The Age of Reason. Thomas Paine
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There has been a sad absence of magnanimity among eminent historians and scholars in dealing with Paine. The vignette in Oldys—Paine with his "Rights of Man" preaching to apes;—the Tract Society's picture of Paine's death-bed—hair on end, grasping a bottle,—might have excited their inquiry. Goethe, seeing Spinoza's face de-monized on a tract, was moved to studies of that philosopher which ended in recognition of his greatness. The chivalry of Goethe is indeed almost as rare as his genius, but one might have expected in students of history an historic instinct keen enough to suspect in the real Paine some proportion to his monumental mythology, and the pyramidal cairn of curses covering his grave. What other last-century writer on political and religious issues survives in the hatred and devotion of a time engaged with new problems? What power is confessed in that writer who was set in the place of a decadent Satan, hostility to him being a sort of sixth point of Calvinism, and fortieth article of the Church? Large indeed must have been the influence of a man still perennially denounced by sectarians after heretical progress has left him comparatively orthodox, and retained as the figure-head of "Freethought" after his theism has been abandoned by its leaders. "Religion," said Paine, "has two principal enemies, Fanaticism and Infidelity." It was his strange destiny to be made a battle-field between these enemies. In the smoke of the conflict the man has been hidden. In the catalogue of the British Museum Library I counted 327 entries of books by or concerning Thomas Paine, who in most of them is a man-shaped or devil-shaped shuttlecock tossed between fanatical and "infidel" rackets.
Here surely were phenomena enough to attract the historic sense of a scientific age, yet they are counterpart of an historic suppression of the most famous author of his time. The meagre references to Paine by other than controversial writers are perfunctory; by most historians he is either wronged or ignored. Before me are two histories of "American Slavery" by eminent members of Congress; neither mentions that Paine was the first political writer who advocated and devised a scheme of emancipation. Here is the latest "Life of Washington" (1889), by another member of Congress, who manages to exclude even the name of the man who, as we shall see, chiefly converted Washington to the cause of independence. And here is a history of the "American Revolution" (1891), by John Fiske, who, while recognizing the effect of "Common Sense," reveals his ignorance of that pamphlet, and of all Paine's works, by describing it as full of scurrilous abuse of the English people,—whom Paine regarded as fellow-sufferers with the Americans under royal despotism.
It may be said for these contemporaries that the task of sifting out the facts about Paine was formidable. The intimidated historians of the last generation, passing by this famous figure, left an historic vacuum, which has been filled with mingled fact and fable to an extent hardly manageable by any not prepared to give some years to the task. Our historians, might, however, have read Paine's works, which are rather historical documents than literary productions. None of them seem to have done this, and the omission appears in many a flaw in their works. The reader of some documents in this volume, left until now to slumber in accessible archives, will get some idea of the cost to historic truth of this long timidity and negligence. But some of the results are more deplorable and irreparable, and one of these must here be disclosed.
In 1802 an English friend of Paine, Redman Yorke, visited him in Paris. In a letter written at the time Yorke states that Paine had for some time been preparing memoirs of his own life, and his correspondence, and showed him two volumes of the same. In a letter of Jan. 25, 1805, to Jefferson, Paine speaks of his wish to publish his works, which will make, with his manuscripts, five octavo volumes of four hundred pages each. Besides which he means to publish "a miscellaneous volume of correspondence, essays, and some pieces of poetry." He had also, he says, prepared historical prefaces, stating the circumstances under which each work was written. All of which confirms Yorke's statement, and shows that Paine had prepared at least two volumes of autobiographic matter and correspondence. Paine never carried out the design mentioned to Jefferson, and his manuscripts passed by bequest to Madame Bonneville. This lady, after Paine's death, published a fragment of Paine's third part of "The Age of Reason," but it was afterwards found that she had erased passages that might offend the orthodox. Madame Bonneville returned to her husband in Paris, and the French "Biographical Dictionary" states that in 1829 she, as the depositary of Paine's papers, began "editing" his life. This, which could only have been the autobiography, was never published. She had become a Roman Catholic. On returning (1833) to America, where her son, General Bonneville, also a Catholic, was in military service, she had personal as well as religious reasons for suppressing the memoirs. She might naturally have feared the revival of an old scandal concerning her relations with Paine. The same motives may have prevented her son from publishing Paine's memoirs and manuscripts. Madame Bonneville died at the house of the General, in St. Louis. I have a note from his widow, Mrs. Sue Bonneville, in which she says: "The papers you speak of regarding Thomas Paine are all destroyed—at least all which the General had in his possession. On his leaving St. Louis for an indefinite time all his effects—a handsome library and valuable papers included—were stored away, and during his absence the store-house burned down, and all that the General stored away were burned."
There can be little doubt that among these papers burned in St. Louis were the two volumes of Paine's autobiography and correspondence seen by Redman Yorke in 1802. Even a slight acquaintance with Paine's career would enable one to recognize this as a catastrophe. No man was more intimately acquainted with the inside history of the revolutionary movement, or so competent to record it. Franklin had deposited with him his notes and papers concerning the American Revolution. He was the only Girondist who survived the French Revolution who was able to tell their secret history. His personal acquaintance included nearly every great or famous man of his time, in England, America, France. From this witness must have come testimonies, facts, anecdotes, not to be derived from other sources, concerning Franklin, Goldsmith, Ferguson, Rittenhouse, Rush, Fulton, Washington, Jefferson, Monroe, the Adamses, Lees, Morrises, Condorcet, Vergennes, Sievès, Lafayette, Danton, Genet, Brissot, Robespierre, Marat, Burke, Erskine, and a hundred others. All this, and probably invaluable letters from these men, have been lost through the timidity of a woman before the theological "boycott" on the memory of a theist, and the indifference of this country to its most important materials of History.
When I undertook the biography of Edmund Randolph I found that the great mass of his correspondence had been similarly destroyed by fire in New Orleans, and probably a like fate will befall the Madison papers, Monroe papers, and others, our national neglect of which will appear criminal to posterity. After searching through six States to gather documents concerning Randolph which should all have been in Washington City, the writer petitioned the Library Committee of Congress to initiate some action towards the preservation of our historical manuscripts. The Committee promptly and unanimously approved the proposal, a definite scheme was reported by the Librarian of Congress, and—there the matter rests. As the plan does not include any device for advancing partisan interests, it stands a fair chance of remaining in our national oubliette of intellectual desiderata.
In writing the "Life of Paine" I have not been saved much labor by predecessors in the same field They have all been rather controversial pamphleteers than biographers, and I have been unable to accept any of their statements without verification. They have been useful, however, in pointing out regions of inquiry, and several of them—Rickman, Sherwin, Linton—contain valuable citations from contemporary papers. The truest delineation of Paine is the biographical sketch by his friend Rickman. The "Life" by Vale, and sketches by Richard Carlile, Blanchard, and others, belong to the controversial collectanea in which Paine's posthumous career is traceable. The hostile accounts of Paine, chiefly found in tracts and encyclopaedias, are mere repetitions of those written by George Chalmers and James Cheetham.
The first of these was published in 1791 under the title: "The Life of Thomas Pain, Author of 'The Rights of Men,' with a Defence of his Writings. By Francis Oldys, A.M., of the University of Pennsylvania.