The Collected Works of Kahlil Gibran: 21 Books in One Edition (With Original Illustrations). Kahlil Gibran
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But Selma's face! No words can describe its expression, reflecting first great internal suffering, then heavenly exaltation.
The beauty of Selma's face was not classic; it was like a dream of revelation which cannot be measured or bound or copied by the brush of a painter or the chisel of a sculptor. Selma's beauty was not in her golden hair, but in the virtue of purity which surrounded it; not in her large eyes, but in the light which emanated from them; not in her red lips, but in the sweetness of her words; not in her ivory neck, but in its slight bow to the front. Nor was it in her perfect figure, but in the nobility of her spirit, burning like a white torch between earth and sky. her beauty was like a gift of poetry. But poets care unhappy people, for, no matter how high their spirits reach, they will still be enclosed in an envelope of tears.
Selma was deeply thoughtful rather than talkative, and her silence was a kind of music that carried one to a world of dreams and made him listen to the throbbing of his heart, and see the ghosts of his thoughts and feelings standing before him, looking him in the eyes.
She wore a cloak of deep sorrow through her life, which increased her strange beauty and dignity, as a tree in blossom is more lovely when seen through the mist of dawn.
Sorrow linked her spirit and mine, as if each saw in the other's face what the heart was feeling and heard the echo of a hidden voice. God had made two bodies in one, and separation could be nothing but agony.
The sorrowful spirit finds rest when united with a similar one. They join affectionately, as a stranger is cheered when he sees another stranger in a strange land. Hearts that are united through the medium of sorrow will not be separated by the glory of happiness. Love that is cleansed by tears will remain externally pure and beautiful.
The Tempest
One day Farris Effandi invited me to dinner at his home. I accepted, my spirit hungry for the divine bread which Heaven placed in the hands of Selma, the spiritual bread which makes our hearts hungrier the more we eat of it. It was this bread which Kais, the Arabian poet, Dante, and Sappho tasted and which set their hearts afar; the bread which the Goddess prepares with the sweetness of kisses and the bitterness of tears.
As I reached the home of Farris Effandi, I saw Selma sitting on a bench in the garden resting her head against a tree and looking like a bride in her white silk dress, or like a sentinel guarding that place.
Silently and reverently I approached and sat by her. I could not talk; so I resorted to silence, the only language of the heart, but I felt that Selma was listening to my wordless call and watching the ghost of my soul in my eyes.
In a few minutes the old man came out and greeted me as usual. When he stretched his hand toward me, I felt as if he were blessing the secrets that united me and his daughter. Then he said, "Dinner is ready, my children; let us eat. "We rose and followed him, and Selma's eyes brightened; for a new sentiment had been added to her love by her father's calling us his children.
We sat at the table enjoying the food and sipping the old wine, but our souls were living in a world far away. We were dreaming of the future and its hardships.
Three persons were separated in thoughts, but united in love; three innocent people with much feeling but little knowledge; a drama was being performed by an old man who loved his daughter and cared for her happiness, a young woman of twenty looking into the future with anxiety, and a young man, dreaming and worrying, who had tasted neither the wine of life nor its vinegar, and trying to reach the height of love and knowledge but unable to life himself up. We three sitting in twilight were eating and drinking in that solitary home, guarded by Heaven's eyes, but at the bottoms of our glasses were hidden bitterness and anguish.
As we finished eating, one of the maids announced the presence of a man at the door who wished to see Farris Effandi. "Who is he?" asked the old man. "The Bishop's messenger," said the maid. There was a moment of silence during which Farris Effandi stared at his daughter like a prophet who gazes at Heaven to divine its secret. Then he said to the maid, "Let the man in."
As the maid left, a man, dressed in oriental uniform and with big moustache curled at the ends, entered and greeted the old man, saying "His Grace, the Bishop, has sent me for you with his private carriage; he wishes to discuss important business with you." The old man's face clouded and his smile disappeared. After a moment of deep thought he came close to me and said in a friendly voice, "I hope to find you here when I come back, for Selma will enjoy your company in this solitary place."
Saying this, he turned to Selma and, smiling, asked if she agreed. She nodded her head, but her cheeks became red, and with a voice sweeter than the music of the lyre she said, "I will do my best, Father, to make our guest happy."
Selma watched the carriage that had taken her father and the Bishop's messenger until it disappeared. Then she came and sat opposite me on a divan covered with green silk. She looked like a lily bent to the carpet of green grass by the breeze of dawn. It was the will of Heaven that I should be with Selma alone, at night, in her beautiful home surrounded by trees, where silence, love, beauty and virtue dwelt together.
We were both silent, each waiting for the other to speak, but speech is not the only means of understanding between two souls. It is not the syllables that come from the lips and tongues that bring hearts together.
There is something greater and purer than what the mouth utters. Silence illuminates our souls, whispers to our hearts, and brings them together. Silence separates us from ourselves, makes us sail the firmament of spirit, and brings us closer to Heaven; it makes us feel that bodies are no more than prisons and that this world is only a place of exile.
Selma looked at me and her eyes revealed the secret of her heart. Then she quietly said, "Let us go to the garden and sit under the trees and watch the moon come up behind the mountains." Obediently I rose from my seat, but I hesitated.
Don't you think we had better stay here until the moon has risen and illuminates the garden?" And I continued, "The darkness hides the trees and flowers. We can see nothing."
Then she said, "If darkness hides the trees and flowers from our eyes, it will not hide love from our hearts."
Uttering these words in a strange tone, she turned her eyes and looked through the window. I remained silent, pondering her words, weighing the true meaning of each syllable. Then she looked at me as if she regretted what she had said and tried to take away those words from my ears by the magic of her eyes. But those eyes, instead of making me forget what she had said, repeated through the depths of my heart more clearly and effectively the sweet words which had already become graven in my memory for eternity.
Every beauty and greatness in this world is created by a single thought or emotion inside a man. Every thing we see today, made by past generation, was, before its appearance, a thought in the mind of a man or an impulse in the heart of a woman. The revolutions that shed so much blood and turned men's minds toward liberty were the idea of one man who lived in the midst of thousands of men. The devastating wars which destroyed empires were a thought that existed in the mind of an individual. The supreme teachings that changed the course of humanity were the ideas of a man whose genius separated him from his environment. A single thought build the Pyramids, founded the glory of Islam, and caused