the bank of the little creek where Lofty John’s brook ran into Blair Water, she heard piteous shrieks; and there, marooned on a tiny islet of sere marsh grass in the creek, was an unhappy, little beast, its soaking fur plastered against, its sides, shivering and trembling in the wind of the sharp autumnal day. The old oat-bag in which Cousin Jimmy had imprisoned it was floating out into the pond.
Emily did not stop to think, or look for a board, or count the consequences. She plunged in the creek up to her knees, she waded out to the clump of grass and caught the kitten up. She was so hot with indignation that she did not feel the cold of the water or the chill of the wind as she ran back to New Moon. A suffering or tortured animal always filled her with such a surge of sympathy that it lifted her clean out of herself. She burst into the cookhouse where Aunt Elizabeth was frying doughnuts.
“Aunt Elizabeth,” she cried, “the kitten wasn’t drowned after all — and I am going to keep it.”
“You’re not,” said Aunt Elizabeth.
Emily looked her aunt in the face. Again she felt that odd sensation that had come when Aunt Elizabeth brought the scissors to cut her hair.
“Aunt Elizabeth, this poor little kitten is cold and starving, and oh, so miserable. It has been suffering for hours. It shall not be drowned again.”
Archibald Murray’s look was on her face and Archibald Murray’s tone was in her voice. This happened only when the deeps of her being were stirred by some peculiarly poignant emotion. Just now she was in an agony of pity and anger.
When Elizabeth Murray saw her father looking at her out of Emily’s little white face, she surrendered without a struggle, rage at herself as she might afterwards for her weakness. It was her one vulnerable point. The thing might not have been so uncanny if Emily had resembled the Murrays. But to see the Murray look suddenly superimposed like a mask over alien features, was such a shock to her nerves that she could not stand up against it. A ghost from the grave could not have cowed her more speedily.
She turned her back on Emily in silence but Emily knew that she had won her second victory. The grey kitten stayed at New Moon and waxed fat and lovable, and Aunt Elizabeth never took the slightest notice of its existence, save to sweep it out of the house when Emily was not about. But it was weeks before Emily was really forgiven and she felt uncomfortable enough over it. Aunt Elizabeth could be a not ungenerous conqueror but she was very disagreeable in defeat. It was really just as well that Emily could not summon the Murray look at will.
Various Tragedies
Emily, obedient to Aunt Elizabeth’s command, had eliminated the word “bull” from her vocabulary. But to ignore the existence of bulls was not to do away with them — and specifically with Mr James Lee’s English bull, who inhabited the big windy pasture west of Blair Water and who bore a dreadful reputation. He was certainly an awesome looking creature and Emily sometimes had fearful dreams of being chased by him and being unable to move. And one sharp November day these dreams came true.
There was a certain well at the far end of the pasture concerning which Emily felt a curiosity, because Cousin Jimmy had told her a dreadful tale about it. The well had been dug sixty years ago by two brothers who lived in a little house which was built down near the shore. It was a very deep well, which was considered a curious thing in that lowlying land near pond and sea; the brothers had gone ninety feet before they found a spring. Then the sides of the well had been stoned up — but the work never went farther. Thomas and Silas Lee had quarrelled over some trivial difference of opinion as to what kind of a hood should be put over it; and in the heat of his anger Silas had struck Thomas on the head with his hammer and killed him.
The well-house was never built. Silas Lee was sent to prison for manslaughter and died there. The farm passed to another brother — Mr James Lee’s father — who moved the house to the other end of it and planked the well over. Cousin Jimmy added that Tom Lee’s ghost was supposed to haunt the scene of his tragic death but he couldn’t vouch for that, though he had written a poem on it. A very eerie poem