had painted a good picture of Bryant. He seems to me to possess truth in himself, and to aim at it in his artistic endeavors.
May 6th. — This morning it is an easterly rain (southeasterly, I should say just now at twelve o’clock), and I went at nine, by appointment, to sit for my picture. The artist painted awhile; but soon found that he had not so much light as was desirable, and complained that his tints were as muddy as the weather. Further sitting was therefore postponed till tomorrow at eleven. It will be a good picture; but I see no assurance, as yet, of the likeness. An artist’s apartment is always very interesting to me, with its pictures, finished and unfinished; its little fancies in the pictorial way, — as here two sketches of children among flowers and foliage, representing Spring and Summer, Winter and Autumn being yet to come out of the artist’s mild; the portraits of his wife and children; here a clergyman, there a poet; here a woman with the stamp of reality upon her, there a feminine conception which we feel not to have existed. There was an infant Christ, or rather a child Christ, not unbeautiful, but scarcely divine. I love the odor of paint in an artist’s room; his palette and all his other tools have a mysterious charm for me. The pursuit has always interested my imagination more than any other, and I remember before having my first portrait taken, there was a great bewitchery in the idea, as if it were a magic process. Even now, it is not without interest to me.
I left Mr. Thompson before ten, and took my way through the sloppy streets to the Athenaeum, where I looked over the newspapers and periodicals, and found two of my old stories (Peter Goldthwaite and the Shaker Bridal) published as original in the last London Metropolitan! The English are much more unscrupulous and dishonest pirates than ourselves. However, if they are poor enough to perk themselves in such false feathers as these, Heaven help them! I glanced over the stories, and they seemed painfully cold and dull. It is the more singular that these should be so published, inasmuch as the whole book was republished in London, only a few months ago. Mr. Fields tells me that two publishers in London had advertised the Scarlet Letter as in press, each book at a shilling.
Certainly life is made much more tolerable, and man respects himself far more, when he takes his meals with a certain degree of order and state. There should be a sacred law in these matters; and, as consecrating the whole business, the preliminary prayer is a good and real ordinance. The advance of man from a savage and animal state may be as well measured by his mode and morality of dining, as by any other circumstance. At Mr. Fields’s, soon after entering the house, I heard the brisk and cheerful notes of a canary-bird, singing with great vivacity, and making its voice echo through the large rooms. It was very pleasant, at the close of the rainy, east-windy day, and seemed to fling sunshine through the dwelling.
May 7th. — I did not go out yesterday afternoon, but after tea I went to Parker’s. The drinking and smoking shop is no bad place to see one kind of life. The front apartment is for drinking. The door opens into Court Square, and is denoted, usually, by some choice specimens of dainties exhibited in the windows, or hanging beside the doorpost; as, for instance, a pair of canvasback ducks, distinguishable by their delicately mottled feathers; an admirable cut of raw beefsteak; a ham, ready boiled, and with curious figures traced in spices on its outward fat; a half, or perchance the whole, of a large salmon, when in season; a bunch of partridges, etc., etc. A screen stands directly before the door, so as to conceal the interior from an outside barbarian. At the counter stand, at almost all hours, — certainly at all hours when I have chanced to observe, — tipplers, either taking a solitary glass, or treating all round, veteran topers, flashy young men, visitors from the country, the various petty officers connected with the law, whom the vicinity of the Court-House brings hither. Chiefly, they drink plain liquors, gin, brandy, or whiskey, sometimes a Tom and Jerry, a gin cocktail (which the bar-tender makes artistically, tossing it in a large parabola from one tumbler to another, until fit for drinking), a brandy-smash, and numerous other concoctions. All this toping goes forward with little or no apparent exhilaration of spirits; nor does this seem to be the object sought, — it being rather, I imagine, to create a titillation of the coats of the stomach and a general sense of invigoration, without affecting the brain. Very seldom does a man grow wild and unruly.
The inner room is hung round with pictures and engravings of various kinds, — a painting of a premium ox, a lithograph of a Turk and of a Turkish lady, … . and various showily engraved tailors’ advertisements, and other shopbills; among them all, a small painting of a drunken toper, sleeping on a bench beside the grogshop, — a ragged, half-hatless, bloated, red-nosed, jolly, miserable-looking devil, very well done, and strangely suitable to the room in which it hangs. Round the walls are placed some half a dozen marble-topped tables, and a centre-table in the midst; most of them strewn with theatrical and other show-bills; and the large theatre-bills, with their type of gigantic solidity and blackness, hung against the walls.
Last evening, when I entered, there was one guest somewhat overcome with liquor, and slumbering with his chair tipped against one of the marble tables. In the course of a quarter of an hour, he roused himself (a plain, middle-aged man), and went out with rather an unsteady step, and a hot, red face. One or two others were smoking, and looking over the papers, or glancing at a playbill. From the centre of the ceiling descended a branch with two gas-burners, which sufficiently illuminated every corner of the room. Nothing is so remarkable in these bar-rooms and drinking-places, as the perfect order that prevails: if a man gets drunk, it is no otherwise perceptible than by his going to sleep, or his inability to walk.
Pacing the sidewalk in front of this grogshop of Parker’s (or sometimes, on cold and rainy days, taking his station inside), there is generally to be observed an elderly ragamuffin, in a dingy and battered hat, an old surtout, and a more than shabby general aspect; a thin face and red nose, a patch over one eye, and the other half drowned in moisture. He leans in a slightly stooping posture on a stick, forlorn and silent, addressing nobody, but fixing his one moist eye on you with a certain intentness. he is a man who has been in decent circumstances at some former period of his life, but, falling into decay (perhaps by dint of too frequent visits at Parker’s bar), he now haunts about the place, as a ghost haunts the spot where he was murdered, “to collect his rents,” as Parker says, — that is, to catch an occasional ninepence from some charitable acquaintances, or a glass of liquor at the bar. The word “ragamuffin,” which I have used above, does not accurately express the man, because there is a sort of shadow or delusion of respectability about him, and a sobriety too, and a kind of decency in his groggy and red-nosed destitution.
Underground, beneath the drinking and smoking rooms, is Parker’s eating-hall, extending all the way to Court Street. All sorts of good eating may be had there, and a gourmand may feast at what expense he will.
I take an interest in all the nooks and crannies and every development of cities; so here I try to make a description of the view from the back windows of a house in the centre of Boston, at which I now glance in the intervals of writing. The view is bounded, at perhaps thirty yards’ distance, by a row of opposite brick dwellings, standing, I think, on Temple Place; houses of the better order, with tokens of genteel families visible in all the rooms betwixt the basements and the attic windows in the roof; plate-glass in the rear drawing-rooms, flowerpots in some of the windows of the upper stories. Occasionally, a lady’s figure, either seated or appearing with a flitting grace, or dimly manifest farther within the obscurity of the room. A balcony, with a wrought-iron fence running along under the row of drawing-room windows, above the basement. In the space betwixt the opposite row of dwellings and that in which I am situated are the low outhouses of the above-described houses, with flat roofs; or solid brick walls, with walks on them, and high railings, for the convenience of the washerwomen in hanging out their clothes. In the intervals are grass-plots, already green, because so sheltered; and fruit-trees, now beginning to put forth their leaves, and one of them, a cherry-tree, almost in full blossom. Birds flutter and sing among these trees. I should judge it a good site for the growth of delicate fruit; for, quite enclosed on all sides by houses, the blighting winds cannot molest the trees. They have sunshine on them a good part of the day, though the shadow must come early, and I suppose there is a rich soil about the roots. I see grapevines clambering against one wall, and also peeping
