NATHANIEL HAWTHORNE: Letters, Diaries, Reminiscences & Extensive Biographies. Герман Мелвилл
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A hint of a story, — some incident which should bring on a general war; and the chief actor in the incident to have something corresponding to the mischief he had caused.
September 7th — A drive to Ipswich with B — — — . At the tavern was an old, fat, country major, and another old fellow, laughing and playing off jokes on each other, — one tying a ribbon upon the other’s hat. One had been a trumpeter to the major’s troop. Walking about town, we knocked, for a whim, at the door of a dark old house, and inquired if Miss Hannah Lord lived there. A woman of about thirty came to the door, with rather a confused smile, and a disorder about the bosom of her dress, as if she had been disturbed while nursing her child. She answered us with great kindness.
Entering the burial-ground, where some masons were building a tomb, we found a good many old monuments, and several covered with slabs of red freestone or slate, and with arms sculptured on the slab, or an inlaid circle of slate. On one slate gravestone, of the Rev. Nathl. Rogers, there was a portrait of that worthy, about a third of the size of life, carved in relief, with his cloak, band, and wig, in excellent preservation, all the buttons of his waistcoat being cut with great minuteness, — the minister’s nose being on a level with his cheeks. It was an upright gravestone. Returning home, I held a colloquy with a young girl about the right road. She had come out to feed a pig, and was a little suspicious that we were making fun of her, yet answered us with a shy laugh and good-nature, — the pig all the time squealing for his dinner.
Displayed along the walls, and suspended from the pillars of the original King’s Chapel, were coats-of-arms of the king, the successive governors, and other distinguished men. In the pulpit there was an hourglass on a large and elaborate brass stand. The organ was surmounted by a gilt crown in the centre, supported by a gilt mitre on each side. The governor’s pew had Corinthian pillars, and crimson damask tapestry. In 1727 it was lined with china, probably tiles.
Saint Augustin, at mass, charged all that were accursed to go out of the church. “Then a dead body arose, and went out of the church into the churchyard, with a white cloth on its head, and stood there till mass was over. It was a former lord of the manor, whom a curate had cursed because he refused to pay his tithes. A justice also commanded the dead curate to arise, and gave him a rod; and the dead lord, kneeling, received penance thereby.” He then ordered the lord to go again to his grave, which he did, and fell immediately to ashes. Saint Augustin offered to pray for the curate, that he might remain on earth to confirm men in their belief; but the curate refused, because he was in the place of rest.
A sketch to be given of a modern reformer, — a type of the extreme doctrines on the subject of slaves, cold water, and other such topics. He goes about the streets haranguing most eloquently, and is on the point of making many converts, when his labors are suddenly interrupted by the appearance of the keeper of a mad-house, whence he has escaped. Much may be made of this idea.
A change from a gay young girl to an old woman; the melancholy events, the effects of which have clustered around her character, and gradually imbued it with their influence, till she becomes a lover of sick-chambers, taking pleasure in receiving dying breaths and in laying out the dead; also having her mind full of funeral reminiscences, and possessing more acquaintances beneath the burial turf than above it.
A well-concerted train of events to be thrown into confusion by some misplaced circumstance, unsuspected till the catastrophe, yet exerting its influence from beginning to end.
On the common, at dusk, after a salute from two field-pieces, the smoke lay long and heavily on the ground, without much spreading beyond the original space over which it had gushed from the guns. It was about the height of a man. The evening clear, but with an autumnal chill.
The world is so sad and solemn, that things meant in jest are liable, by an overpowering influence, to become dreadful earnest, — gayly dressed fantasies turning to ghostly and black-clad images of themselves.
A story, the hero of which is to be represented as naturally capable of deep and strong passion, and looking forward to the time when he shall feel passionate love, which is to be the great event of his existence. But it so chances that he never falls in love, and although he gives up the expectation of so doing, and marries calmly, yet it is somewhat sadly, with sentiments merely of esteem for his bride. The lady might be one who had loved him early in life, but whom then, in his expectation of passionate love, he had scorned.
The scene of a story or sketch to be laid within the light of a street-lantern; the time, when the lamp is near going out; and the catastrophe to be simultaneous with the last flickering gleam.
The peculiar weariness and depression of spirits which is felt after a day wasted in turning over a magazine or other light miscellany, different from the state of the mind after severe study; because there has been no excitement, no difficulties to be overcome, but the spirits have evaporated insensibly.
To represent the process by which sober truth gradually strips off all the beautiful draperies with which imagination has enveloped a beloved object, till from an angel she turns out to be a merely ordinary woman. This to be done without caricature, perhaps with a quiet humor interfused, but the prevailing impression to be a sad one. The story might consist of the various alterations in the feelings of the absent lover, caused by successive events that display the true character of his mistress; and the catastrophe should take place at their meeting, when he finds himself equally disappointed in her person; or the whole spirit of the thing may here be reproduced.
Last evening, from the opposite shore of the North River, a view of the town mirrored in the water, which was as smooth as glass, with no perceptible tide or agitation, except a trifling swell and reflux on the sand, although the shadow of the moon danced in it. The picture of the town perfect in the water, — towers of churches, houses, with here and there a light gleaming near the shore above, and more faintly glimmering under water, — all perfect, but somewhat more hazy and indistinct than the reality. There were many clouds flitting about the sky; and the picture of each could be traced in the water, — the ghost of what was itself unsubstantial. The rattling of wheels heard long and far through the town. Voices of people talking on the other side of the river, the tones being so distinguishable in all their variations that it seemed as if what was there said might be understood; but it was not so.
Two persons might be bitter enemies through life, and mutually cause the ruin of one another, and of all that were dear to them. Finally, meeting at the funeral of a grandchild, the offspring of a son and daughter married without their consent, — and who, as well as the child, had been the victims of their hatred, — they might discover that the supposed ground of the quarrel was altogether a mistake, and then be wofully reconciled.
Two persons, by mutual agreement, to make their wills in each other’s favor, then to wait impatiently for one another’s death, and both to be informed of the desired event at the same time. Both, in most joyous sorrow, hasten to be present at the funeral, meet, and find themselves both hoaxed.
The story of a man, cold and hard-hearted, and acknowledging no brotherhood with mankind. At his death they might try to dig him a grave, but, at a little space beneath the ground, strike upon a rock, as if the earth refused to receive the unnatural son into her bosom. Then they would put him into an old sepulchre, where the coffins and corpses