The Ball and the Cross. Гилберт Кит Честертон
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“I hope you will excuse my interrupting you,” said Michael, with a slight cough, “but I have always noticed——”
“Go on, pray go on,” said Professor Lucifer, radiantly, “I really like to draw out your simple ideas.”
“Well, the fact is,” said the other, “that much as I admire your rhetoric and the rhetoric of your school, from a purely verbal point of view, such little study of you and your school in human history as I have been enabled to make has led me to—er—rather singular conclusion, which I find great difficulty in expressing, especially in a foreign language.”
“Come, come,” said the Professor, encouragingly, “I'll help you out. How did my view strike you?”
“Well, the truth is, I know I don't express it properly, but somehow it seemed to me that you always convey ideas of that kind with most eloquence, when—er—when——”
“Oh! get on,” cried Lucifer, boisterously.
“Well, in point of fact when your flying ship is just going to run into something. I thought you wouldn't mind my mentioning it, but it's running into something now.”
Lucifer exploded with an oath and leapt erect, leaning hard upon the handle that acted as a helm to the vessel. For the last ten minutes they had been shooting downwards into great cracks and caverns of cloud. Now, through a sort of purple haze, could be seen comparatively near to them what seemed to be the upper part of a huge, dark orb or sphere, islanded in a sea of cloud. The Professor's eyes were blazing like a maniac's.
“It is a new world,” he cried, with a dreadful mirth. “It is a new planet and it shall bear my name. This star and not that other vulgar one shall be 'Lucifer, sun of the morning.' Here we will have no chartered lunacies, here we will have no gods. Here man shall be as innocent as the daisies, as innocent and as cruel—here the intellect——”
“There seems,” said Michael, timidly, “to be something sticking up in the middle of it.”
“So there is,” said the Professor, leaning over the side of the ship, his spectacles shining with intellectual excitement. “What can it be? It might of course be merely a——”
Then a shriek indescribable broke out of him of a sudden, and he flung up his arms like a lost spirit. The monk took the helm in a tired way; he did not seem much astonished for he came from an ignorant part of the world in which it is not uncommon for lost spirits to shriek when they see the curious shape which the Professor had just seen on the top of the mysterious ball, but he took the helm only just in time, and by driving it hard to the left he prevented the flying ship from smashing into St. Paul's Cathedral.
A plain of sad-coloured cloud lay along the level of the top of the Cathedral dome, so that the ball and the cross looked like a buoy riding on a leaden sea. As the flying ship swept towards it, this plain of cloud looked as dry and definite and rocky as any grey desert. Hence it gave to the mind and body a sharp and unearthly sensation when the ship cut and sank into the cloud as into any common mist, a thing without resistance. There was, as it were, a deadly shock in the fact that there was no shock. It was as if they had cloven into ancient cliffs like so much butter. But sensations awaited them which were much stranger than those of sinking through the solid earth. For a moment their eyes and nostrils were stopped with darkness and opaque cloud; then the darkness warmed into a kind of brown fog. And far, far below them the brown fog fell until it warmed into fire. Through the dense London atmosphere they could see below them the flaming London lights; lights which lay beneath them in squares and oblongs of fire. The fog and fire were mixed in a passionate vapour; you might say that the fog was drowning the flames; or you might say that the flames had set the fog on fire. Beside the ship and beneath it (for it swung just under the ball), the immeasurable dome itself shot out and down into the dark like a combination of voiceless cataracts. Or it was like some cyclopean sea-beast sitting above London and letting down its tentacles bewilderingly on every side, a monstrosity in that starless heaven. For the clouds that belonged to London had closed over the heads of the voyagers sealing up the entrance of the upper air. They had broken through a roof and come into a temple of twilight.
They were so near to the ball that Lucifer leaned his hand against it, holding the vessel away, as men push a boat off from a bank. Above it the cross already draped in the dark mists of the borderland was shadowy and more awful in shape and size.
Professor Lucifer slapped his hand twice upon the surface of the great orb as if he were caressing some enormous animal. “This is the fellow,” he said, “this is the one for my money.”
“May I with all respect inquire,” asked the old monk, “what on earth you are talking about?”
“Why this,” cried Lucifer, smiting the ball again, “here is the only symbol, my boy. So fat. So satisfied. Not like that scraggy individual, stretching his arms in stark weariness.” And he pointed up to the cross, his face dark with a grin. “I was telling you just now, Michael, that I can prove the best part of the rationalist case and the Christian humbug from any symbol you liked to give me, from any instance I came across. Here is an instance with a vengeance. What could possibly express your philosophy and my philosophy better than the shape of that cross and the shape of this ball? This globe is reasonable; that cross is unreasonable. It is a four-legged animal, with one leg longer than the others. The globe is inevitable. The cross is arbitrary. Above all the globe is at unity with itself; the cross is primarily and above all things at enmity with itself. The cross is the conflict of two hostile lines, of irreconcilable direction. That silent thing up there is essentially a collision, a crash, a struggle in stone. Pah! that sacred symbol of yours has actually given its name to a description of desperation and muddle. When we speak of men at once ignorant of each other and frustrated by each other, we say they are at cross-purposes. Away with the thing! The very shape of it is a contradiction in terms.”
“What you say is perfectly true,” said Michael, with serenity. “But we like contradictions in terms. Man is a contradiction in terms; he is a beast whose superiority to other beasts consists in having fallen. That cross is, as you say, an eternal collision; so am I. That is a struggle in stone. Every form of life is a struggle in flesh. The shape of the cross is irrational, just as the shape of the human animal is irrational. You say the cross is a quadruped with one limb longer than the rest. I say man is a quadruped who only uses two of his legs.”
The Professor frowned thoughtfully for an instant, and said: “Of course everything is relative, and I would not deny that the element of struggle and self-contradiction, represented by that cross, has a necessary place at a certain evolutionary stage. But surely the cross is the lower development and the sphere the higher. After all it is easy enough to see what is really wrong with Wren's architectural arrangement.”
“And what is that, pray?” inquired Michael, meekly.
“The cross is on top of the ball,” said Professor Lucifer, simply. “That is surely wrong. The ball should be on top of the cross. The cross is a mere