The White Moll. Frank L. Packard

      I.

       Night in the Underworld

       Table of Contents

      It was like some shadowy pantomime: The dark mouth of an alleyway thrown into murky relief by the rays of a distant street lamp...the swift, forward leap of a skulking figure...a girl's form swaying and struggling in the man's embrace. Then, a pantomime no longer, there came a half threatening, half triumphant oath; and then the girl's voice, quiet, strangely contained, almost imperious:

      "Now, give me back that purse, please. Instantly!" The man, already retreating into the alleyway, paused to fling back a jeering laugh.

      "Say, youse've got yer nerve, ain't youse!"

      The girl turned her head so that the rays of the street lamp, faint as they were, fell full upon her, disclosing a sweet, oval face, out of which the dark eyes gazed steadily at the man.

      And suddenly the man leaned forward, staring for an instant, and then his hand went awkwardly to touch his cap.

      "De White Moll!" he mumbled deferentially. He pulled the peak of his cap down over his eyes in a sort of shame-faced way, as though to avoid recognition, and, stepping nearer, returned the purse.

      "'Scuse me, miss," he said uneasily. "I didn't know it was youse—honest to Gawd, I didn't! 'Scuse me, miss. Good-night!"

      For a moment the girl stood there motionless, looking down the alleyway after the retreating figure. From somewhere in the distance came the rumble of an elevated train. It drowned out the pound of the man's speeding footsteps; it died away itself—and now there was no other sound. A pucker, strangely wistful, curiously perturbed, came and furrowed her forehead into little wrinkles, and then she turned and walked slowly on along the deserted street.

      The White Moll! She shook her head a little. The attack had not unnerved her. Why should it? It was simply that the man had not recognized her at first in the darkness. The White Moll here at night in one of the loneliest, as well as one of the most vicious and abandoned, quarters of New York, was as safe and inviolate as—as—She shook her head again. Her mind did not instantly suggest a comparison that seemed wholly adequate. The pucker deepened, but the sensitive, delicately chiseled lips parted now in a smile. Well, she was safer here than anywhere else in the world, that was all.

      It was the first time that anything like this had happened, and, for the very reason that it was unprecedented, it seemed to stir her memory now, and awaken a dormant train of thought. The White Moll! She remembered the first time she had ever been called by that name. It took her back almost three years, and since that time, here in this sordid realm of crime and misery, the name of Rhoda Gray, her own name, her actual identity, seemed to have become lost, obliterated in that of the White Moll. A "dip" had given it to her, and the underworld, quick and trenchant in its "monikers," had instantly ratified it. There was not a crook or denizen of crimeland, probably, who did not know the White Moll; there was, probably, not one to-day who knew, or cared, that she was Rhoda Gray!

      She went on, traversing block after block, entering a less deserted, though no less unsavory, neighborhood. Here, a saloon flung a sudden glow of yellow light athwart the sidewalk as its swinging doors jerked apart; and a form lurched out into the night; there, from a dance-hall came the rattle of a tinny piano, the squeak of a raspy violin, a high-pitched, hectic burst of laughter; while, flanking the street

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