The Collected Works of P. C. Wren: Complete Beau Geste Series, Novels & Short Stories. P. C. Wren

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The Collected Works of P. C. Wren: Complete Beau Geste Series, Novels & Short Stories - P. C. Wren

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I might be able to give it."

      Lady Brandon fixed a penetrating gaze on Lawrence's face--neither startled nor alarmed, he felt, but keen and, possibly, to be described as wary, or at least watchful.

      "Trouble? In need of help, George? How?" she asked, and whatever of wariness or watchfulness had peeped from her eyes retired, and her face became a beautiful mask, showing no more than reposeful and faintly-amused interest.

      "Well--it is a longish story," said Lawrence. "But I need not inflict it on you if you'll tell me if Beau Geste is all right and--er--the 'Blue Water'--er--safe and sound and--er--all that, you know."

      "What?" ejaculated his hearer sharply.

      There was no possible doubt now, as to the significance of the look on Lady Brandon's face. It certainly could be called one of alarm, and her direct gaze was distinctly watchful and wary. Had not she also paled very slightly? Undoubtedly she frowned faintly as she asked:

      "What are you talking about, George?"

      "Beau Geste, and the 'Blue Water,' Patricia," replied Lawrence. "If I appear to be talking through my hat, I am not really, and will produce reason for my wild-but-not-wicked words," he laughed. "There is method in my madness, dear."

      "There's madness in your method," replied Lady Brandon a trifle tartly, and added: "Have you seen Michael, then? Or what? Tell me!"

      "No. I have not seen him--but . . ."

      "Then what are you talking about? What do you know?" she interrupted, speaking hurriedly, a very sure sign that she was greatly perturbed.

      "I don't know anything, Patricia, and I'm asking you, because I have, most extraordinarily, come into possession of a document that purports to be a confession by Beau that he stole the 'Blue Water,'" began Lawrence.

      "Then it was . . ." whispered Lady Brandon.

      "Was what, Patricia?" asked Lawrence.

      "Go on, dear," she replied hastily. "How and where did you get this confession? Tell me quickly."

      "As I said, it's a long story," replied Lawrence. "It was found by de Beaujolais at a place called Zinderneuf in the French Soudan, in the hand of a dead man . . ."

      "Not Michael!" interrupted Lady Brandon.

      "No--a Frenchman. An adjudant in charge of a fort that had been attacked by Arabs . . ."

      "Our Henri de Beaujolais?" interrupted Lady Brandon, again. "Who was at school with you? . . . Rose Cary's son?"

      "Yes. He found it in this dead officer's hand . . ." replied Lawrence.

      "Er--has the sapphire been stolen, Patricia, and--er--excuse the silly question--is this Beau's writing?" and he thrust his hand into the inner pocket of his jacket.

      "But of course it isn't," he continued as he produced an envelope and extracted a stained and dirty piece of paper.

      Lady Brandon took the latter and looked at it, her face hard, enigmatical, a puzzled frown marring the smoothness of her forehead, her firm shapely mouth more tightly compressed than usual.

      She read the document and then looked out into the distance, down the coombe, and across the green and smiling plain, as though communing with herself and deciding how to answer.

      "Tell me the whole story from beginning to end, George," she said at length, "if it takes you the week-end. But tell me this quickly. Do you know anything more than you have told me, about either Michael or the 'Blue Water'?"

      "I know nothing whatever, my dear," was the reply, and the speaker thought he saw a look of relief, or a lessening of the look of alarm on his hearer's face, "but what I have told you. You know as much as I do now--except the details, of course."

      George Lawrence noted that Lady Brandon had neither admitted nor denied that the sapphire had been stolen, had neither admitted nor denied that the handwriting was that of her nephew.

      Obviously and undoubtedly there was something wrong, something queer, and in connection with Beau Geste too.

      For one thing, he was missing and she did not know where he was.

      But since all questions as to him, his handwriting, and the safety of the jewel had remained unanswered, he could only refrain from repeating them, and do nothing more but tell his story, and, at the end of it, say: "If the 'Blue Water' is not in this house, Patricia, I am going straight to Zinderneuf to find it for you."

      She would then, naturally, give him all the information she could, and every assistance in her power--if the sapphire had been stolen.

      If it had not, she would, of course, say so.

      But he wished she would be a little less guarded, a little more communicative. It would be so very easy to say: "My dear George, the 'Blue Water' is in the safe in the Priests' Hole as usual, and Michael is in excellent health and spirits," or, on the other hand, to admit at once: "The 'Blue Water' has vanished and so has Michael."

      However, what Patricia Brandon did was right. For whatever course of action she pursued, she had some excellent reason, and he had no earthly cause to feel a little hurt at her reticence in the matter.

      For example, if the impossible had come to pass, and Beau Geste had stolen the sapphire and bolted, would it not be perfectly natural for her to feel most reluctant to have it known that her nephew was a thief--a despicable creature that robbed his benefactress?

      Of course. She would even shield him, very probably--to such an extent as was compatible with the recovery of the jewel.

      Or if she were so angry, contemptuous, disgusted, as to feel no inclination to shield him, she would at any rate regard the affair as a disgraceful family scandal, about which the less said the better. Quite so.

      But to him, who had unswervingly loved her from his boyhood, and whom she frequently called her best friend, the man to whom she would always turn for help, since the pleasure of helping her was the greatest pleasure he could have? Why be reticent, guarded, and uncommunicative to him?

      But--her pleasure was her pleasure, and his was to serve it in any way she deigned to indicate. . . .

      "Well, we'll have the details, dear, and tea as well," said Lady Brandon more lightly and easily than she had spoken since he had mentioned the sapphire.

      "We'll have it in my boudoir, and I'll be at home to nobody whomsoever. You shall just talk until it is time to dress for dinner, and tell me every least detail as you go along. Everything you think, too; everything that Henri de Beaujolais thought;--and everything you think he thought, as well."

      As they strolled back to the house, Lady Brandon slipped her hand through Lawrence's arm, and it was quickly imprisoned.

      He glowed with the delightful feeling that this brave and strong woman (whose devoted love for another man was, now, at any rate, almost maternal in its protecting care), was glad to turn to him as others turned to her.

      How he yearned to hear her say, when his tale was told:

      "Help me, George. I have no one but

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