said Gypsy Nan, "if I've got a chance at all, I'd finish it for keeps if a doctor came here. I—I'd rather go out this way than in that horrible thing they call the 'chair.' Oh, my God, don't you understand that! I've seen pictures of it! It's a horrible thing—a horrible thing—horrible!"
"Nan"—Rhoda Gray steadied her voice—"you re delirious. You do not know what you are saying. There isn't any horrible thing to frighten you. Now you just lie quietly here. I'll only be a few minutes, and—" She stopped abruptly as her wrists were suddenly imprisoned in a frantic grip.
"You swore it!" Gypsy Nan was whispering feverishly. "You swore it! They say the White Moll never snitched. That's the one chance I've got, and I'm going to take it. I'm not delirious—not yet. I wish to God it was nothing more than that! Look!"
With a low, startled cry, Rhoda Gray was on her feet. Gypsy Nan was gone. A sweep of the woman's hand, and the spectacles were off, the gray-streaked hair a tangled wig upon the pillow—and Rhoda Gray found herself staring in a numbed sort of way at a dark-haired woman who could not have been more than thirty, but whose face, with its streaks of grime and dirt, looked grotesquely and incongruously old.
II.
Seven—Three—Nine
For a moment neither spoke, then Gypsy Nan broke the silence with a bitter laugh. She threw back the bedclothes, and, gripping at the edge of the bed, sat up.
"The White Moll!" The words rattled in her throat. A fleck of blood showed on her lips. "Well, you know now! You're going to help me, aren't you? I—I've got to get out of here—get to a hospital."
Rhoda Gray laid her hands firmly on the other's shoulders.
"Get back into bed," she said steadily. "Do you want to make yourself worse? You'll kill yourself!"
Gypsy Nan pushed her away.
"Don't make me use up what little strength I've got left in talking," she cried out piteously, and suddenly wrung her hands together. "I'm wanted by the police. If I'm caught, it's—it's that 'chair.' I couldn't have a doctor brought here, could I? How long would it be before he saw that Gypsy Nan was a fake? I can't let you go and have an ambulance, say, come and get me, can I, even with the disguise hidden away? They'd say this is where Gypsy Nan lives. There's something queer here. Where is Gypsy Nan? I've got to get away from here—away from Gypsy Nan—don't you understand? It's death one way; maybe it is the other, maybe it'll finish me to get out of here, but it's the only thing left to do. I thought some one, some one that I could trust, never mind who, would have come to-day, but-but no one came, and—and maybe now it s too late, but there's just the one chance, and I've got to take it." Gypsy Nan tore at the shawl around her throat as though it choked her, and flung it from her shoulders. Her eyes were gleaming with an unhealthy, feverish light. "Don't you see? We get out on the street. I collapse there. You find me. I tell you my name is Charlotte Green. That's all you know. There isn't much chance that anybody at the hospital would recognize me. I've got money. I take a private room. Don't you understand?"
Rhoda Gray's face had gone a little white. There was no doubt about the woman's serious condition, and yet—and yet—She stood there hesitant. There must be some other way! It was not likely even that the woman had strength enough to walk down the stairs to begin with. Strange things had come to her in this world of shadow, but none before like this. If the law got the woman it would cost the woman her life; if the woman did not receive immediate and adequate medical assistance it would cost the woman her life. Over and over in her brain, like a jangling refrain, that thought repeated itself. It was not like her to stand hesitant before any emergency, no matter what that emergency might be. She had never done it before, but now...
"For God's sake," Gypsy Nan implored, "don't stand there looking at me! Can't you understand? If I'm caught, I go out. Do you think I'd have lived in this filthy hole if there had been any other way to save my life? Are you going to let me die here like a dog? Get me my clothes; oh, for God's sake, get them, and give me the one chance that's left!"
A queer little smile came to Rhoda Gray's lips, and her shoulders straightened back.
"Where are your clothes?" she asked.
"God bless you!" The tears were suddenly streaming down the grimy face. "God bless the White Moll! It's true! It's true—all they said about her!" The woman had lost control of herself.
"Nan, keep your nerve!" ordered Rhoda Gray almost brutally. It was the White Moll in another light now, cool, calm, collected, efficient. Her eyes swept Gypsy Nan. The woman, who had obviously flung herself down on the bed fully dressed the night before, was garbed in coarse, heavy boots, the cheapest of stockings which were also sadly in need of repair, a tattered and crumpled skirt of some rough material, and, previously hidden by the shawl, a soiled, greasy and spotted black blouse. Rhoda Gray's forehead puckered into a frown. "What about your hands and face-they go with the clothes, don't they?"
"It'll wash off," whispered Gypsy Nan. "It's just some stuff I keep in a box-over there—the ceiling-" Her voice trailed off weakly, then with a desperate effort strengthened again. "The door! I forgot the door! It isn't locked! Lock the door first! Lock the door! Then you take the candle over there on the washstand, and—and I'll show you. You—you get the things while I'm undressing. I—I can help myself that much."
Rhoda Gray crossed quickly to the door, turned the key in the lock, and retraced her steps to the washstand that stood in the shadows against the wall on the opposite side from the bed, and near the far end of the garret. Here she found the short stub of a candle that was stuck in the mouth of a gin bottle, and matches lying beside it. She lighted the candle, and turned inquiringly to Gypsy Nan.
The woman pointed to the end of the garret where the roof sloped sharply down until, at the wall itself, it was scarcely four feet above the floor.
"Go down there. Right to the wall—in the center," instructed Gypsy Nan weakly. And then, as Rhoda Gray obeyed: "Now push up on that wide board in the ceiling."
Rhoda Gray, already in a stooped position, reached up, and pushed at a rough, unplaned board. It swung back without a sound, like a narrow trap-door, until it rested in an upright position against the outer frame of the house, disclosing an aperture through which, by standing erect, Rhoda Gray easily thrust her head and shoulders.
She raised the candle then through the opening—and suddenly her dark eyes widened in amazement. It was a hiding place, not only ingenious, but exceedingly generous in expanse. As far as one could reach the ceiling metamorphosed itself into a most convenient shelf. And it had been well utilized! It held a most astounding collection of things. There was a cashbox, but the cashbox was apparently wholly inadequate—there must have been thousands of dollars in those piles of banknotes that were stacked beside it! There was a large tin box, the cover off, containing some black, pastelike substance—the "stuff," presumably, that Gypsy Nan used on her face and hands. There was a bunch of curiously formed keys, several boxes of revolver cartridges, an electric flashlight, and a great quantity of the choicest brands of tinned and bottled fruits and provisions—and a little to one side, evidently kept ready for instant use, a suit of excellent material, underclothing, silk stockings shoes and hat were neatly piled together.
Rhoda Gray took the clothing, and went back to the bedside. Gypsy Nan had made little progress in disrobing. It seemed about all the woman could do to cling to the edge of the cot and sit upright.
"What
