sometimes when Georgie's name came up in conversation, her eyes wore that "faraway" look that only the masterpieces of art could otherwise call up, and she would sigh and murmur "Dear Georgie!" and change the subject, with the tact that characterized her. In fact their mutual relations were among the most Beautiful Things of Riseholme, and hardly less beautiful was Peppino's attitude towards it all. That large-hearted man trusted them both, and his trust was perfectly justified. Georgie was in and out of the house all day, chiefly in; and not only did scandal never rear its hissing head, but it positively had not a head to hiss with, or a foot to stand on. On his side again Georgie had never said that he was in love with her (nor would it have been true if he had), but by his complete silence on the subject coupled with his constancy he seemed to admit the truth of this bloodless idyll. They talked and walked and read the masterpieces of literature and played duets on the piano together. Sometimes (for he was the more brilliant performer, though as he said "terribly lazy about practising," for which she scolded him) he would gently slap the back of her hand, if she played a wrong note, and say "Naughty!" And she would reply in baby language "Me vewy sowwy! Oo naughty too to hurt Lucia!" That was the utmost extent of their carnal familiarities, and with bright eyes fixed on the music they would break into peals of girlish laughter, until the beauty of the music sobered them again.
Georgie (he was Georgie or Mr Georgie, never Pillson to the whole of Riseholme) was not an obtrusively masculine sort of person. Such masculinity as he was possessed of was boyish rather than adult, and the most important ingredients in his nature were womanish. He had, in common with the rest of Riseholme, strong artistic tastes, and in addition to playing the piano, made charming little watercolour sketches, many of which he framed at his own expense and gave to friends, with slightly sentimental titles, neatly printed in gilt letters on the mount. "Golden Autumn Woodland," "Bleak December," "Yellow Daffodils," "Roses of Summer" were perhaps his most notable series, and these he had given to Lucia, on the occasion of four successive birthdays. He did portraits as well in pastel; these were of two types, elderly ladies in lace caps with a row of pearls, and boys in cricket shirts with their sleeves rolled up. He was not very good at eyes, so his sitters always were looking down, but he was excellent at smiles, and the old ladies smiled patiently and sweetly, and the boys gaily. But his finest accomplishment was needlework and his house was full of the creations of his needle, wool-work curtains, petit-point chair seats, and silk embroideries framed and glazed. Next to Lucia he was the hardest-worked inhabitant of Riseholme, but not being so strong as the Queen, he had often to go away for little rests by the seaside. Travelling by train fussed him a good deal, for he might not be able to get a corner seat, or somebody with a pipe or a baby might get into his carriage, or the porter might be rough with his luggage, so he always went in his car to some neighbouring watering-place where they knew him. Dicky, his handsome young chauffeur, drove him, and by Dicky's side sat Foljambe, his very pretty parlour-maid who valetted him. If Dicky took the wrong turn his master called "Naughty boy" through the tube, and Foljambe smiled respectfully. For the month of August, his two plain strapping sisters (Hermione and Ursula alas!) always came to stay with him. They liked pigs and dogs and otter-hunting and mutton-chops, and were rather a discordant element in Riseholme. But Georgie had a kind heart, and never even debated whether he should ask Hermy and Ursy or not, though he had to do a great deal of tidying up after they had gone.
There was always a playful touch between the meetings of these two when either of them had been away from Riseholme that very prettily concealed the depth of Georgie's supposed devotion, and when she came out into the garden where her Cavalier and her husband were waiting for their tea under the pergola, Georgie jumped up very nimbly and took a few chassée-ing steps towards her with both hands outstretched in welcome. She caught at his humour, made him a curtsey, and next moment they were treading a little improvised minuet together with hands held high, and pointed toes. Georgie had very small feet, and it was a really elegant toe that he pointed, encased in cloth-topped boots. He had on a suit of fresh white flannels and over his shoulders, for fear of the evening air being chilly after this hot day, he had a little cape of a military cut, like those in which young ladies at music-halls enact the part of colonels. He had a straw-hat on, with a blue riband, a pink shirt and a red tie, rather loose and billowy. His face was pink and round, with blue eyes, a short nose and very red lips. An almost complete absence of eyebrow was made up for by a firm little brown moustache clipped very short, and brushed upwards at its extremities. Contrary to expectation he was quite tall and fitted very neatly into his clothes.
The dance came to an end with a low curtsey on Lucia's part, an obeisance hat in hand from Georgie (this exposure showing a crop of hair grown on one side of his head and brushed smoothly over the top until it joined the hair on the other side) and a clapping of the hands from Peppino.
"Bravo, bravo," he cried from the tea table. "Capital!"
Mrs Lucas blew him a kiss in acknowledgment of this compliment and smiled on her partner. "Amico!" she said. "It is nice to see you again. How goes it?"
"Va bene," said Georgie to show he could talk Italian too. "Va very bene now that you've come back."
"Grazie! Now tell us all the news. We'll have a good gossip."
Georgie's face beamed with a "solemn gladness" at the word, like a drunkard's when brandy is mentioned.
"Where shall we begin?" he said. "Such a lot to tell you. I think we must begin with a great bit of news. Something really mysterious."
Lucia smiled inwardly. She felt that she knew for dead certain what the mysterious news was, and also that she knew far more about it than Georgie. This superiority she completely concealed. Nobody could have guessed it.
"Presto, presto!" she said. "You excite me."
"Yesterday morning I was in Rush's," said Georgie, "seeing about some crème de menthe, which ought to have been sent the day before. Rush is very negligent sometimes — and I was just saying a sharp word about it, when suddenly I saw that Rush was not attending at all, but was looking at something behind my back, and so I looked round. Guess!"
"Don't be tantalising, amico," said she. "How can I guess? A pink elephant with blue spots!"
"No, guess again!"
"A red Indian in full war paint."
"Certainly not! Guess again," said Georgie, with a little sigh of relief. (It would have been awful if she had guessed.) At this moment Peppino suddenly became aware that Lucia had guessed and was up to some game.
"Give me your hand, Georgie," she said, "and look at me. I'm going to read your thoughts. Think of what you saw when you turned round."
She took his hand and pressed it to her forehead, closing her eyes.
"But I do seem to see an Indian," she said. "Ah, not red Indian, other Indian. And — and he has slippers on and brown stockings — no, not brown stockings; it's legs. And there's a beard, and a turban."
She gave a sigh.
"That's all I can see," she said.
"My dear, you're marvellous," said he. "You're quite right."
A slight bubbling sound came from Peppino, and Georgie began to suspect.
"I believe you've seen him!" he said. "How tarsome you are . . ."
When they had all laughed a great deal, and Georgie had been assured that Lucia really, word of honour, had no idea what happened next, the narrative was resumed.
"So there stood the Indian, bowing and salaaming most politely and when Rush had promised me he would send my crème de menthe that very morning, I just looked through a wine list for a moment, and the Indian with quantities more bows came
