The Argonauts. Eliza Orzeszkowa

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The Argonauts - Eliza Orzeszkowa

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are they playing?" asked the baron, indicating the stage with his head. "Ma foi! I have not heard one word."

      "Well old man," said Maryan, turning to Kranitski, "what are they doing on the stage?" Kranitski dropped his hand with the opera-glass quickly and blurted out:

      "What is the question, Maryan?" His eyes, which were fine yet in their prolonged lids, were glazed with a tear.

      "Ho, ho! romantic, there is a tear in your eye. The subject must be affecting! Let us listen!" They began to listen, but quite differently from others. When passions exhibited on the stage quickened the beating of all hearts, or poetry, pulsating in lofty words, brightened faces with enthusiasm, Maryan and the baron laughed inattentively and with contempt; when stupidity, selfishness, or wit called out laughter, or ridicule, they were immovable in cold importance, puffed up and insolent; when the curtain came down at the end, and a deafening, prolonged thunder of applause was heard, their hands rested ostentatiously on the edge of the box. This opposition to the impressions and opinions of the audience might seem a childish wish for distinction; but one could feel besides in it, a bold throwing down of the gauntlet to common taste, and an estimate of the various elements and values in life directly in conflict with that of others.

      Toward the end of the last act Kranitski entered Malvina Darvid's box, and saluting each woman silently he stood motionless. Malvina bowed toward him slightly, then a shadow came out on her face; this shadow seemed to have torn itself from an internal cloud. She frowned—a deep wrinkle appeared on her forehead, the corners of her mouth drooped somewhat, and her face, with that brilliant star in the aureole of bright hair above, had an expression of pain when seen on the drapery of the box as a background.

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