me down. I've got a five years' lease of it.'
It was not in Lucia's nature to crow over anybody. She proved her quality and passed on to something else.
'Perfect!' she said. 'It has all come out just as I planned, so that's all right. Now, if you've got nothing to do, let us have some music.'
She got out the new Mozart which she had been practising.
'This looks a lovely duet,' she said, 'and we haven't tried it yet. I shall be terribly rusty, for all the time I had influenza, I hardly dared to play the piano at all.'
Georgie looked at the new Mozart.
'It does look nice,' he said. 'Tum-ti-tum. Why, that's the one I heard you practising so busily yesterday morning.'
Lucia took not the slightest notice of this.
'We begin together,' she said, 'on the third beat. Now . . . Uno, due, TRE!'
Chapter Eight
The painting and decorating of Grebe began at once. Irene offered to do all the painting with her own hands, and recommended as a scheme for the music-room, a black ceiling and four walls of different colours, vermilion, emerald green, ultramarine and yellow. It would take a couple of months or so to execute, and the cost would be considerable as lapis lazuli must certainly be used for the ultramarine wall, but she assured Lucia that the result would be unique and marvellously stimulating to the eye, especially if she would add a magenta carpet and a nickel-plated mantelpiece.
'It sounds too lovely, dear,' said Lucia, contemplating the sample of colours which Irene submitted to her, 'but I feel sure I shan't be able to afford it. Such a pity! Those beautiful hues!'
Then Irene besought her to introduce a little variety into the shape of the windows. It would be amusing to have one window egg-shaped, and another triangular, and another with five or six or seven irregular sides, so that it looked as if it was a hole in the wall made by a shell. Or how about a front door that, instead of opening sideways, let down like a portcullis?
Irene rose to more daring conceptions yet. One night she had dined on a pot of strawberry jam and half a pint of very potent cocktails, because she wanted her eye for colour to be at its keenest round about eleven o'clock when the moon would rise over the marsh, and she hoped to put the lid for ever on Whistler's naïve old-fashioned attempts to paint moonlight. After this salubrious meal she had come round to Mallards, waiting for the moon to rise and sat for half an hour at Lucia's piano, striking random chords, and asking Lucia what colour they were. These musical rainbows suggested a wonderful idea, and she shut down the piano with a splendid purple bang.
'Darling, I've got a new scheme for Grebe,' she said. 'I want you to furnish a room sideways, if you understand what I mean.'
'I don't think I do,' said Lucia.
'Why, like this,' said Irene very thoughtfully. 'You would open the door of the room and find you were walking about on wallpaper with pictures hanging on it. (I'll do the pictures for you.) Then one side of the room where the window is would be whitewashed as if it was a ceiling and the window would be the skylight. The opposite side would be the floor; and you would have the furniture screwed on to it. The other walls, including the one which would be the ceiling in an ordinary room, would be covered with wallpaper and more pictures and a bookcase. It would all be sideways, you see: you'd enter through the wall, and the room would be at right angles to you; ceiling on the left, floor on the right, or vice versa. It would give you a perfectly new perception of the world. You would see everything from a new angle, which is what we want so much in life nowadays. Don't you think so?'
Irene's speech was distinct and clear cut, she walked up and down the garden-room with a firm unwavering step, and Lucia put from her the uneasy suspicion that her dinner had gone to her head.
'It would be most delightful,' she said, 'but slightly too experimental for me.'
'And then, you see,' continued Irene, 'how useful it would be if somebody tipsy came in. It would make him sober at once, for tipsy people see everything crooked, and so your sideways-room, being crooked, would appear to him straight, and so he would be himself again. Just like that.'
'That would be splendid,' said Lucia, 'but I can't provide a room where tipsy people could feel sober again. The house isn't big enough.'
Irene sat down by her, and passionately clasped one of her hands.
'Lucia, you're too adorable,' she said. 'Nothing defeats you. I've been talking the most abject nonsense, though I do think that there may be something in it, and you remain as calm as the moon which I hope will rise over the marsh before long, unless the almanac in which I looked it out is last year's. Don't tell anybody else about the sideways-room, will you, or they might think I was drunk. Let it be our secret, darling.'
Lucia wondered for a moment if she ought to allow Irene to spend the night on the marsh, but she was perfectly capable of coherent speech and controlled movements, and possibly the open air might do her good.
'Not a soul shall know, dear,' she said. 'And now if you're really going to paint the moon, you had better start. You feel quite sure you can manage it, don't you?'
'Of course I can manage the moon,' said Irene stoutly. 'I've managed it lots of times. I wish you would come with me. I always hate leaving you. Or shall I stop here, and paint you instead? Or do you think Georgie would come? What a lamb, isn't he? Pass the mint-sauce please, or shall I go home?'
'Perhaps that would be best,' said Lucia. 'Paint the moon another night.'
* * *
Lucia next day hurried up the firm to which she had entrusted the decoration of Grebe, in case Irene had some new schemes, and halfway through November, the house was ready to receive her furniture from Riseholme. Georgie simultaneously was settling into Mallards Cottage, and in the course of it went through a crisis of the most agitating kind. Isabel had assured him that by noon on a certain day men would arrive to take her furniture to the repository where it was to be stored, and as the vans with his effects from Riseholme had arrived in Tilling the night before, he induced the foreman to begin moving everything out of the house at nine next morning and bring his furniture in. This was done, and by noon all Isabel's tables and chairs and beds and crockery were standing out in the street ready for her van. They completely blocked it for wheeled traffic, though pedestrians could manage to squeeze by in single file. Tilling did not mind this little inconvenience in the least, for it was all so interesting, and tradesmen's carts coming down the street were cheerfully backed into the churchyard again and turned round in order to make a more circuitous route, and those coming up were equally obliging, while foot-passengers, thrilled with having the entire contents of a house exposed for their inspection, were unable to tear themselves away from so intimate an exhibition. Then Georgie's furniture was moved in, and there were dazzling and fascinating objects for inspection, pictures that he had painted, screens and bedspreads that he had worked, very pretty woollen pyjamas for the winter and embroidered covers for hot-water bottles. These millineries roused Major Benjy's manliest indignation, and he was nearly late for the tram to take him out to play golf, for he could not tear himself away from the revolting sight. In a few hours Georgie's effects had passed into the house, but still there was no sign of anyone coming to remove Isabel's from the street, and, by dint of telephoning, it was discovered that she had forgotten to give any order at all about them,
