water gather in the coarse sacks, that have been spread over the potatoes and bundles of greens, which turn to manure in their lidless barrels. The eyes of the whimpering dog never leave a black close over which hangs the sign of the Bull, probably the refuge of the hawker. At long intervals a farmer's gig rumbles over the bumpy, ill-paved square, or a native, with his head buried in his coat, peeps out of doors, skurries across the way, and vanishes. Most of the leading shops are here, and the decorous draper ventures a few yards from the pavement to scan the sky, or note the effect of his new arrangement in scarves. Planted against his door is the butcher, Henders Todd, white-aproned, and with a knife in his hand, gazing interestedly at the draper, for a mere man may look at an elder. The tinsmith brings out his steps, and, mounting them, stealthily removes the saucepans and pepper-pots that dangle on a wire above his sign-board. Pulling to his door he shuts out the foggy light that showed in his solder-strewn workshop. The square is deserted again. A bundle of sloppy parsley slips from the hawker's cart and topples over the wheel in driblets. The puddles in the sacks overflow and run together. The dog has twisted his chain round a barrel and yelps sharply. As if in response comes a rush of other dogs. A terrified fox-terrier tears across the square with half a score of mongrels, the butcher's mastiff and some collies at his heels; he is doubtless a stranger who has insulted them by his glossy coat. For two seconds the square shakes to an invasion of dogs, and then, again, there is only one dog in sight.
No one will admit the Scotch mist. It "looks saft." The tinsmith "wudna wonder but what it was makkin for rain." Tammas Haggart and Pete Lunan dander into sight bareheaded, and have to stretch out their hands to discover what the weather is like. By and by they come to a standstill to discuss the immortality of the soul, and then they are looking silently at the Bull. Neither speaks, but they begin to move toward the inn at the same time, and its door closes on them before they know what they are doing. A few minutes afterwards Jinny Dundas, who is Pete's wife, runs straight for the Bull in her short gown, which is tucked up very high, and emerges with her husband soon afterwards. Jinny is voluble, but Pete says nothing. Tammas follows later, putting his head out at the door first, and looking cautiously about him to see if any one is in sight. Pete is a U. P., and may be left to his fate, but the Auld Licht minister thinks that though it be hard work, Tammas is worth saving.
To the Auld Licht of the past there were three degrees of damnation—auld kirk, play-acting, chapel. Chapel was the name always given to the English Church, of which I am too much an Auld Licht myself to care to write even now. To belong to the chapel was, in Thrums, to be a Roman Catholic, and the boy who flung a clod of earth at the English minister—who called the Sabbath Sunday—or dropped a "divet" down his chimney was held to be in the right way. The only pleasant story Thrums could tell of the chapel was that its steeple once fell. It is surprising that an English church was ever suffered to be built in such a place; though probably the county gentry had something to do with it. They travelled about too much to be good men. Small though Thrums used to be, it had four kirks in all before the Disruption, and then another, which split into two immediately afterwards. The spire of the parish church, known as the auld kirk, commands a view of the square, from which the entrance to the kirkyard would be visible, if it were not hidden by the town-house. The kirkyard has long been crammed, and is not now in use, but the church is sufficiently large to hold nearly all the congregations in Thrums. Just at the gate lived Pete Todd, the father of Sam'l, a man of whom the Auld Lichts had reason to be proud. Pete was an every-day man at ordinary times, and was even said, when his wife, who had been long ill, died, to have clapped his hands and exclaimed, "Hip, hip, hurrah!" adding only as an afterthought, "The Lord's will be done." But midsummer was his great opportunity. Then took place the rouping of the seats in the parish church. The scene was the kirk itself, and the seats being put up to auction were knocked down to the highest bidder. This sometimes led to the breaking of the peace. Every person was present who was at all particular as to where he sat, and an auctioneer was engaged for the day. He rouped the kirk-seats like potato-drills, beginning by asking for a bid. Every seat was put up to auction separately; for some were much more run after than others, and the men were instructed by their wives what to bid for. Often the women joined in, and as they bid excitedly against each other the church rang with opprobrious epithets. A man would come to the roup late, and learn that the seat he wanted had been knocked down. He maintained that he had been unfairly treated, or denounced the local laird to whom the seat-rents went. If he did not get the seat he would leave the kirk. Then the woman who had forestalled him wanted to know what he meant by glaring at her so, and the auction was interrupted. Another member would "thrip down the throat" of the auctioneer that he had a right to his former seat if he continued to pay the same price for it. The auctioneer was screamed at for favouring his friends, and at times the roup became so noisy that men and women had to be forcibly ejected. Then was Pete's chance. Hovering at the gate, he caught the angry people on their way home and took them into his workshop by an outside stair. There he assisted them in denouncing the parish kirk, with the view of getting them to forswear it. Pete made a good many Auld Lichts in his time out of unpromising material.
