Fairy Tales & Fantasy: The Hans Christian Andersen's Edition (All 127 Stories in one volume). Hans Christian Andersen

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Fairy Tales & Fantasy: The Hans Christian Andersen's Edition (All 127 Stories in one volume) - Hans Christian Andersen

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form from home. Two bright eyes had remained in her memory. She thought of Mary, poor Mary, the ragged merry child, who wore the red flowers in her black hair. Mary was now here, in the world-city, rich and magnificent as in that day when she drove past the house of the old clergyman, and past the tree of the Dryad, the old oak.

      Here she was certainly living, in the deafening tumult. Perhaps she had just stepped out of one of the gorgeous carriages in waiting. Handsome equipages, with coachmen in gold braid and footmen in silken hose, drove up. The people who alighted from them were all richly-dressed ladies. They went through the opened gate, and ascended the broad staircase that led to a building resting on marble pillars. Was this building, perhaps, the wonder of the world? There Mary would certainly be found.

      “Sancta Maria!” resounded from the interior. Incense floated through the lofty painted and gilded aisles, where a solemn twilight reigned.

      It was the Church of the Madeleine.

      Clad in black garments of the most costly stuffs, fashioned according to the latest mode, the rich feminine world of Paris glided across the shining pavement. The crests of the proprietors were engraved on silver shields on the velvet-bound prayer-books, and embroidered in the corners of perfumed handkerchiefs bordered with Brussels lace. A few of the ladies were kneeling in silent prayer before the altars; others resorted to the confessionals.

      Anxiety and fear took possession of the Dryad; she felt as if she had entered a place where she had no right to be. Here was the abode of silence, the hall of secrets. Everything was said in whispers, every word was a mystery.

      The Dryad saw herself enveloped in lace and silk, like the women of wealth and of high birth around her. Had, perhaps, every one of them a longing in her breast, like the Dryad?

      A deep, painful sigh was heard. Did it escape from some confessional in a distant corner, or from the bosom of the Dryad? She drew the veil closer around her; she breathed incense, and not the fresh air. Here was not the abiding-place of her longing.

      Away! away—a hastening without rest. The ephemeral fly knows not repose, for her existence is flight.

      She was out again among the gas candelabra, by a magnificent fountain.

      “All its streaming waters are not able to wash out the innocent blood that was spilt here.”

      Such were the words spoken. Strangers stood around, carrying on a lively conversation, such as no one would have dared to carry on in the gorgeous hall of secrets whence the Dryad came.

      A heavy stone slab was turned and then lifted. She did not understand why. She saw an opening that led into the depths below. The strangers stepped down, leaving the starlit air and the cheerful life of the upper world behind them.

      “I am afraid,” said one of the women who stood around, to her husband, “I cannot venture to go down, nor do I care for the wonders down yonder. You had better stay here with me.”

      “Indeed, and travel home,” said the man, “and quit Paris without having seen the most wonderful thing of all—the real wonder of the present period, created by the power and resolution of one man!”

      “I will not go down for all that,” was the reply.

      “The wonder of the present time,” it had been called. The Dryad had heard and had understood it. The goal of her ardent longing had thus been reached, and here was the entrance to it. Down into the depths below Paris? She had not thought of such a thing; but now she heard it said, and saw the strangers descending, and went after them.

      The staircase was of cast iron, spiral, broad and easy. Below there burned a lamp, and farther down, another. They stood in a labyrinth of endless halls and arched passages, all communicating with each other. All the streets and lanes of Paris were to be seen here again, as in a dim reflection. The names were painted up; and every house above had its number down here also, and struck its roots under the macadamized quays of a broad canal, in which the muddy water flowed onward. Over it the fresh streaming water was carried on arches; and quite at the top hung the tangled net of gas-pipes and telegraph-wires.

      In the distance lamps gleamed, like a reflection from the world-city above. Every now and then a dull rumbling was heard. This came from the heavy wagons rolling over the entrance bridges.

      Whither had the Dryad come?

      You have, no doubt, heard of the CATACOMBS? Now they are vanishing points in that new underground world—that wonder of the present day—the sewers of Paris. The Dryad was there, and not in the world’s Exhibition in the Champ de Mars.

      She heard exclamations of wonder and admiration.

      “From here go forth health and life for thousands upon thousands up yonder! Our time is the time of progress, with its manifold blessings.”

      Such was the opinion and the speech of men; but not of those creatures who had been born here, and who built and dwelt here—of the rats, namely, who were squeaking to one another in the clefts of a crumbling wall, quite plainly, and in a way the Dryad understood well.

      A big old Father-Rat, with his tail bitten off, was relieving his feelings in loud squeaks; and his family gave their tribute of concurrence to every word he said:

      “I am disgusted with this man-mewing,” he cried—“with these outbursts of ignorance. A fine magnificence, truly! all made up of gas and petroleum! I can’t eat such stuff as that. Everything here is so fine and bright now, that one’s ashamed of one’s self, without exactly knowing why. Ah, if we only lived in the days of tallow candles! and it does not lie so very far behind us. That was a romantic time, as one may say.”

      “What are you talking of there?” asked the Dryad. “I have never seen you before. What is it you are talking about?”

      “Of the glorious days that are gone,” said the Rat—“of the happy time of our great-grandfathers and great-grandmothers. Then it was a great thing to get down here. That was a rat’s nest quite different from Paris. Mother Plague used to live here then; she killed people, but never rats. Robbers and smugglers could breathe freely here. Here was the meeting-place of the most interesting personages, whom one now only gets to see in the theatres where they act melodrama, up above. The time of romance is gone even in our rat’s nest; and here also fresh air and petroleum have broken in.”

      Thus squeaked the Rat; he squeaked in honor of the old time, when Mother Plague was still alive.

      A carriage stopped, a kind of open omnibus, drawn by swift horses. The company mounted and drove away along the Boulevard de Sebastopol, that is to say, the underground boulevard, over which the well-known crowded street of that name extended.

      The carriage disappeared in the twilight; the Dryad disappeared, lifted to the cheerful freshness above. Here, and not below in the vaulted passages, filled with heavy air, the wonder work must be found which she was to seek in her short lifetime. It must gleam brighter than all the gas-flames, stronger than the moon that was just gliding past.

      Yes, certainly, she saw it yonder in the distance, it gleamed before her, and twinkled and glittered like the evening star in the sky.

      She saw a glittering portal open, that led to a little garden, where all was brightness and dance music. Colored lamps surrounded little lakes, in which were water-plants of colored metal, from whose flowers jets of water spurted up. Beautiful weeping willows, real products of spring, hung their fresh branches over these lakes like a fresh, green, transparent, and

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