The Collected Works of P. C. Wren: Complete Beau Geste Series, Novels & Short Stories. P. C. Wren

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The Collected Works of P. C. Wren: Complete Beau Geste Series, Novels & Short Stories - P. C. Wren

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were in the outer hall one wet afternoon, and the brilliant idea of dressing up in one of the suits of armour occurred to the Captain of the Band.

      Nothing loth, we, his henchmen, quickly became Squires of, more or less, High Degree, and with much ingenuity and more string, more or less correctly cased the knight in his armour.

      He was just striking an attitude and bidding a caitiff to die, when the sound of a motor-horn anachronistically intruded and the Band dispersed as do rabbits at the report of a gun.

      Michael stepped up on to the pedestal and stood at ease (Ease!) Digby fled up the stairs, the girls dashed into the drawing-room, Augustus and another visitor rushed down a corridor to the service-staircase, and I, like Ginevra, dived into a great old chest on the other side of the hall.

      There I lay as though screwed down in a coffin and pride forbade me ignominiously to crawl forth. I realised that I was suffering horribly--and the next thing that I knew was that I was lying on my bed and Michael was smiting my face with a wet sponge while Digby dealt kindly blows upon my chest and stomach.

      When sufficiently recovered and sufficiently rebuked for being such an ass, I was informed that Aunt Patricia had driven up with a "black man"--mystery of mysteries!--and had confabulated with him right in front of the Man in Armour, afterwards speeding the "black man" on his way again in her car.

      We were much intrigued, and indulged in much speculation--the more, in that Michael would not say a word beyond that such a person had come and had gone again, and that he himself had contrived to remain so absolutely still in that heavy armour that not a creak, rustle, clank, or other sound had betrayed the fact that there actually was a Man in the Armour!

      In the universal and deserved admiration for this feat, my own poor performance in preferring death to discovery and dishonour passed unpraised.

      I must do Michael the justice, however, to state that directly Aunt Patricia had left the hall, he had hurried to raise the lid of the chest in which I was entombed, and had himself carried me upstairs as soon as his armour was removed and restored to its place.

      Digby, who, from long and painful practice, was an expert bugler, took down his old coach-horn from its place on the wall and blew what he said was an "honorific fanfare of heralds' trumpets," in recognition of the tenacity displayed both by Michael and myself.

      I must confess, however, that in spite of Michael's reticence concerning the visit of the "black man," we others discussed the strange event in all its bearings.

      We, however, arrived at no conclusion, and were driven to content ourselves with a foolish theory that the strange visitor was in some way connected with a queer boy, now a very distinguished and enlightened ruler in India. He was the oldest son and heir of the Maharajah, his father, and had been at the College for the sons of Ruling Princes in India, I think the Rajkumar College at Ajmir, before coming to Eton.

      He was a splendid athlete and sportsman, and devoted to Michael to the point of worship.

      Aunt Patricia welcomed him to Brandon Abbas at Michael's request, and when he saw the "Blue Water" he actually and literally and completely fainted.

      I suppose the sight of the sapphire was the occasion rather than the cause, but the fact remains. It was queer and uncanny beyond words, the more so because he never uttered a sound, and neither then nor subsequently ever said one syllable on the subject of the great jewel!

      * * *

      And so we lived our happy lives at Brandon Abbas, when not at our prep, school, at Eton, or later, at Oxford.

      Chapter II.

       The Disappearance of the "Blue Water"

       Table of Contents

      And then, one autumn evening, the face of life changed as utterly and suddenly as unexpectedly. The act of one person altered the lives of all of us, and brought suffering, exile, and death in its train.

      I am neither a student nor a philosopher, but I would like some convinced exponent of the doctrine of Free Will to explain how we are anything but the helpless victims of the consequences of the acts of other people. How I envy the grasp and logic of those great minds that can easily reconcile "unto the third and fourth generation," for example, with this comfortable doctrine!

      On this fine autumn evening, so ordinary, so secure and comfortable, so fateful and momentous, we sat in the great drawing-room of Brandon Abbas, after dinner, all together for what proved to be the last time. There were present Aunt Patricia, the Chaplain, Claudia, Isobel, Michael, Digby, Augustus Brandon, and myself.

      Aunt Patricia asked Claudia to sing, and that young lady excused herself on the score of being out of sorts and not feeling like it. She certainly looked pale and somewhat below her usual sparkling standard of health and spirits. I had thought for some days that she had seemed preoccupied and worried, and I had wondered if her bridge-debts and dressmakers' bills were the cause of it.

      With her wonted desire to be helpful and obliging, Isobel went to the piano, and for some time we sat listening to her sweet and sympathetic voice, while my aunt knitted, the Chaplain twiddled his thumbs, Claudia wrestled with some unpleasant problem in frowning abstraction, Augustus shuffled and tapped his cigarette-case with a cigarette he dared not light, Digby turned over the leaves of a magazine, and Michael watched Claudia.

      Presently Isobel rose and closed the piano.

      "What about a game of pills?" said Augustus, and before anyone replied, Claudia said:

      "Oh, Aunt, do let's have the 'Blue Water' down for a little while. I haven't seen it for ages."

      "Rather!" agreed Michael. "Let's do a gloat, Aunt," and the Chaplain supported him and said he'd be delighted to get it, if Lady Brandon would give permission.

      Only he and Aunt Patricia knew the secret of the Priests' Hole (excepting Sir Hector, of course), and I believe it would have taken an extraordinarily ingenious burglar to have discovered it, even given unlimited opportunity, before tackling the safe in which the "Blue Water," with other valuables, reposed. (I know that Michael, Digby, and I had spent countless hours, with the knowledge and consent of our aunt, in trying to find, without the slightest success, the trick of this hiding-place of more than one hunted divine. It became an obsession with Michael.) . . .

      Aunt Patricia agreed at once, and the Chaplain disappeared. He had a key which gave access to the hiding-place of the keys of the safe which the Priests' Hole guarded.

      "What is the 'Blue Water' worth, Aunt Patricia?" asked Claudia.

      "To whom, dear?" was the reply.

      "Well--what would a Hatton Garden person give for it?"

      "About a half what he thought his principal would be willing to offer, perhaps."

      "And what would that be, about, do you suppose?"

      "I don't know, Claudia. If some American millionaire were very anxious to buy it, I suppose he'd try to find out the lowest sum that would be considered," was the reply.

      "What would you ask, supposing you were going to sell it?" persisted Claudia.

      "I

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