MONSIEUR LECOQ. Emile Gaboriau

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MONSIEUR LECOQ - Emile Gaboriau

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I am not absolutely sure, nothing that is not strictly and indisputably true.”

      “And you would have me believe —”

      “Fear nothing, papa; I would not have you do violence to your convictions. When I have told you my reasons, and my means of information, you will laugh at the simplicity of the theory that seems so incomprehensible to you now.”

      “Go on, then,” said the good man, in a tone of resignation.

      “We had decided,” rejoined Lecoq, “that the accomplice mounted guard here. The time seemed long, and, growing impatient, he paced to and fro — the length of this log of wood — occasionally pausing to listen. Hearing nothing, he stamped his foot, doubtless exclaiming: ‘What the deuce has happened to him down there!’ He had made about thirty turns (I have counted them), when a sound broke the stillness — the two women were coming.”

      On hearing Lecoq’s recital, all the conflicting sentiments that are awakened in a child’s mind by a fairy tale — doubt, faith, anxiety, and hope — filled Father Absinthe’s heart. What should he believe? what should he refuse to believe? He did not know. How was he to separate the true from the false among all these equally surprising assertions? On the other hand, the gravity of his companion, which certainly was not feigned, dismissed all idea of pleasantry.

      Finally, curiosity began to torture him. “We had reached the point where the women made their appearance,” said he.

      “Yes, indeed,” responded Lecoq, “but here all certainty ceases; no more proofs, only suppositions. Still, I have every reason to believe that our fugitives left the drinking den before the beginning of the fight, before the cries that attracted our attention. Who were they? I can only conjecture. I suspect, however, that they were not equals in rank. I am inclined to think that one was the mistress, the other her servant.”

      “That is proved,” ventured the old man, “by the great difference in their feet and in their shoes.”

      This shrewd observation elicited a smile from Lecoq. “That difference,” he replied, seriously, “is something, of course; but it was not that which decided me in my opinion. If greater or less perfection of the extremities regulated social distinctions, many mistresses would be servants. What struck me was this: when the two women rushed wildly from Mother Chupin’s house, the woman with the small feet sprang across the garden with one bound, she darted on some distance in advance of the other. The terror of the situation, the vileness of the den, the horror of the scandal, the thought of safety, inspired her with marvelous energy. But her strength, as often happens with delicate and nervous women, lasted only a few seconds. She was not half-way from the Poivriere when her speed relaxed, her limbs trembled. Ten steps farther on she tottered and almost fell. Some steps farther, and she became so exhausted that she let go her hold upon her skirts; they trailed upon the snow, tracing a faint circle there. Then the woman with the broad feet came to aid her. She seized her companion round the waist; she dragged her along; their footprints here are mingled confusedly; then, seeing that her friend was about to fall, she caught her up in her strong arms and carried her — for you will see that the footprints made by the woman with the small feet suddenly cease at this point.”

      Was Lecoq merely amusing himself by inventing this story? Was this scene anything but a work of imagination? Was the accent of deep and sincere conviction which he imparted to his words only feigned?

      Father Absinthe was still in doubt, but he thought of a way in which he might satisfy his uncertainty. He caught up the lantern and hurried off to examine these footprints which he had not known how to read, which had been speechless to him, but which yielded their secret to another. He was obliged to agree with his companion. All that Lecoq had described was written there; he saw the confused footprints, the circle made by the sweeping skirts, the cessation of the tiny imprints.

      On his return, his countenance betrayed a respectful and astonished admiration, and it was with a shade of embarrassment that he said: “You can scarcely blame an old man for being a little like St. Thomas. ‘I have touched it with my fingers,’ and now I am content to follow you.”

      The young police agent could not, indeed, blame his colleague for his incredulity. Resuming his recital, he continued: “Then the accomplice, who had heard the fugitives coming, ran to meet them, and he aided the woman with large feet in carrying her companion. The latter must have been really ill, for the accomplice took off his hat and used it in brushing the snow off this log. Then, thinking the surface was not yet dry enough, he wiped it with the skirt of his overcoat. Were these civilities pure gallantry, or the usual attentions of an inferior? I have asked myself that question. This much, however, is certain, while the woman with the small feet was recovering her strength, half reclining upon this board, the other took the accomplice a little on one side, five or six steps away to the left, just beside that enormous block of granite. There she talked with him, and, as he listened, the man leaned upon the snow-covered stone. His hand left a very distinct imprint there. Then, as the conversation continued, he rested his elbow upon the snowy surface.”

      Like all men of limited intelligence, Father Absinthe had suddenly passed from unreasoning distrust to unquestioning confidence. Henceforth, he could believe anything for the very same reason that had, at first, made him believe nothing. Having no idea of the bounds of human reasoning and penetration, he saw no limits to the conjectural genius of his companion. With perfect faith, therefore, he inquired: “And what was the accomplice saying to the woman with the broad shoes?”

      Lecoq smiled at this simplicity, but the other did not see him do so. “It is rather difficult for me to answer that question,” replied the young detective, “I think, however, that the woman was explaining to the man the immensity and imminence of the danger that threatened his companion, and that they were trying to devise some means to rescue him from it. Perhaps she brought him orders given by the murderer. It is certain that she ended by beseeching the accomplice to run to the Poivriere and see what was passing there. And he did so, for his tracks start from this block of granite.”

      “And only to think,” exclaimed Father Absinthe, “that we were in the hovel at that very moment. A word from Gevrol, and we might have had handcuffs on the whole gang! How unfortunate!”

      Lecoq was not sufficiently disinterested to share his companion’s regret. On the contrary, he was very thankful for Gevrol’s blunder. Had it not been for that, how would he ever have found an opportunity of investigating an affair that grew more and more mysterious as his search proceeded, but which he hoped to fathom finally.

      “To conclude,” he resumed, “the accomplice soon returned, he had witnessed the scene, and was evidently afraid. He feared that the thought of exploring the premises might enter the minds of the police. It was to the lady with small feet that he addressed himself. He explained the necessity of flight, and told her that even a moment’s delay might be fatal. At his words, she summoned all her energy; she rose and hastened away, clinging to the arm of her companion. Did the man indicate the route they were to take, or did they know it themselves? This much is certain, he accompanied them some distance, in order to watch over them. But besides protecting these women, he had a still more sacred duty to perform — that of succoring his accomplice, if possible. He retraced his steps, passed by here once more, and the last footprint that I can discover leads in the direction of the Rue du Chateau des Rentiers. He wished to know what would become of the murderer, and went to place himself where he might see him pass by with his captors.”

      Like a dilettante who can scarcely restrain his applause until the close of the aria that delights him, Father Absinthe had been unable during the recital to entirely suppress his admiration. But it was not until Lecoq ceased speaking that he gave full vent to his enthusiasm: “Here is a detective if you like!” he exclaimed. “And they pretend that Gevrol is shrewd! What has he ever done

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