Sights were to be witnessed in the parish church at times that could not have been made more impressive by the Auld Lichts themselves. Here sinful women were grimly taken to task by the minister, who, having thundered for a time against adultery in general, called upon one sinner in particular to stand forth. She had to step forward into a pew near the pulpit, where, alone and friendless, and stared at by the congregation, she cowered in tears beneath his denunciations. In that seat she had to remain during the forenoon service. She returned home alone, and had to come back alone to her solitary seat in the afternoon. All day no one dared speak to her. She was as much an object of contumely as the thieves and smugglers whom, in the end of last century, it was the privilege of Feudal Bailie Wood (as he was called) to whip round the square.
It is nearly twenty years since the gardeners had their last "walk" in Thrums, and they survived all the other benefit societies that walked once every summer. There was a "weavers' walk" and five or six others, the "women's walk" being the most picturesque. These were processions of the members of benefit societies through the square and wynds, and all the women walked in white, to the number of a hundred or more, behind the Tilliedrum band, Thrums having in those days no band of its own.
From the north-west corner of the square a narrow street sets off, jerking this way and that as if uncertain what point to make for. Here lurks the post-office, which had once the reputation of being as crooked in its ways as the street itself.
A railway line runs into Thrums now. The sensational days of the post-office were when the letters were conveyed officially in a creaking old cart from Tilliedrum. The "pony" had seen better days than the cart, and always looked as if he were just on the point of succeeding in running away from it. Hooky Crewe was driver; so-called because an iron hook was his substitute for a right arm: Robbie Proctor, the blacksmith, made the hook and fixed it in. Crewe suffered from rheumatism, and when he felt it coming on he stayed at home. Sometimes his cart came undone in a snowdrift; when Hooky, extricated from the fragments by some chance wayfarer, was deposited with his mail-bag (of which he always kept a grip by the hook) in a farm-house. It was his boast that his letters always reached their destination eventually. They might be a long time about it, but "slow and sure" was his motto. Hooky emphasized his "slow and sure" by taking a snuff. He was a godsend to the post-mistress, for to his failings or the infirmities of his gig were charged all delays.
At the time I write of, the posting of the letter took as long and was as serious an undertaking as the writing. That means a good deal, for many of the letters were written to dictation by the Thrums schoolmaster, Mr. Fleemister, who belonged to the Auld Kirk. He was one of the few persons in the community who looked upon the despatch of his letters by the postmistress as his right, and not a favour on her part; there was a long-standing feud between them accordingly. After a few tumblers of Widow Stables's treacle-beer—in the concoction of which she was the acknowledged mistress for miles around—the schoolmaster would sometimes go the length of hinting that he could get the postmistress dismissed any day. This mighty power seemed to rest on a knowledge of "steamed" letters. Thrums had a high respect for the schoolmaster; but among themselves the weavers agreed that, even if he did write to the Government, Lizzie Harrison, the postmistress,
