The Greatest Works of Abraham Merritt. Abraham Merritt

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The Greatest Works of Abraham Merritt - Abraham  Merritt

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she murmured again, looking down upon us.

      Slowly Ventnor began to bandage the pony’s eyes. I placed my hand upon the edge of the quadruple; sprang. A myriad unseen hands caught me, raised me, set me instantaneously on the upward surface.

      “Lift the pony to me,” I called to Ventnor.

      “Lift it?” he echoed, incredulously.

      Drake’s grin cut like a sunray through the nightmare dread that shrouded my mind.

      “Catch,” he called; placed one hand beneath the beast’s belly, the other under its throat; his shoulders heaved — and up shot the pony, laden as it was, landed softly upon four wide-stretched legs beside me. The faces of the two gaped up, ludicrous in their amazement.

      “Follow,” cried Norhala.

      Ventnor leaped wildly for the top, Drake beside him; in the flash of a humming-bird’s wing they were gripping me, swearing feebly. The unseen hold angled; struck upward; clutched from ankle to thigh; held us fast — men and beast.

      Away swept the block that bore Ruth and Norhala; I saw Ruth crouching, head bent, her arms around the knees of the woman. They slipped into the mists; vanished.

      And after them, like a log in a racing current, we, too, dipped beneath the faintly luminous vapors.

      The cubes moved with an entire absence of vibration; so smoothly and skimmingly, indeed, that had it not been for the sudden wind that had risen when first we had stirred, and that now beat steadily upon our faces, and the cloudy walls streaming by, I would have thought ourselves at rest.

      I saw the blurred form of Ventnor drift toward the forward edge. He walked as though wading. I essayed to follow him; my feet I could not lift; I could advance only by gliding them as though skating.

      Also the force, whatever it was, that held me seemed to pass me on from unseen clutch to clutch; it was as though up to my hips I moved through a closely woven yet fluid mass of cobwebs. I had the fantastic idea that if I so willed I could slip over the edge of the blocks, crawl about their sides without falling — like a fly on the vertical faces of a huge sugar loaf.

      I drew beside Ventnor. He was staring ahead, striving, I knew, to pierce the mists for some glimpse of Ruth.

      He turned to me, his face drawn with anxiety, his eyes feverish.

      “Can you see them, Walter?” His voice shook. “God — why did I ever let her go like that? Why did I let her go alone?”

      “They’ll be close ahead, Martin.” I spoke out of a conviction I could not explain. “Whatever it is we’re bound for, wherever it is the woman’s taking us, she means to keep us together — for a time at least. I’m sure of it.”

      “She said — follow.” It was Drake beside us. “How the hell can we do anything else? We haven’t any control over this bird we’re on. But she has. What she meant, Ventnor, is that it would follow her.”

      “That’s true”— new hope softened the haggard face — “that’s true — but is it? We’re reckoning with creatures that man’s imagination never conceived — nor could conceive. And with this — woman — human in shape, yes, but human in thought — never. How then can we tell —”

      He turned once more, all his consciousness concentrated in his searching eyes.

      Drake’s rifle slipped from his hand.

      He stooped to pick it up; then tugged with both hands. The rifle lay immovable.

      I bent and strove to aid him. For all the pair of us could do, the rifle might have been a part of the gleaming surface on which it rested. The tiny, deepset star points winked up —

      “They’re — laughing at us!” grunted Drake.

      “Nonsense,” I answered, and tried to check the involuntary shuddering that shook me, as I saw it shake him. “Nonsense. These blocks are great magnets — that’s what holds the rifle; what holds us, too.”

      “I don’t mean the rifle,” he said; “I mean those points of lights — the eyes —”

      There came from Ventnor a cry of almost anguished relief. We straightened. Our head shot above the mists like those of swimmers from water. Unnoticed, we had been climbing out of them.

      And a hundred yards ahead of us, cleaving them, veiled in them almost to the shoulders, was Norhala, red-gold tresses steaming; and close beside her were the brown curls of Ruth. At her brother’s cry she turned and her arm flashed out of the veils with reassuring gesture.

      A mile away was an opening in the valley’s mountainous wall; toward it we were speeding. It was no ragged crevice, no nature split fissure; it gave the impression of a gigantic doorway.

      “Look,” whispered Drake.

      Between us and the vast gateway, gleaming triangles began to break through the vapors, like the cutting fins of sharks, glints of round bodies like gigantic porpoises — the vapors seethed with them. Quickly the fins and rolling curves were all about us. They centered upon the portal, streamed through — a horde of the metal things, leading us, guarding us, playing about us.

      And weird, unutterably weird was that spectacle — the vast and silent vale with its still, smooth vapors like a coverlet of cloud; the regal head of Norhala sweeping over them; the dull glint and gleam of the metal paradoxes flowing, in ordered motion, all about us; the titanic gateway, glowing before us.

      We were at its threshold; over it.

      CHAPTER VIII

      THE DRUMS OF THUNDER

       Table of Contents

      Upon that threshold the mists foamed like breaking billows, then ceased abruptly to be. Keeping exactly the distance I had noted when our gaze had risen above the fog, glided the block that bore Ruth and Norhala. In the strange light of the place into which we had emerged — and whether that place was canyon, corridor, or tunnel I could not then determine — it stood out sharply.

      One arm of Norhala held Ruth — and in her attitude I sensed a shielding intent, guardianship — the first really human impulse this shape of mystery and beauty had revealed.

      In front of them swept score upon score of her familiars — no longer dully lustrous, but shining as though cut from blue and polished steel. They — marched — in ordered rows, globes and cubes and pyramids; moving sedately now as units.

      I looked behind me; out of the spume boiling at the portal, were pouring forth other scores of the Metal Things, darting through like divers through a wave. And as they drew into our wake and swam into the light, their dim lustre vanished like a film; their surfaces grew almost radiant.

      Whence came the light that set them gleaming? Our pace had slackened — I looked about me. The walls of the cleft or tunnel were perpendicular, smooth and shining with a cold, metallic, greenish glow.

      Between the walls, like rhythmic flashing of fire-flies, pulsed soft and fugitive glimmerings that

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