THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition). Эдвард Бенсон
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Three impregnable days passed thus. From behind the adjusted curtains of the garden-room she observed the coming of many callers and Grosvenor's admirable demeanour to them. The Royce lurched up the street, and there was Susan in her sables, and, sitting next her, a vivacious gesticulating woman with a monocle, who looked the sort of person who could talk at the most appalling rate. This without doubt was the fatal Contessa, and Lucia felt that to see her thus was like observing a lion at large from behind the bars of a comfortable cage. Miss Mapp on the second day came twice, and each time she glanced piercingly at the curtains, as if she knew that trick, and listened as if hoping to hear the sound of the piano. The Padre sent a note almost entirely in Highland dialect, the curate turned away from the door with evident relief in his face at the news he had received, and whistled the Bach fugue rather out of tune.
On the fifth day of her illness new interests sprang up for Lucia that led her to neglect Pope's Iliad altogether. By the first post there came a letter from Georgie, containing an enclosure which Lucia saw (with a slight misgiving) was written in Italian. She turned first to Georgie's letter.
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The most wonderful thing has happened [wrote Georgie] and you will be pleased . . . There's a family here with whom I've made friends, an English father, an Italian mother and a girl with a pigtail. Listen! The mother teaches the girl Italian, and sets her little themes to write on some subject or other, and then corrects them and writes a fair copy. Well, I was sitting in the lounge this morning while the girl was having her lesson, and Mrs Brocklebank (that's her name) asked me to suggest a subject for the theme, and I had the most marvellous idea. I said 'Let her write a letter to an Italian Countess whom she has never seen before, and say how she regretted having been obliged to put off her musical-party to which she had asked the Countess and her brother, because she had caught influenza. She was so sorry not to meet her, and she was afraid that as the Countess was only staying a week in the place, she would not have the pleasure of seeing her at all.' Mrs B. thought that would do beautifully for a theme, and I repeated it over again to make sure. Then the girl wrote it, and Mrs B. corrected it and made a fair copy. I begged her to give it me, because I adored Italian (though I couldn't speak it) and it was so beautifully expressed. I haven't told this very well, because I'm in a hurry to catch the post, but I enclose Mrs B.'s Italian letter, and you just see whether it doesn't do the trick too marvellously. I'm having quite a gay time, music and drives and seeing the Channel boat come in, and aren't I clever?
Your devoted,
GEORGIE
Foljambe and Cadman have had a row, but I'm afraid they've made it up.
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Lucia, with her misgivings turned to joyful expectation, seized and read the enclosure. Indeed it was a miraculous piece of manna to one whom the very sight of it made hungry. It might have been the result of telepathy between Mrs Brocklebank and her own subconscious self, so aptly did that lady grasp her particular unspoken need. It expressed in the most elegant idiom precisely what met the situation, and she would copy out and send it today, without altering a single word. And how clever of Georgie to have thought of it. He deserved all the champagne he could drink.
Lucia used her highest art in making a copy (on Mallard paper) of this document, as if writing hastily in a familiar medium. Occasionally she wrote a word (it did not matter what), erased it so as to render it illegible to the closest scrutiny, and then went on with Mrs Brocklebank's manuscript; occasionally she omitted a word of it and then inserted it with suitable curves of direction above. No one receiving her transcript could imagine that it was other than her own extempore scribble. Mrs Brocklebank had said that in two or three days she hoped to be able to see her friends again, and that fitted beautifully, because in two or three days now the Contessa's visit would have come to an end, and Lucia could get quite well at once.
The second post arrived before Lucia had finished this thoughtful copy. There was a letter in Lady Brixton's handwriting, and hastily scribbling the final florid salutations to the Contessa, she opened this, and thereupon forgot Georgie and Mrs Brocklebank and everything else in the presence of the tremendous question which was brought for her decision. Adele had simply fallen in love with Riseholme; she affirmed that life was no longer worth living without a house there, and, of all houses, she would like best to purchase, unfurnished, The Hurst. Failing that there was another that would do, belonging to round red little Mrs Quantock, who, she had ascertained, might consider selling it. Could darling Lucia therefore let her know with the shortest possible delay whether she would be prepared to sell The Hurst? If she had no thought of doing so Adele would begin tempting Mrs Quantock at once. But if she had, let genteel indications about price be outlined at once.
There are certain processes of mental solidification which take place with extraordinary rapidity, because the system is already soaked and super-saturated with the issues involved. It was so now with Lucia. Instantly, on the perusal of Adele's enquiries her own mind solidified. She had long been obliquely contemplating some such step as Adele's letter thrust in front of her, and she was surprised to find that her decision was already made. Riseholme, once so vivid and significant, had during these weeks at Tilling been fading like an ancient photograph exposed to the sun, and all its features, foregrounds and backgrounds had grown blurred and dim. If she went back to Riseholme at the end of the month, she would find there nothing to occupy her energies, or call out her unique powers of self-assertion. She had so swept the board with her management of the Elizabethan fête that no further progress was possible. Poor dear Daisy might occasionally make some minute mutinies, but after being Drake's wife (what a lesson for her!) there would be no real fighting spirit left in her. It was far better, while her own energies still bubbled within her, to conquer this fresh world of Tilling than to smoulder at Riseholme. Her work there was done, whereas here, as this week of influenza testified, there was a very great deal to do. Elizabeth Mapp was still in action and capable of delivering broadsides; innumerable crises might still arise, volcanoes smoked, thunderclouds threatened, there were hostile and malignant forces to be thwarted. She had never been better occupied and diverted, the place suited her, and it bristled with opportunities. She wrote to Adele at once saying that dear as Riseholme (and especially The Hurst) was to her, she was prepared to be tempted, and indicated a sum before which she was likely to fall.
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Miss Mapp by this fifth day of Lucia's illness was completely baffled. She did not yet allow herself to despair of becoming unbaffled, for she was certain that there was a mystery here, and every mystery had an explanation if you only worked at it enough. The coincidence of Lucia's illness with the arrival of the Contessa and Georgie's departure, supported by the trap she had laid about the paperknife, was far too glaring to be overlooked by any constructive mind, and there must be something behind it. Only a foolish ingenuous child (and Elizabeth was anything but that) could have considered these as isolated phenomena. With a faith that would have removed mountains, she believed that Lucia was perfectly well, but all she had been able to do at present was to recite her creed to Major Benjy and Diva and others, and eagerly wait